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| Photoshop Interface | |
| Launch Photoshop in Windows | p. 1 |
| Launch Photoshop in the Mac OS | p. 1 |
| Photoshop screen in the Mac OS | p. 2 |
| Photoshop screen in Windows | p. 3 |
| The menus | p. 4 |
| The Tools palette | |
| Using the Tools palette | p. 6 |
| Tools on the Tools palette | p. 7 |
| The Options bar | p. 9 |
| The palett... MORE | |
| Using the palettes | p. 10 |
| The palettes illustrated | p. 12 |
| Mini-glossary | p. 24 |
| Working smart | p. 25 |
| Color Management | |
| Displays, modes, and channels | p. 27 |
| Channels | p. 28 |
| Document color modes | p. 28 |
| Color management basics | |
| A straightforward approach to color management | p. 31 |
| Establishing Adobe RGB as the color space for a digital camera | p. 31 |
| Set a camera's color space to Adobe RGB | p. 32 |
| Calibrating your display | |
| Display types | p. 33 |
| Three important settings | p. 33 |
| Pssst! How the pros do it | p. 33 |
| Calibrate your display in the Mac OS | p. 34 |
| Choosing a color space for Photoshop | p. 36 |
| Synchronizing color settings | p. 38 |
| Customizing your color policies | p. 39 |
| Saving custom color settings | |
| Save custom color settings as defaults for the Creative Suite | p. 40 |
| Save custom color settings | p. 40 |
| Acquiring printer profiles | p. 40 |
| Changing color profiles | |
| Change or delete a file's color profile | p. 42 |
| Convert a file's color profile | p. 42 |
| Proofing colors onscreen | |
| Proof an inkjet print onscreen | p. 43 |
| Proof colors for commercial printing or online output | p. 44 |
| Acquire, Create, Save | |
| Using digital cameras | p. 45 |
| Buying a digital camera | p. 46 |
| Shooting digital photographs | p. 46 |
| Downloading photos | p. 47 |
| 16 Bits/Channel mode | p. 49 |
| Calculating the file resolution | |
| Resolution for print | p. 50 |
| Resolution for the Web | p. 50 |
| Calculate the resolution for print output | p. 51 |
| Using a scanner | p. 53 |
| Creating new, blank documents | |
| Create a new, blank document | p. 54 |
| Create a document preset | p. 56 |
| Using the Place command | p. 57 |
| Saving files | |
| Save an unsaved document | p. 58 |
| Save a previously saved file | p. 59 |
| Revert to the last saved version | p. 59 |
| Save a new version of a file | p. 60 |
| Use the status bar | p. 61 |
| Find out the storage size (and other data) about a file | p. 61 |
| Ending a work session | |
| Close a document | p. 62 |
| Exit/quit Photoshop | p. 62 |
| Bridge | |
| Launching Bridge | p. 63 |
| The Bridge window | p. 64 |
| Opening files from Bridge | p. 66 |
| Choosing a workspace for Bridge | p. 67 |
| Examining thumbnails | |
| Compare two thumbnails in the Preview panel | p. 68 |
| Examine picture details using a loupe | p. 68 |
| Customizing the Bridge window | |
| Change the backdrop and thumbnail data in the Bridge window | p. 69 |
| Customize the layout of Bridge | p. 70 |
| Save a Bridge workspace | p. 71 |
| Access saved workspaces | p. 71 |
| Moving and copying files | p. 71 |
| Filtering the display of thumbnails | |
| Label and rate thumbnails | p. 72 |
| Reject files | p. 72 |
| Redisplay all rejected thumbnails | p. 72 |
| Choose a sorting method | p. 73 |
| Display thumbnails based on category | p. 73 |
| Grouping thumbnails into stacks | |
| Rearrange thumbnails manually | p. 74 |
| Group thumbnails into a stack | p. 74 |
| Select thumbnails in a stack | p. 74 |
| Rearrange thumbnails in a stack | p. 74 |
| Move a whole stack | p. 74 |
| Add a thumbnail to a stack | p. 75 |
| Remove thumbnails from a stack | p. 75 |
| Ungroup a whole stack | p. 75 |
| Managing files | |
| Create a new folder | p. 75 |
| Delete files | p. 75 |
| Rename a file | p. 75 |
| Batch-rename files | p. 76 |
| Searching for files | p. 77 |
| Exporting the Bridge cache | |
| Export the cache to the current folder | p. 78 |
| Rebuild the cache files | p. 78 |
