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Summary Table of Contents

"Nella Larsen (1891-1964) occupies a central place in African-American and Modernist literature, and her status as a Harlem Renaissance woman writer is rivaled only by Zora Neale Hurston's. This edition of Larsen's 1929 novel is accompanied by Carla Kaplan's introduction and explanatory annotations."--BOOK JACKET.

Nella Larsen is a central figure in African American, Modernist, and women#xE2;#x80;#x99;s literature.

Introduction: Nella Larsen's Erotics of Race	p. ix
Acknowledgments	p. xxix
A Note on the Text	p. xxxi
The Text of Passing	p. 1
Backgrounds and Contexts	p. 83
Reviews	p. 85
"Passing" Is a Novel of Longings (April 27, 1929)	p. 85
Beyond the Color Line (April 28, 1929)	p. 85
The Color Line (April 28, 1929)	p. 87
... MORE	p. 88
As in a Looking Glass (May 3, 1929)	p. 90
Touch of the Tar-brush (May 18, 1929)	p. 91
Passing (June 1929)	p. 93
The Cat Came Back (June 5, 1929)	p. 94
Novel of Race Consciousness (June 23, 1929)	p. 96
Passing (July 1929)	p. 97
Passing (July 1929)	p. 99
Passing (Aug. 1929)	p. 99
Do They Always Return? (Sept. 28, 1929)	p. 101
Passing (Dec. 1929)	p. 102
Passing (Dec. 12, 1929)	p. 102
Contemporary Coverage of Passing and Race	p. 105
When Is a Caucasian Not a Caucasian? (March 2, 1911)	p. 105
Writer Says Brazil Has No Color Line (Oct. 1925)	p. 107
Does It Pay to "Pass?" (Aug. 20, 1927)	p. 107
From White Negroes (May-June 1928)	p. 109
3,000 Negroes Cross the Line Each Year (July 12, 1928)	p. 111
From Negro to Caucasion, Or How the Ethiopian Is Changing His Skin (1929)	p. 112
Crossing the Color Line (July 28, 1929)	p. 117
From Crossing the Color Line (Aug. 26, 1931)	p. 121
75,000 Pass in Philadelphia Every Day (Dec. 19, 1931)	p. 123
Careful Lyncher! He May Be Your Brother (Jan. 21, 1932)	p. 124
Blonde Girl Was 'Passing' (Jan. 23, 1932)	p. 125
Virginia Is Still Hounding 'White' Negroes Who 'Pass'	p. 126
The Rhinelander/Jones Case	p. 129
Society Youth Weds Cabman's Daughter (Nov. 14, 1924)	p. 129
Poor Girl to Fight Hubby's Parents (Dec. 26, 1924)	p. 130
From Calls Rhinelander Dupe of Girl He Wed (Nov. 10, 1925)	p. 133
From Loved Rhinelander, Wife's Letters Say (Nov. 13, 1925)	p. 134
From Rhinelander Bares Love Secrets (Nov. 21, 1925)	p. 137
From Kip's "Soul Message" Notes Read (Nov. 28. 1925)	p. 138
From Rhinelander Jury Reaches a Decision after Twelve Hours (Dec. 5, 1925)	p. 145
[Rhinelander Editorial], The Crisis (Jan. 1926)	p. 147
Rhinelander Gets a Fair Deal (Jan. 26, 1926)	p. 147
Mrs. Rhinelander to Sail (July 16, 1926)	p. 148
About Nella Larsen	p. 149
New Author Unearthed Right Here in Harlem (May 23, 1928)	p. 149
Behind the Backs of Books and Authors (April 13, 1929)	p. 150
Jean Blackwell Hutson to Louise Fox (Aug. 1, 1969)	p. 151
Author's Statements	p. 152
[Nella Larsen Imes, Guggenheim Application]	p. 152
[In Defense of Sanctuary]	p. 156
Letters	p. 158
To Carl Van Vechten [1925]	p. 158
To Charles S. Johnson [Aug. 1926]	p. 158
To Eddie Wasserman [April 3, 1928]	p. 161
To Eddie Wasserman [April 5, 1928]	p. 161
To Dorothy Peterson [n.d.]	p. 162
To Dorothy Peterson [July 19, 1927]	p. 163
To Dorothy Peterson [July 21, 1927]	p. 164
To Dorothy Peterson [Aug. 2, 1927]	p. 166
To Langston Hughes [n.d.]	p. 167
To Langston Hughes [1930]	p. 168
To Carl Van Vechten [April 15, 1929]	p. 168
To Gertrude Stein (Jan. 26, 1931)	p. 169
To Carl Van Vechten [May 14, 1932]	p. 170
The Tragic Mulatto (A)	p. 171
The Quadroons	p. 171
From The Garies and Their Friends	p. 180
From Clotel	p. 192
From Iola Leroy	p. 200
From An Imperative Duty	p. 207
The Father of Desiree's Baby	p. 213
From Pudd'nhead Wilson	p. 218
From The House Behind the Cedars	p. 220
The Octoroon	p. 227
Near White	p. 227
Mulatto	p. 227
From Imitation of Life	p. 229
Selections from Stories and Novels of Passing: "The Moment of Regret"	p. 243
From Iola Leroy	p. 243
From The Autobiography of an Ex-Colored Man	p. 248
From Flight	p. 257
From Plum Bun	p. 262
From Black No More	p. 270
Passing	p. 281
Selected Writings from the Harlem Renaissance	p. 285
The Mulatto to His Critics	p. 285
The Sleeper Wakes	p. 285
Heritage	p. 308
Two Who Crossed a Line	p. 311
Criteria of Negro Art	p. 312
Freedom	p. 320
From The Negro-Art Hokum	p. 324
From Nigger Heaven	p. 326
Passing for White, Passing for Colored, Passing for Negroes Plus	p. 332
Criticism	p. 335
Nella Larsen's Passing: A Study in Irony	p. 337
Nella Larsen's Passing: A Problem of Interpretation	p. 342
Nella Larsen: Mystery Woman of the Harlem Renaissance	p. 350
From Passing for What? Aspects of Identity in Nella Larsen's Novels	p. 356
[From Black Female Sexuality in Passing]	p. 363
Nella Larsen's Harlem Aesthetic	p. 379
From Miscegenation and "The Dicta of Race and Class": The Rhinelander Case and Nella Larsen's Passing	p. 387
Clare Kendry's "True" Colors: Race and Class Conflict in Nella Larsen's Passing	p. 393
From Sororophobia	p. 409
Passing, Queering: Nella Larsen's Psychoanalytic Challenge	p. 417
From Passing Fancies	p. 435
Nella Larsen and the Veil of Race	p. 444
From The Recurring Conditions of Nella Larsen's Passing	p. 463
Passing and Domestic Tragedy	p. 486
Passing: Race, Identification, and Desire	p. 489
Racial Etiquette: Nella Larsen's Passing and the Rhinelander Case	p. 507
A Chronology	p. 533
Selected Bibliography	p. 539
Table of Contents provided by Ingram. All Rights Reserved.

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