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Richly illustrated, and featuring detailed descriptions of works by pivotal figures in the Italian Renaissance, this enlightening volume traces the development of art and architecture throughout the Italian peninsula in the fifteenth and sixteenth centuries. A smart, elegant, and jargon-free analysis of the Italian Renaissance what it was, what it means, and why we should study it Provides a sustained discussion of many great works of Renaissance art that will significantly enhance readers' understanding of the period Focuses on Renaissance art and architecture as it developed throughout the Italian peninsula, from Venice to Sicily Situates the Italian Renaissance in the wider context of the history of art Includes detailed interpretation of works by a host of pivotal Renaissance artists, both well and lesser known
Christiane L. Joost-Gaugier is a three-time graduate of Harvard University (AB, AM, PhD) and an internationally known art historian. She has taught and lectured in numerous American universities and chaired departments at the University of New Mexico and Wayne State University. Professor Joost-Gaugier has written extensively on Italian art and architecture and has authored more than 200 publications, including six books. Her work has been supported by numerous research grants and published in international journals, exhibition catalogues, and conference proceedings. In 2005 she was awarded an honorary Phi Beta Kappa for Lifetime Achievement by Harvard University.
Table of Contents
Frontispiece: Map Showing Places Mentioned
Introduction: The Italian Renaissance - An Idea Rather than a Period
Chapter 1: What a Difference a Hundred Years Makes
Chapter 2: How it All Started – Florence and Umbria
Chapter 3: What Happened Next in Florence
Chapter 4: Looking for the Renaissance in Siena and Southward to Sicily
Chapter 5: Searching the Renaissance from Northern Italy Back to Umbria
Chapter 6: The Triumph of the Intellectual Avant-Garde – The High Renaissance
Chapter 7: Some Other Artists of the High Renaissance
Chapter 8: The Swan Song of Renaissance Art
Chapter 9: The Break and the New Avant-Garde – Early Mannerism
Chapter 10: What Was the Italian Renaissance? Conclusions