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| Color Management | |
| Launching Photoshop | p. 1 |
| Displays, modes, and channels | p. 2 |
| Introduction to color management | p. 5 |
| Setting a camera's color space to Adobe RGB | p. 5 |
| Calibrating your display * | p. 7 |
| Choosing a color space for Photoshop | p. 10 |
| Synchronizing color settings | p. 12 |
| Customizing your color policies | p. 13 |
| ... MORE | p. 14 |
| Acquiring printer profiles | p. 14 |
| Changing color profiles | p. 16 |
| Proofing colors onscreen | p. 17 |
| Acquire, Create, Save | |
| Using digital cameras | p. 19 |
| 16 Bits/Channel mode | p. 21 |
| Calculating the file resolution | p. 22 |
| Using a scanner | p. 23 |
| Creating new, blank documents | p. 24 |
| Creating document presets | p. 26 |
| Using the Place command | p. 27 |
| Saving files | p. 28 |
| Using the Status bar * | p. 31 |
| Ending a work session * | p. 32 |
| Bridge | |
| Launching Bridge * | p. 33 |
| Downloading photos from a camera * | p. 34 |
| The Bridge window * | p. 36 |
| Choosing a workspace for Bridge * | p. 38 |
| Previewing images in Bridge * | p. 40 |
| Opening files from Bridge * | p. 44 |
| Customizing the Bridge window * | p. 44 |
| Saving custom workspaces * | p. 47 |
| Resetting the Bridge workspace * | p. 47 |
| Moving and copying files | p. 47 |
| Labeling and rating thumbnails * | p. 48 |
| Choosing a sorting order * | p. 49 |
| Using the Filter panel * | p. 49 |
| Using thumbnail stacks | p. 50 |
| Managing files * | p. 51 |
| Searching for files * | p. 53 |
| Creating collections * | p. 54 |
| Exporting the Bridge cache * | p. 56 |
| Assigning keywords to files * | p. 57 |
| Opening PDF and Illustrator files | p. 58 |
| Dealing with the "ifs" | p. 60 |
| Workspaces | |
| Using the Application frame * | p. 61 |
| Using tabbed document windows * | p. 63 |
| Arranging document windows * | p. 64 |
| Changing the zoom level * | p. 65 |
| Rotating the view * | p. 67 |
| Changing the screen mode * | p. 68 |
| Changing the color behind the image * | p. 69 |
| Configuring the panels * | p. 69 |
| Customizing the menus * | p. 72 |
| Saving workspaces * | p. 74 |
| Restoring the default workspace * | p. 75 |
| Using the Application bar * | p. 76 |
| Using the Options bar | p. 76 |
| Panels | |
| The Photoshop panel icons * | p. 78 |
| The Photoshop panels illustrated * | p. 79 |
| Pixel Basics | |
| Changing resolution and dimensions | p. 97 |
| Changing the canvas size | p. 102 |
| Cropping images | p. 103 |
| Flipping and rotating images * | p. 107 |
| Straightening images * | p. 108 |
| Layer Basics | |
| Creating layers | p. 109 |
| Duplicating layers | p. 111 |
| Converting the Background | p. 112 |
| Selecting layers | p. 113 |
| Restacking layers | p. 114 |
| Working with layer groups | p. 114 |
| Deleting individual layers * | p. 116 |
| Hiding and showing layers | p. 116 |
| Moving layer content | p. 117 |
| Choosing Layers panel options | p. 118 |
| Merging layers | p. 120 |
| Flattening layers | p. 122 |
| Select | |
| Creating layer-based selections | p. 123 |
| Using the Rectangular and Elliptical Marquee tools | p. 124 |
| Using the lasso tools | p. 125 |
| Using the Quick Selection tool * | p. 126 |
| Using the Magic Wand tool | p. 128 |
| Creating a silhouette | p. 129 |
| Using the Color Range command * | p. 130 |
| Refining selection edges * | p. 132 |
| Deselecting and reselecting selections | p. 135 |
| Deleting selected pixels | p. 135 |
| Moving and transforming selection marquees * | p. 136 |
| Hiding and showing the selection marquee | p. 137 |
| Swapping and intersecting selections | p. 137 |
| Creating frame-shaped selections | p. 138 |
| Saving and loading selections * | p. 139 |
| Using Quick Masks * | p. 142 |
| The selection methods compared | p. 144 |
