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| Acknowledgments | p. xiii |
| To the Student: An Introduction to Theory into Practice | p. xv |
| The Relationship of Reading and Writing | p. 1 |
| Reading and Writing in College | p. 1 |
| Engaging the Text | p. 2 |
| Adding Marginal Notations | p. 3 |
| Keeping a Reading Log | p. 3 |
| Using Heuristics | p. 5 |
| Shaping a Response | p. 5 |
| Determining a Pu... MORE | p. 6 |
| Answering Essay Questions | p. 6 |
| Writing Research Papers | p. 7 |
| Knowing Your Audience | p. 8 |
| Choosing a Voice | p. 8 |
| Helping the Process | p. 9 |
| Collaboration | p. 10 |
| Reference Materials | p. 11 |
| Summing up | p. 12 |
| Suggested Reading | p. 12 |
| Familiar Approaches | p. 14 |
| Conventional Ways of Reading Literature | p. 14 |
| A Social Perspective | p. 14 |
| The Effects of Genre | p. 19 |
| Conventional Ways of Writing about Literature | p. 23 |
| Explication | p. 23 |
| Analysis | p. 24 |
| Comparison and Contrast | p. 24 |
| Study of a Single Author's Works | p. 25 |
| Summing up | p. 25 |
| Glossary of Terms Useful in Conventional Criticism | p. 25 |
| Suggested Reading and Resources | p. 26 |
| Model Student Analyses | p. 26 |
| "Between Gloom and Splendor: A Historical Analysis of Hawthorne's 'Young Goodman Brown'" | p. 26 |
| Formalism | p. 33 |
| Historical Background | p. 33 |
| Russian Formalism | p. 35 |
| Reading as a Formalist | p. 36 |
| Form | p. 36 |
| Diction | p. 38 |
| Unity | p. 40 |
| What Doesn't Appear in Formalist Criticism | p. 42 |
| Paraphrase | p. 42 |
| Intention | p. 42 |
| Biography | p. 42 |
| Affect | p. 42 |
| Writing a Formalist Analysis | p. 43 |
| Prewriting | p. 43 |
| Drafting and Revising | p. 43 |
| The Introduction | p. 43 |
| The Body | p. 44 |
| The Conclusion | p. 44 |
| Glossary of Terms Useful in Formalist Criticism | p. 45 |
| Suggested Reading | p. 46 |
| Model Student Analysis | p. 46 |
| "Robinson's 'Richard Cory': A Formalistic Interpretation" | p. 46 |
| Psychological Criticism | p. 49 |
| Historical Background | p. 49 |
| Practicing Psychological Criticism | p. 50 |
| Freudian Principles | p. 51 |
| The Unconscious | p. 52 |
| The Tripartite Psyche | p. 53 |
| The Significance of Sexuality | p. 54 |
| The Importance of Dreams | p. 55 |
| Symbols | p. 56 |
| Creativity | p. 57 |
| Summing up | p. 57 |
| Carl Jung and Mythological Criticism | p. 58 |
| Characters | p. 60 |
| Images | p. 61 |
| Situations | p. 62 |
| Northrop Frye and Mythological Criticism | p. 63 |
| Jacques Lacan: An Update on Freud | p. 63 |
| Character Analysis | p. 65 |
| Antirealism | p. 67 |
| Jouissance | p. 67 |
| Writing Psychological Criticism | p. 67 |
| Prewriting | p. 67 |
| Drafting and Revising | p. 69 |
| The Introduction | p. 69 |
| The Body | p. 69 |
| The Conclusion | p. 71 |
| Glossary of Terms Useful in Psychological Criticism | p. 71 |
| Suggested Reading | p. 72 |
| Model Student Analyses | p. 73 |
| "Water, Sun, Moon, Stars, Heroic Spirit, in Tennyson's 'Ulysses': A Mythological Analysis" | p. 73 |
| "Mama Mary and Mother Medusa: A Magic Carpet Ride Through James's Psychical Landscape in Ernest Gaines's 'The Sky Is Gray'" | p. 75 |
| Marxist Criticism | p. 86 |
| Historical Background | p. 86 |
| Reading from a Marxist Perspective | p. 88 |
| Economic Power | p. 89 |
| Materialism versus Spirituality | p. 91 |
| Class Conflict | p. 92 |
| Art, Literature, and Ideologies | p. 93 |
| Writing a Marxist Analysis | p. 96 |
| Prewriting | p. 97 |
| Drafting and Revising | p. 97 |
| The Introduction | p. 97 |
| The Body | p. 98 |
| The Conclusion | p. 98 |
| Glossary of Terms Useful in Marxist Criticism | p. 99 |
| Suggested Reading | p. 100 |
| Model Student Analysis | p. 100 |
| "Silence, Violence, and Southern Agrarian Class Conflict in William Faulkner's 'Barn Burning'" | p. 100 |
| Feminist Criticism | p. 104 |
| Historical Background | p. 105 |
| Feminism | p. 105 |
| Queer Theory | p. 111 |
| Reading as a Feminist | p. 114 |
| Studies of Difference | p. 114 |
| Studies of Power | p. 116 |
| Studies of the Female Experience | p. 119 |
| Writing Feminist Criticism | p. 120 |
| Prewriting | p. 121 |
| Drafting and Revising | p. 122 |
| The Introduction | p. 122 |
| The Body | p. 122 |
| The Conclusion | p. 124 |
| Glossary of Terms Useful in Feminist Criticism | p. 124 |
| Suggested Reading | p. 125 |
| Model Student Analysis | p. 126 |
| "The Road from Mother: A Daughter's Struggle" | p. 126 |
| Reader-Response Criticism | p. 131 |