| Assigning keywords to files | p. 79 |
| Opening PDF and Illustrator files | |
| Open a PDF or Adobe Illustrator file as a new document | p. 80 |
| Paste Illustrator art into Photoshop | p. 81 |
| Dealing with the "ifs" | p. 82 |
| Workspaces | |
| Changing zoom levels | |
| Change the zoom level using the Navigator palette | p. 83 |
| Change the zoom level using the Zoom tool | p. 84 |
| Move a magnified image in its window | p. 85 |
| Scroll or zoom in multiple windows | p. 85 |
| Changing screen modes | p. 85 |
| Hiding/showing palettes | |
| Hide/show the palettes | p. 86 |
| Make hidden, docked palettes reappear | p. 86 |
| Customizing menus | |
| Assign color labels to, or hide/show, menu commands | p. 87 |
| Make all menu commands visible and remove all color labels | p. 88 |
| Saving workspaces | |
| Create a custom workspace | p. 89 |
| Restore the default workspace | p. 90 |
| Delete a custom workspace | p. 90 |
| Pixel Basics | |
| Changing resolution and dimensions | p. 91 |
| Change the resolution of a digital photo (low res/large dimensions) for print output | p. 92 |
| Resize a scanned image (high res/small dimensions) for print output | p. 93 |
| Resize a scanned image (medium res/small dimensions) for print output | p. 94 |
| Change the pixels dimensions of an image for Web output | p. 94 |
| Changing the canvas size | p. 96 |
| Cropping images | |
| Crop an image using a marquee | p. 97 |
| Crop an image to a specific size | p. 98 |
| Enlarge the canvas area using the Crop tool | p. 99 |
| Crop an image using the Crop command | p. 100 |
| Crop an image closely using the Trim command | p. 100 |
| Crop an image according to its existing aspect ratio | p. 101 |
| Flipping and rotating images | |
| Flip an image or a layer | p. 101 |
| Rotate an image by an exact amount | p. 102 |
| Straighten a crooked image | p. 102 |
| Layer Basics | |
| Creating layers | p. 103 |
| Create a layer | p. 104 |
| Turn selected pixels into a layer | p. 105 |
| Duplicate a layer or layer group | p. 105 |
| Convert the Background into a layer | p. 106 |
| Convert a layer into the Background | p. 106 |
| Selecting layers | |
| Select layers via the Layers palette | p. 107 |
| Select a layer or layer group with the Move tool | p. 107 |
| Restacking layers | p. 108 |
| Working with layer groups | |
| Create a layer group | p. 108 |
| Rename a layer or layer group | p. 109 |
| Delete or disband a layer group | p. 110 |
| Deleting individual layers | p. 110 |
| Hiding/showing layers | p. 110 |
| Moving layer content | p. 111 |
| Choosing Layers palette options | |
| Change the blending mode or opacity of a layer or layer group | p. 112 |
| Limit edits by locking transparent pixels | p. 112 |
| Lock a layer or layer group | p. 113 |
| Choose thumbnail options for the Layers palette | p. 113 |
| Merging layers | |
| Merge layers | p. 114 |
| Merge only visible layers | p. 115 |
| Copy and merge layers | p. 115 |
| Flattening layers | |
| Save a flattened copy of a file | p. 116 |
| Flatten layers | p. 116 |
| Select | |
| Creating layer-based selections | |
| Select all the pixels on a layer | p. 117 |
| Creating selections by dragging | |
| Create a rectangular or elliptical selection | p. 118 |
| Create a selection using a fixed ratio | p. 118 |
| Create a selection of specific dimensions | p. 118 |
| Create a free-form selection | p. 119 |
| Create a straight-edged selection | p. 119 |
| Creating selections based on color | |
| Use the Quick Selection tool | p. 120 |
| Select a color area with the Magic Wand tool | p. 122 |
| Turn a selection into a silhouette | p. 123 |
| Creating selections via a dialog box | p. 124 |
| Refining selection edges | |
| Refine the edge of a selection | p. 126 |
| Expand a selection via a command | p. 128 |
| Working with selections | |
| Deselect a selection | p. 129 |
| Reselect the last selection | p. 129 |
| Delete selected pixels | p. 129 |
| Move a selection marquee | p. 130 |
| Transform a selection marquee | p. 130 |