| Combine Images | |
| Moving selection contents * | p. 145 |
| Duplicating selections * | p. 146 |
| Using the Clipboard | p. 148 |
| Matching image dimensions | p. 151 |
| Copying layers between files * | p. 152 |
| Blending imagery using layer masks | p. 154 |
| Using the Clone Source panel * | p. 156 |
| Stitching photos together * | p. 158 |
| Blending seams manually | p. 160 |
| Using the rulers, guides, and grid * | p. 161 |
| Aligning and distributing layers | p. 164 |
| History | |
| Choosing History panel options | p. 165 |
| Changing history states | p. 167 |
| Deleting and clearing history states | p. 168 |
| Using snapshots | p. 169 |
| Creating documents from states | p. 171 |
| Using the History Brush tool | p. 172 |
| Filling an area with a history state | p. 174 |
| Tonal Adjustments | |
| Creating adjustment layers * | p. 175 |
| Editing adjustment layer settings * | p. 177 |
| Saving adjustment presets * | p. 178 |
| Merging and deleting adjustment layers * | p. 179 |
| Adjustment layer techniques | p. 180 |
| Editing adjustment layer masks | p. 181 |
| Applying a Threshold adjustment * | p. 182 |
| Applying a Posterize adjustment * | p. 183 |
| Using the Histogram panel * | p. 184 |
| Creating a Levels adjustment layer * | p. 186 |
| Adjusting brightness and contrast * | p. 189 |
| Dodging and burning | p. 190 |
| Colors & Blending Modes | |
| Choosing colors | p. 191 |
| Using the Color Picker | p. 192 |
| Choosing colors from a color library | p. 193 |
| Using the Color panel | p. 194 |
| Using the Swatches panel | p. 195 |
| Using the Eyedropper tool * | p. 197 |
| Copying colors as hexadecimals | p. 197 |
| Choosing a blending mode | p. 198 |
| Color Adjustments | |
| Creating fill layers | p. 204 |
| Converting layers to grayscale * | p. 206 |
| Creating a Vibrance adjustment layer * | p. 208 |
| Creating a Color Balance adjustment layer * | p. 211 |
| Creating a Hue/Saturation adjustment layer * | p. 213 |
| Applying an Auto Color Correction * | p. 214 |
| Creating a Levels adjustment layer * | p. 216 |
| Creating a Curves adjustment layer * | p. 218 |
| Brushes | |
| Using the Brush tool | p. 223 |
| Choosing temporary brush settings * | p. 224 |
| Using the Brushes panel * | p. 225 |
| Customizing brushes | p. 226 |
| Smudging colors | p. 230 |
| Using the Eraser tool | p. 231 |
| Using the Magic Eraser tool | p. 232 |
| Camera Raw | |
| Why use Camera Raw? | p. 233 |
| Choosing preferences for opening photos * | p. 236 |
| Opening photos into Camera Raw * | p. 237 |
| The Camera Raw tools * | p. 239 |
| Cropping and straightening photos | p. 240 |
| Retouching photos * | p. 241 |
| Changing the Workflow options | p. 241 |
| Using the Basic tab | p. 242 |
| Using the Tone Curve tab | p. 246 |
| Using the HSL/Grayscale tab | p. 248 |
| Using the Detail tab | p. 250 |
| Saving and applying Camera Raw settings | p. 251 |
| Using the Adjustment Brush * | p. 252 |
| Synchronizing Camera Raw settings | p. 254 |
| Opening and saving Camera Raw files | p. 255 |
| Opening and placing photos as Smart Objects | p. 256 |
| Exposure | |
| Using the Shadows/Highlights command | p. 257 |
| Applying a Photo Filter adjustment * | p. 260 |
| Correcting exposure via the Layers panel * | p. 261 |
| Applying the Lighting Effects filter | p. 262 |
| Refocus | |
| Using the Lens Blur filter | p. 265 |
| Using the Motion Blur filter | p. 268 |
| Changing the focus with a vignette | p. 270 |
| Using the Lens Correction filter | p. 272 |
| Using the sharpening filters | p. 274 |
| Retouch | |
| Using the Match Color command | p. 280 |
| Cloning * | p. 282 |
| Using the Replace Color command * | p. 284 |
| Using the Surface Blur filter | p. 287 |
| Using the Color Replacement tool | p. 288 |
| Using the Healing Brush tool * | p. 290 |
