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| Preface to the Third Edition | |
| Introduction: What Makes "Art" such a Problematic Concept? | |
| Art as Imitation: Plato | |
| Art as Cognition: Aristotle | |
| Art as Object of Taste: David Hume | |
| Art as Communicable Pleasure: Immanuel Kant | |
| Art as Revelation: Arthur Schopenhauer | |
| Art as the Ideal: G. W. F. Hegel | |
| Art as Redemption: Friedrich Nietzsc... MORE | |
| Art as Communication of Feeling: Leo N. Tolstoy | |
| Art as Symptom: Sigmund Freud | |
| Art as Significant Form: Clive Bell | |
| Art as Expression: R. G. Collingwood | |
| Art as Experience: John Dewey | |
| Art as Truth: Martin Heidegger | |
| Art as Auratic: Walter Benjamin | |
| Art as Indefinable: Morris Weitz | |
| Art as Symbolic Form: Suzanne K. Langer | |
| Art as Exemplification: Nelson Goodman | |
| Art as Industry: Theodor W. Adorno | |
| Art as Theory: Arthur Danto | |
| Art as Institution: George Dickie | |
| Art as Epistemology: Michel Foucault | |
| Art as Aesthetic Production: Monroe C. Beardsley | |
| Art as Practice: Nöel Carroll | |
| Art as Make-Believe: Kendall Walton | |
| Art as Deconstructable: Jacques Derrida | |
| Art as Feminism: Carolyn Korsmeyer | |
| Art as Cultural Production: Pierre Bourdieu | |
| Art as Simulation: Jean Baudrillard | |
| Art as Postcolonial: Kwame Anthony Appiah | |
| Art as a Cluster Concept: Berys Gaut | |
| Art as the Arts: Dominic McIver Lopes | |
| About the Authors | |
| Credits List | |
| Table of Contents provided by Publisher. All Rights Reserved. |