| Switch the selected and unselected areas | p. 131 |
| Hide/show a selection marquee | p. 131 |
| Create a selection in the shape of a frame | p. 132 |
| Select the intersection of two selections | p. 133 |
| Saving and loading selections | |
| Save a selection to a channel | p. 133 |
| Display a channel selection | p. 134 |
| Duplicate an alpha channel | p. 134 |
| Load an alpha channel onto an image as a selection | p. 135 |
| Combine two alpha channel selections | p. 135 |
| Reverse the masked and unmasked areas in an alpha channel | p. 136 |
| Reshape an alpha channel mask | p. 137 |
| Delete an alpha channel | p. 137 |
| Using Quick Masks | |
| Reshape a selection by using a Quick Mask | p. 138 |
| Paint a Quick Mask | p. 139 |
| Choose Quick Mask options | p. 139 |
| Choosing a selection method | p. 140 |
| Combine Images | |
| Moving selection contents | p. 141 |
| Duplicating selections | |
| Drag-copy a selection in the same document | p. 142 |
| Drag and drop a selection between documents | p. 143 |
| Using the Clipboard | p. 144 |
| Copy and paste a selection | p. 145 |
| Paste into a selection | p. 146 |
| Matching image dimensions | p. 147 |
| Copying layers between files | p. 148 |
| Pattern stamping | p. 149 |
| Blending imagery using layer masks | p. 150 |
| Using the Clone Source palette | |
| Use the Clone Stamp tool and the Clone Source palette | p. 152 |
| Switch between clone sources when using the Clone Stamp tool | p. 153 |
| Scale the source imagery while cloning | p. 153 |
| Rotate the source imagery | p. 153 |
| Reposition the source overlay after you've started cloning | p. 153 |
| Stitching photos together | p. 154 |
| Blending seams manually | p. 156 |
| Using alignment features | |
| Show/hide the rulers | p. 157 |
| Move a layer using smart guides | p. 158 |
| Show/hide the grid | p. 158 |
| Use the Snap feature | p. 158 |
| Create ruler guides | p. 159 |
| Lock/unlock all ruler guides | p. 159 |
| Create a ruler guide at a specific location | p. 159 |
| Remove ruler guides | p. 159 |
| Align layers to one another | p. 160 |
| Equalize the spacing among layers | p. 160 |
| Measure the distance and angle between two points | p. 160 |
| History | |
| Using the History palette | p. 161 |
| Changing history states | p. 163 |
| Deleting and clearing history states | |
| Delete a state | p. 164 |
| Clear the History palette | p. 164 |
| Using snapshots | |
| Choose snapshot options | p. 165 |
| Create a snapshot of a state | p. 166 |
| Make a snapshot become the current state | p. 167 |
| Delete a snapshot | p. 167 |
| Creating documents from states | p. 167 |
| Restoring areas selectively | |
| Use the History Brush tool | p. 168 |
| Fill a selection or layer with a history state or snapshot | p. 170 |
| Tonal Adjustments | |
| Applying adjustment commands | p. 171 |
| Using adjustment layers | |
| Create an adjustment layer | p. 172 |
| Change the settings for an adjustment layer | p. 172 |
| Change the command in an adjustment layer | p. 173 |
| Merge an adjustment layer | p. 173 |
| Adjustment layer techniques | p. 174 |
| Partially mask an adjustment layer | p. 175 |
| Two-step adjustment commands | |
| Apply the Threshold command | p. 176 |
| Apply the Posterize command | p. 177 |
| Using the Histogram palette | |
| Update the Histogram palette | p. 178 |
| Interpreting the Histogram palette | p. 179 |
| Using the Levels command | p. 180 |
| Correct the light/dark balance of an image | p. 180 |
| Screen back a layer | p. 182 |
| Adjusting brightness and contrast | p. 183 |
| Dodging and burning | p. 184 |
| Colors & Blending Modes | |
| Choosing colors | p. 185 |
| Choose a color using the Color Picker | p. 186 |
| Choose a color from a color library | p. 187 |
| Choose an RGB or HSB color using the Color palette | p. 188 |
| Using the Swatches palette | |
| Choose a color from the Swatches palette | p. 189 |
| Add a color to the Swatches palette | p. 189 |
