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| Preface | p. vii |
| Acknowledgments | p. xiii |
| No Wrong Turns | p. 1 |
| Happenstance | p. 8 |
| The Revolving Door | p. 12 |
| Destiny | p. 19 |
| Eye of the Needle | p. 31 |
| Ambition | p. 37 |
| The Rebbe Sleeps | p. 50 |
| Betting the Farm | p. 62 |
| Hardy's Horsemeat | p. 72 |
| A View from the Bridge | p. 7... MORE |
| The Hired Band | p. 86 |
| Nashville Steamroller | p. 99 |
| The Disappearing Act | p. 112 |
| Waltzing to the Brink | p. 127 |
| Keyhole Logic | p. 136 |
| Johnny Taps | p. 148 |
| Mr. Brums | p. 161 |
| Diamond in the Rough | p. 171 |
| Under Pressure | p. 191 |
| Restless Giant | p. 216 |
| The Art of Life | p. 229 |
| Chart Hits: 1954-75 | p. 245 |
| Companies | p. 254 |
| Notes | p. 263 |
| Bibliography | p. 285 |
| Index | p. 289 |
| Table of Contents provided by Ingram. All Rights Reserved. |
Bar Biszick-Lockwood founded Music Access, Inc., the first national service bureau for music clips, and she helped establish the nonprofit World Music Institute. She lives in Redmond, Washington, where she works as a program manager at Microsoft