| Historical Background | p. 131 |
| Making a Reader's Response | p. 134 |
| Getting Started | p. 134 |
| Interacting with the Text | p. 134 |
| The Text Acts on the Reader | p. 135 |
| The Reader Acts on the Text | p. 137 |
| The Transactional Model | p. 138 |
| Writing a Reader-Response Analysis | p. 140 |
| Prewriting | p. 140 |
| Drafting and Revising | p. 141 |
| The Introduction | p. 141 |
| The Body | p. 142 |
| The Conclusion | p. 142 |
| Glossary of Terms Useful in Reader-Response Criticism | p. 143 |
| Suggested Reading | p. 143 |
| Model Student Analysis | p. 144 |
| "Discovering the Way the World Works: A Reader-Response Analysis of James Joyce's 'Araby'" | p. 144 |
| Deconstruction | p. 150 |
| Historical Background | p. 150 |
| Practicing Deconstruction | p. 156 |
| Making a Deconstructive Analysis | p. 160 |
| Writing a Deconstructive Analysis | p. 165 |
| Prewriting | p. 165 |
| Drafting and Revising | p. 167 |
| The Introduction | p. 167 |
| The Body | p. 167 |
| The Conclusion | p. 168 |
| Glossary of Terms Useful in Understanding Deconstruction | p. 168 |
| Suggested Reading | p. 169 |
| Model Student Analysis | p. 170 |
| "The Blame Game" | p. 170 |
| Cultural Studies: New Historicism | p. 173 |
| An Overview of Cultural Studies | p. 173 |
| Assumptions, Principles, and Goals of New Historicism | p. 175 |
| Traditional Historicism | p. 175 |
| New Historicism | p. 176 |
| New Literary Historicism | p. 178 |
| Historical Background | p. 181 |
| Reading as a New Historicist | p. 184 |
| The World of the Author and the Text | p. 185 |
| Discourses in the Text | p. 188 |
| Intentions and Reception | p. 189 |
| Writing a New Historicist Literary Analysis | p. 190 |
| Prewriting | p. 191 |
| Drafting and Revising | p. 191 |
| The Introduction | p. 191 |
| The Body | p. 192 |
| The Conclusion | p. 194 |
| Glossary of Terms Useful in New Historicist Criticism | p. 194 |
| Suggested Reading | p. 195 |
| Model Student Analysis | p. 196 |
| "'You Have Been Warned': New History Telling in Nadine Gordimer's 'Once upon a Time'" | p. 196 |
| More Cultural Studies: Postcolonialism and Multiculturalism | p. 205 |
| Postcolonialism | p. 205 |
| Historical Background | p. 206 |
| Basic Assumptions | p. 209 |
| Reading as a Postcolonialist | p. 210 |
| Presentation of Colonialism | p. 210 |
| Treatment of Characters | p. 211 |
| Validity of the Narrative | p. 212 |
| Expressions of Nativism (Nationalism) | p. 212 |
| Recurring Subjects and Themes | p. 213 |
| Context | p. 214 |
| Minor Characters | p. 215 |
| Political Statement and Innuendo | p. 215 |
| Similarities | p. 216 |
| Glossary of Terms Useful in Postcolonial Studies | p. 216 |
| American Multiculturalism | p. 217 |
| African American Literature | p. 218 |
| Reading as a Multiculturalist | p. 220 |
| Narrative Forms | p. 221 |
| Diction | p. 223 |
| Style | p. 224 |
| Writing a Cultural Studies Analysis | p. 226 |
| Glossary of Terms Useful in American Multiculturalism | p. 227 |
| Suggested Reading | p. 227 |
| Model Student Analyses | p. 228 |
| "Victims Already: Violence and Threat in Nadine Gordimer's 'Once upon a Time'" | p. 228 |
| "Langston Hughes and the Dream of America" | p. 233 |
| Literary Selections | p. 239 |
| Letters of Abigail and John Adams | p. 239 |
| Jill Ker Conway excerpt from The Road from Coorain | p. 242 |
| Featured in Chapter 6 | p. 126 |
| William Faulkner "Barn Burning" | p. 253 |
| Featured in Chapter 5 | p. 100 |
| Robert Frost "Stopping by Woods on a Snowy Evening" | p. 265 |
| Ernest J. Gaines "The Sky Is Gray" | p. 266 |
| Featured in Chapter 4 | p. 75 |
| Nadine Gordimer "Once upon a Time" | p. 287 |
| Featured in Chapter 9 | p. 196 |
| Featured in Chapter 10 | p. 228 |
| Nathaniel Hawthorne "Young Goodman Brown" | p. 291 |
| Featured in Chapter 2 | p. 26 |
| Langston Hughes "I, Too" | p. 300 |
| Featured in Chapter 10 | p. 233 |
| Langston Hughes "Theme for English B" | p. 301 |
| Featured in Chapter 10 | p. 233 |
| Zora Neale Hurston excerpt from The Eatonville Anthology | p. 302 |
| James Joyce "Araby" | p. 311 |
| Featured in Chapter 7 | p. 144 |
| Guy de Maupassant "The Diamond Necklace" | p. 315 |
| Featured in Chapter 8 | p. 170 |
| Edgar Allan Poe "The Masque of the Red Death" | p. 321 |
| Edwin Arlington Robinson "Richard Cory" | p. 325 |
| Featured in Chapter 3 | p. 46 |
| Alfred, Lord Tennyson "Ulysses" | p. 326 |
| Information at a Glance | p. 329 |
| Index | p. 333 |
| Table of Contents provided by Ingram. All Rights Reserved. |