| Delete a color from the Swatches palette | p. 189 |
| Save the current swatches as a library | p. 190 |
| Replace or append a swatches library | p. 190 |
| Load a swatches library | p. 190 |
| Restore the default swatches | p. 190 |
| Using the Eyedropper tool | p. 191 |
| Copying colors as hexadecimals | p. 191 |
| Choosing blending modes | p. 192 |
| Color-Adjustments | |
| Creating fill layers | |
| Add texture using a pattern fill layer | p. 198 |
| Apply a tint using a color fill layer | p. 199 |
| Converting layers to grayscale | |
| Convert an RGB image to grayscale using the Black & White command | p. 200 |
| Convert a layer to grayscale | p. 202 |
| Convert a color layer to grayscale and restore the color selectively | p. 202 |
| Using the Color Balance command | p. 203 |
| Using the Hue/Saturation command | p. 205 |
| Applying Auto Color Correction | p. 206 |
| Using the Levels command | p. 208 |
| Using the Curves command | |
| Adjust the color in an RGB image using the Curves command | p. 210 |
| Correct several images using the same adjustment layer | p. 214 |
| Brushes | |
| Using the Brush tool | p. 215 |
| Choosing temporary brush settings | p. 216 |
| Using the Brushes palette | p. 217 |
| Customizing brushes | |
| Customize a brush preset (main course) | p. 218 |
| Customize a brush preset (side dishes) | p. 221 |
| Smudging colors | p. 222 |
| Erasing | |
| Use the Eraser tool | p. 223 |
| Use the Magic Eraser tool | p. 224 |
| Camera Raw | |
| Why use Camera Raw? | p. 225 |
| More reasons to use Camera Raw | p. 226 |
| Raw, JPEG, or TIFF? | p. 227 |
| Getting JPEGs and TIFFs into Camera Raw | p. 228 |
| Who's hosting Camera Raw? | p. 228 |
| Camera Raw: the basic steps | p. 229 |
| Using the Camera Raw tools | |
| Use the simple "one-click" tools | p. 231 |
| Crop the image | p. 232 |
| Straighten out a crooked photo | p. 232 |
| Touch up blemishes or imperfections | p. 232 |
| Using the Workflow options | p. 233 |
| Using the Basic tab | |
| Apply white balance adjustments | p. 234 |
| Make tonal adjustments | p. 236 |
| Adjust the color saturation | p. 236 |
| Using the Tone Curve tab | p. 238 |
| Using the HSL/Grayscale tab | p. 240 |
| Using the Detail tab | p. 242 |
| Saving and applying Camera Raw settings | |
| Save Camera Raw settings as a preset | p. 243 |
| Choose a Camera Raw preset | p. 243 |
| Synchronize the Camera Raw settings of multiple files | p. 244 |
| Opening and saving Camera Raw files | |
| Open a Camera Raw file, saving settings | p. 245 |
| Open a copy of a Camera Raw file | p. 245 |
| Save a file via Camera Raw | p. 245 |
| Opening and placing photos as Smart Objects | |
| Convert a Camera Raw file into a Smart Object | p. 246 |
| Edit a Smart Object photo | p. 246 |
| Exposure | |
| Using the Shadow/Highlight command | p. 247 |
| Using the Photo Filter command | p. 250 |
| Exposure correction via the Layers palette | p. 251 |
| Correcting for lack of flash | p. 252 |
| Applying the Lighting Effects filter | p. 253 |
| Refocus | |
| Using the Lens Blur filter | p. 255 |
| Using the Motion Blur filter | p. 258 |
| Creating vignettes | |
| Create an area of focus (vignette) by using a mask | p. 260 |
| Create a darkening vignette via Levels | p. 261 |
| Using the Lens Correction filter | p. 262 |
| Using the sharpening filters | |
| Deciding which sharpening filter to use | p. 264 |
| Apply the Smart Sharpen filter | p. 265 |
| Apply the Unsharp Mask filter | p. 267 |
| Retouch | |
| Using the Match Color command | |
| Use the Match Color command | p. 270 |
| Remove a color cast in one step | p. 271 |
| Cloning | p. 272 |
| Using the Replace Color command | |
| Use the Replace Color command | p. 274 |
| Whiten teeth or eyes | p. 276 |
| Using the Surface Blur filter | |
| Smooth skin or other surfaces | p. 277 |
| Selectively restore details after using the Surface Blur filter | p. 277 |
| Using the Color Replacement tool | p. 278 |
| Using the Healing Brush tool | p. 280 |
