9781405111041

A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies. Redraws the boundaries of Shakespeare performance studies. Considers performance in a range of media, including in print, in the classroom, in the theatre, in film, on television and video, in multimedia and digital forms. Introduces important terms and contemporary areas of enquiry in Shakespeare and performance. Raises questions about the dynamic interplay between Shakespearean writing and the practices of contemporary performance and performance studies. Written by an international group of major scholars, teachers, and professional theatre makers.

Barbara Hodgdon is Professor of English at the University of Michigan and Ellis and Nelle Levitt Distinguished Professor Emerita at Drake University. Her previous publications include The End Crowns All: Closure and Contradiction in Shakespeare’s History (1991), The First Part of King Henry the Fourth: Texts and Contexts (1997), and The Shakespeare Trade: Performances and Appropriations (1998). She was guest editor for a special issue of Shakespeare Quarterly (2002) on Shakespeare films and is currently editing The Taming of the Shrew for the Arden 3 series.

W. B. Worthen is Professor and Chair of the Department of Theatre at Barnard College. He is the author of The Idea of the Actor (1984), Modern Drama and the Rhetoric of Theater (1992), Shakespeare and the Authority of Performance (1997), Shakespeare and the Force of Modern Performance (2003), and Print and the Poetics of Modern Drama (2006). He is also the editor of several volumes, including the Wadsworth Anthology of Drama.

List of Illustrations

ix

Notes on Contributors

xi

Acknowledgments

xvi

Introduction: A Kind of History

1

(10)

Barbara Hodgdon

Part I Overviews: Terms of Performance

11

(128)

Reconstructing Love: King Lear and Theatre Architecture

13

(23)

Peggy Phelan

Shakespeare's Two Bodies

36

(21)

Peter Holland

Ragging Twelfth Night: 1602, 1996, 2002--3

57

(22)

Bruce R. Smith

On Location

79

(22)

Robert Shaughnessy

Where is Hamlet? Text, Performance, and Adaptation

101

(20)

Margaret Jane Kidnie

Shakespeare and the Possibilities of Postcolonial Performance

121

(18)

Ania Loomba

Part II Materialities: Writing and Performance

139

(92)

The Imaginary Text, or the Curse of the Folio

141

(21)

Anthony B. Dawson

Shakespearean Screen/Play

162

(17)

Laurie E. Osborne

What Does the Cued Part Cue? Parts and Cues in Romeo and Juliet

179

(18)

Simon Palfrey

Tiffany Stern

Editors in Love? Performing Desire in Romeo and Juliet

197

(15)

Wendy Wall

Prefixing the Author: Print, Plays, and Performance

212

(19)

W. B. Worthen

Part III Histories

231

(166)

Shakespeare the Victorian

233

(16)

Richard W. Schoch

Shakespeare Goes Slumming: Harlem '37 and Birmingham '97

249

(18)

Kathleen McLuskie

Stanislavski, Othello, and the Motives of Eloquence

267

(18)

John Gillies

Shakespeare, Henry VI and the Festival of Britain

285

(12)

Stuart Hampton-Reeves

Encoding/Decoding Shakespeare: Richard III at the 2002 Stratford Festival

297

(22)

Ric Knowles

Performance as Deflection

319

(16)

Miriam Gilbert

Maverick Shakespeare

335

(24)

Carol Chillington Rutter

Inheriting the Globe: The Reception of Shakespearean Space and Audience in Contemporary Reviewing

359

(17)

Paul Prescott

Performing History: Henry IV, Money, and the Fashion of the Times

376

(21)

Diana E. Henderson

Part IV Performance Technologies, Cultural Technologies

397

(112)

``Are We Being Theatrical Yet?'': Actors, Editors, and the Possibilities of Dialogue

399

(16)

Michael Cordner

Shakespeare on the Record

415

(22)

Douglas Lanier

SShockspeare: (Nazi) Shakespeare Goes Heil-lywood

437

(20)

Richard Burt

Game Space/Tragic Space: Julie Taymor's Titus

457

(21)

Peter S. Donaldson

Shakespeare Stiles Style: Shakespeare, Julia Stiles, and American Girl Culture

478

(16)

Elizabeth A. Deitchman

Shakespeare on Vacation

494

(15)

Susan Bennett

Part V Identities of Performance

509

(116)

Visions of Color: Spectacle, Spectators, and the Performance of Race

511

(16)

Margo Hendricks

Shakespeare and the Fiction of the Intercultural

527

(23)

Yong Li Lan

Guying the Guys and Girling The Shrew: (Post)Feminist Fun at Shakespeare's Globe

550

(14)

G. B. Shand

Queering the Audience: All-Male Casts in Recent Productions of Shakespeare

564

(24)

James C. Bulman

A Thousand Shakespeares: From Cinematic Saga to Feminist Geography or, The Escape from Iceland

588

(22)

Courtney Lehmann

Conflicting Fields of Vision: Performing Self and Other in Two Intercultural Shakespeare Productions

610

(15)

Joanne Tompkins

Part VI Performing Pedagogies

625

(34)

Teaching Through Performance

627

(17)

James N. Loehlin

``The eye of man hath not heard, / The ear of man hath not seen'': Teaching Tools for Speaking Shakespeare

644

(15)

Peter Lichtenfels

Index

659

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A Companion to Shakespeare And Performance

A Companion to Shakespeare And Performance

1405111046

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