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| Preface | p. v |
| Introduction: Writing about Literature | p. 1 |
| The Role of Good Reading | p. 2 |
| The Value of Rereading | p. 2 |
| Critical Reading | p. 2 |
| The Myth of "Hidden Meaning" | p. 3 |
| Active Reading | p. 4 |
| Annotating | p. 4 |
| "Kubla Khan" | p. 6 |
| Notetaking | p. 7 |
| Journal Keeping | p. 7 |
| ... MORE | p. 9 |
| Asking Critical Questions of Literature | p. 9 |
| Questions about the Text | p. 10 |
| "On My First Son" | p. 11 |
| Questions about the Author | p. 11 |
| Questions about the Cultural Context | p. 12 |
| Questions about the Reader | p. 13 |
| Tips for Good Reading | p. 15 |
| The Writing Process | p. 16 |
| Choosing a Topic | p. 16 |
| Developing an Argument | p. 17 |
| The Thesis | p. 17 |
| Gathering Support for Your Thesis | p. 19 |
| Organizing Your Paper | p. 20 |
| Drafting, Revising, and Editing | p. 22 |
| Drafting | p. 23 |
| Revising | p. 23 |
| Tips for Drafting, Revising and Editing | p. 25 |
| Final Editing and Proofreading | p. 26 |
| Final Editing Checklist | p. 27 |
| Peer Editing and Workshops | p. 28 |
| Trouble Spots | p. 31 |
| Introductions | p. 31 |
| Conclusions | p. 32 |
| Transitions | p. 33 |
| Tips for Writing about Literature | p. 33 |
| Using Quotations Effectively | p. 35 |
| Adding to or Altering a Quotation | p. 36 |
| Omitting Words from a Quotation | p. 36 |
| Quotations within Quotations | p. 37 |
| Quotations Marks with Other Punctuation | p. 37 |
| Quoting from Stories | p. 38 |
| Quoting from Poems | p. 39 |
| Quoting from Plays | p. 40 |
| Tips for Quoting | p. 41 |
| Manuscript Form | p. 42 |
| Common Writing Assignments | p. 43 |
| Summary | p. 43 |
| Explication | p. 44 |
| "Upon Julia's Clothes" | p. 45 |
| "Poetry in Motion: Herrick's 'Upon Julia's Clothes" | p. 46 |
| Analysis | p. 47 |
| "My Last Duchess" | p. 48 |
| "Possessed by the Need for Possession: Browning's 'My Last Duchess'" | p. 50 |
| Comparison and Contrast | p. 51 |
| "After Death" | p. 52 |
| "Speakers for the Dead: Narrators in 'My Last Duchess' and 'After Death'" | p. 53 |
| Essay Exams | p. 54 |
| Writing About Stories | p. 57 |
| Elements of Fiction | p. 57 |
| Plot | p. 57 |
| Characters | p. 57 |
| Point of View | p. 58 |
| Setting | p. 58 |
| Theme | p. 59 |
| Symbolism | p. 59 |
| Style | p. 59 |
| Stories for Analysis | p. 60 |
| "The Story of an Hour" | p. 61 |
| "The Yellow Wallpaper" | p. 63 |
| Questions on the Stories | p. 77 |
| Sample Paper: An Essay That Compares and Contrasts | p. 77 |
| "Good Husbands in Bad Marriages" | p. 79 |
| Writing About Poems | p. 82 |
| Elements of Poetry | p. 82 |
| The Speaker | p. 82 |
| The Listener | p. 82 |
| Imagery | p. 83 |
| Sound and Sense | p. 83 |
| A Poem for Analysis | p. 87 |
| "Sonnet 116" | p. 87 |
| Questions on the Poem | p. 88 |
| Sample Paper: An Explication | p. 88 |
| "Shakespeare Defines Love" | p. 89 |
| Writing About Plays | p. 92 |
| Elements of Drama | p. 92 |
| A Play for Analysis | p. 93 |
| "Trifles" | p. 94 |
| Questions about the Play | p. 106 |
| Sample Paper: An Analysis | p. 106 |
| "Moral Ambiguity and Character Development in Trifles" | p. 107 |
| Writing A Literary Research Paper | p. 110 |
| Finding Sources | p. 110 |
| Books | p. 111 |
| Periodicals | p. 111 |
| Online Indexes | p. 112 |
| Interlibrary Loan | p. 113 |
| The Internet | p. 113 |
| Evaluating Sources | p. 114 |
| Working with Sources | p. 115 |
| Quoting | p. 116 |
| Paraphrasing and Summarizing | p. 116 |
| Commenting | p. 116 |
| Keeping Track of Your Sources | p. 117 |
| Writing the Paper | p. 117 |
| Refine Your Thesis | p. 117 |
| Organize Your Evidence | p. 117 |
| Start Your Draft | p. 118 |
| Revise | p. 118 |
| Edit and Proofread | p. 118 |
| Understanding and Avoiding Plagiarism | p. 119 |
| What to Document and What Not to Document | p. 121 |
| Documenting Sources: MLA Format | p. 121 |
| In-Text Citations | p. 124 |
| Preparing Your Works Cited List | p. 127 |
| Sample Research Paper | p. 137 |
| "Emily Dickinson's 'Because I could not stop for Death': Challenging Readers' Expectations" | p. 138 |
| Literary Criticism and Literary Theory | p. 143 |
| Formalism and New Criticism | p. 144 |
| Feminist and Gender Criticism | p. 144 |
| Marxist Criticism | p. 145 |
| Cultural Studies | p. 146 |
| Historical Criticism and New Historicism | p. 147 |
| Psychological Theories | p. 148 |
| Reader-Response Theories | p. 149 |
| Structuralism | p. 150 |
| Poststructuralism and Deconstruction | p. 151 |
| Index of Terms | p. 153 |
| Table of Contents provided by Ingram. All Rights Reserved. |