| Using the Patch tool | p. 282 |
| Using the Spot Healing Brush tool | p. 284 |
| Using the Red Eye tool | p. 286 |
| More Layers | |
| Changing layer opacity and fill | p. 287 |
| Blending layers | p. 288 |
| Choose a blending mode for a layer | p. 288 |
| Blend a modified layer with the original layer | p. 289 |
| Choose blending options for a layer | p. 290 |
| Using layer masks | |
| Create a layer mask | p. 292 |
| Reshape a layer mask | p. 293 |
| Move the layer image or mask independently | p. 294 |
| Move or duplicate a layer mask to another layer | p. 294 |
| Choose layer mask display options | p. 294 |
| Deactivate a layer mask temporarily | p. 295 |
| Apply or delete a layer mask | p. 295 |
| Using clipping masks | |
| Create a clipping mask | p. 296 |
| Release a layer from a clipping mask | p. 296 |
| Release an entire clipping mask | p. 296 |
| Linking layers | p. 297 |
| Transforming layers | |
| Transform a layer or group via an individual command | p. 298 |
| Transform using the Free Transform command or Move tool | p. 300 |
| Warping layers | p. 301 |
| Using Smart Object layers | |
| Create a Smart Object | p. 302 |
| Edit a Smart Object | p. 302 |
| Replace the contents of a Smart Object with another file | p. 303 |
| Reclaim Photoshop layers from a Smart Object | p. 303 |
| Rasterize a Smart Object layer | p. 304 |
| Filling areas with a solid color | p. 304 |
| Layer Effects | |
| Applying layer effects | |
| Apply layer effects (generic instructions) | p. 305 |
| What kind of imagery should you use? | p. 307 |
| Layer effects in depth | |
| Apply the Drop Shadow or Inner Shadow effect | p. 308 |
| Transform a Drop Shadow effect | p. 309 |
| Apply the Outer or Inner Glow effect | p. 310 |
| Apply the Bevel or Emboss effect | p. 312 |
| Apply the Satin effect | p. 314 |
| Apply the Color Overlay effect | p. 315 |
| Apply the Gradient Overlay effect | p. 315 |
| Apply the Pattern Overlay effect | p. 316 |
| Apply a Stroke effect | p. 317 |
| Copying, moving, and removing effects | |
| Copy effects between layers | p. 318 |
| Move an effect from one layer to another without replacing existing effects | p. 318 |
| Move all the effects from one layer to another, replacing existing effects | p. 318 |
| Remove layer effects | p. 318 |
| Applying styles | |
| Apply a style to a layer | p. 319 |
| Save a style to the Styles palette | p. 320 |
| Filters | |
| Applying filters | p. 321 |
| Use the Filter Gallery | p. 322 |
| Using individual filter dialog boxes | p. 323 |
| Creating and using Smart Filters | |
| Create a Smart Filter | p. 324 |
| Edit the settings for a Smart Filter | p. 324 |
| Apply blending options to a Smart Filter | p. 325 |
| Hide/Show Smart Filter effects | p. 325 |
| Copy a filter effect from one Smart Object layer to another | p. 325 |
| Delete a Smart Filter | p. 325 |
| Create a filter mask | p. 325 |
| Filter pro techniques | p. 325 |
| Illustrated directory of filters | |
| Artistic filters | p. 329 |
| Blur filters | p. 331 |
| Brush Strokes filters | p. 332 |
| Distort filters | p. 333 |
| Noise filters | p. 334 |
| Pixelate filters | p. 335 |
| Render filters | p. 336 |
| Sharpen filters | p. 336 |
| Sketch filters | p. 337 |
| Stylize filters | p. 339 |
| Texture filters | p. 340 |
| Photos into drawings or paintings | |
| Turn a photograph into a tinted drawing | p. 341 |
| Create a watercolor | p. 342 |
| Applying the Pattern Maker filter | p. 343 |
| Type | |
| Editable versus rasterized type | p. 345 |
| Creating editable type | p. 346 |
| Selecting type | p. 348 |
| Converting type | |
| Convert paragraph type to point type | p. 349 |
| Convert point type to paragraph type | p. 349 |
| Importing type from Illustrator as a Smart Object | p. 349 |
| Styling type | |
| Scale type by choosing a value | p. 350 |
| Scale type using the Move tool | p. 350 |
| Apply kerning | p. 351 |
| Apply tracking | p. 351 |
| Adjust leading in horizontal type | p. 352 |