| Using the Spot Healing Brush tool | p. 293 |
| Using the Patch tool | p. 294 |
| Using the Red Eye tool | p. 296 |
| More Layers | |
| Changing layer opacity and fill values | p. 297 |
| Blending layers | p. 298 |
| Creating layer masks * | p. 302 |
| Editing layer masks * | p. 303 |
| Working with layer masks * | p. 306 |
| Using clipping masks | p. 308 |
| Linking layers * | p. 309 |
| Transforming layers * | p. 310 |
| Warping layers | p. 313 |
| Using Smart Object layers | p. 314 |
| Filling areas with a solid color * | p. 316 |
| Layer Styles | |
| Applying layer effects (general info) | p. 317 |
| Applying a shadow effect | p. 320 |
| Applying a glow effect | p. 322 |
| Applying a bevel or emboss effect | p. 324 |
| Applying a satin effect | p. 326 |
| Applying the overlay effects | p. 327 |
| Applying a stroke effect | p. 329 |
| Copying, moving, and removing layer effects | p. 330 |
| Applying layer styles | p. 331 |
| Creating layer styles | p. 332 |
| Filters | |
| Applying filters | p. 333 |
| Creating and using Smart Filters * | p. 336 |
| Filter pro techniques | p. 338 |
| Most of the filters illustrated | p. 341 |
| Photos into drawings or paintings | p. 349 |
| Type | |
| Creating editable type | p. 352 |
| Selecting type | p. 354 |
| Converting type | p. 355 |
| Importing type from Adobe Illustrator as a Smart Object | p. 355 |
| Changing the font | p. 356 |
| Scaling type | p. 356 |
| Kerning and tracking type | p. 357 |
| Adjusting leading | p. 358 |
| Changing the type style | p. 359 |
| Shifting type from the baseline | p. 359 |
| Changing the orientation of type | p. 360 |
| Applying paragraph settings | p. 361 |
| Transforming type via its bounding box | p. 362 |
| Warping type | p. 363 |
| Rasterizing type | p. 364 |
| Filling type with imagery | p. 364 |
| Making type fade * | p. 366 |
| Screening back type * | p. 367 |
| Putting type in a spot color channel | p. 368 |
| Gradients | |
| Creating a gradient fill layer | p. 369 |
| Using the Gradient tool | p. 371 |
| Creating and editing gradient presets | p. 372 |
| Presentation | |
| Creating a vignette * | p. 375 |
| Adding a hand-painted border * | p. 376 |
| Adding a watermark | p. 378 |
| Creating a contact sheet * | p. 380 |
| Creating a PDF presentation * | p. 382 |
| Creating and using layer comps | p. 384 |
| Creating a PDF presentation of layer comps * | p. 386 |
| Preferences & Presets | |
| Opening the Preferences dialogs | p. 387 |
| General Preferences * | p. 388 |
| Interface Preferences * | p. 390 |
| File Handling Preferences | p. 392 |
| Performance Preferences * | p. 393 |
| Cursors Preferences * | p. 394 |
| Transparency & Gamut Preferences | p. 394 |
| Units & Rulers Preferences | p. 395 |
| Guides, Grid & Slices Preferences | p. 396 |
| Plug-ins Preferences * | p. 396 |
| Type Preferences | p. 397 |
| The Bridge Preferences * | p. 398 |
| Using the Preset Manager | p. 400 |
| Managing presets via pickers and panels | p. 402 |
| Creating tool presets | p. 404 |
| Choosing Properties/Page Setup settings for inkjet printing | p. 406 |
| Choosing Print dialog settings for inkjet printing * | p. 407 |
| Choosing Output options * | p. 410 |
| Printing the file in Windows | p. 411 |
| Printing the file in the Mac OS | p. 412 |
| Creating a duotone | p. 413 |
| Preparing a file for commercial printing | p. 413 |
| Export | |
| Preparing files for other applications | p. 415 |
| Saving files in the TIFF format | p. 417 |
| Saving files in the EPS format | p. 418 |
| Saving files in the PDF format | p. 420 |
| Saving files for the Web | p. 421 |
| Previewing optimized files * | p. 422 |
| Optimizing files in the GIF format * | p. 423 |
| Optimizing files in the JPEG format * | p. 425 |
| Index | p. 427 |
| Table of Contents provided by Ingram. All Rights Reserved. |