| Change the type style | p. 353 |
| Shift characters from the normal baseline | p. 353 |
| Changing type orientation | p. 354 |
| Applying paragraph settings | p. 355 |
| Transforming the bounding box | p. 356 |
| Warping type | p. 357 |
| Rasterizing type | p. 358 |
| Filling type with imagery | p. 358 |
| Use type shapes as a layer mask | p. 359 |
| Making type fade | p. 360 |
| Screening back type | p. 361 |
| Putting type in a spot color channel | p. 362 |
| Gradients | |
| Creating a gradient fill layer | p. 363 |
| Using the Gradient tool | p. 365 |
| Creating and editing gradient presets | p. 366 |
| Presentation | |
| Creating vignettes | p. 369 |
| Adding hand-painted borders | |
| Add a hand-painted border | p. 370 |
| Paint an image onto a white background | p. 370 |
| Adding watermarks | |
| Embed a watermark into a file | p. 372 |
| Create a custom watermark from text | p. 373 |
| Save a watermark shape and style as a tool preset | p. 373 |
| Creating a contact sheet | p. 374 |
| Creating a picture package | p. 376 |
| Creating a PDF presentation | p. 378 |
| Creating and using layer comps | |
| Create a layer comp | p. 380 |
| Display a layer comp | p. 381 |
| Restore the last document state | p. 381 |
| Update a layer comp | p. 381 |
| Clear an alert icon | p. 381 |
| Delete a layer comp | p. 382 |
| Create a PDF slide show of layer comps | p. 382 |
| Preferences/Presets | |
| Photoshop Preferences | |
| General preferences | p. 384 |
| Interface preferences | p. 385 |
| File Handling preferences | p. 386 |
| Performance preferences | p. 387 |
| Cursors preferences | p. 388 |
| Transparency & Gamut preferences | p. 388 |
| Units & Rulers preferences | p. 389 |
| Guides, Grid & Slices preferences | p. 390 |
| Plug-ins preferences | p. 390 |
| Type preferences | p. 391 |
| Bridge Preferences | |
| General preferences | p. 392 |
| Thumbnails preferences | p. 392 |
| Metadata preferences | p. 393 |
| Labels preferences | p. 393 |
| File Type Associations preferences | p. 393 |
| Inspector preferences | p. 393 |
| Startup Scripts preferences | p. 393 |
| Advanced preferences | p. 393 |
| Using the Preset Manager | |
| Use the Preset Manager | p. 394 |
| Save selected presets as a set | p. 395 |
| Reset or replace presets | p. 395 |
| Managing presets via pickers and palettes | |
| Delete a preset from a picker or palette | p. 396 |
| Save all the presets currently on a picker as a new library | p. 396 |
| Load a library of presets | p. 397 |
| Restore default presets | p. 397 |
| Creating tool presets | p. 398 |
| Printing from Photoshop | p. 399 |
| Choose a paper size and orientation for an inkjet printer | p. 400 |
| Print to an inkjet printer | p. 401 |
| Configuring the printer | |
| Turn off color management for your printer in Windows | p. 404 |
| Turn off color management for your printer in the Mac OS | p. 405 |
| Choosing output options | p. 406 |
| Creating spot color channels | |
| Create a spot color channel | p. 407 |
| Convert an alpha channel to a spot color channel | p. 407 |
| More about spot color channels | p. 408 |
| Printing spot color channels | p. 408 |
| Print a grayscale image using a spot color tint | p. 409 |
| Preparing files for commercial printing | p. 409 |
| Choose a predefined CMYK profile | p. 410 |
| The color correction workflow | p. 410 |
| Export | |
| Preparing files for other applications | |
| Photoshop to QuarkXPress | p. 411 |
| Photoshop to Adobe InDesign | p. 411 |
| Photoshop to Adobe Illustrator | p. 412 |
| Photoshop to CorelDRAW 12 | p. 412 |
| Saving files in the TIFF format | p. 413 |
| Saving files in the EPS format | p. 414 |
| Saving files in the PDF format | p. 416 |
| Saving files for the Web | p. 417 |
| Previewing optimized files | p. 418 |
| Optimizing files for the Web | |
| Optimize a file in the GIF format | p. 419 |
| Optimize an image in the JPEG format | p. 421 |
| Index | p. 423 |
| Table of Contents provided by Ingram. All Rights Reserved. |