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| Listening Guides | p. xii |
| In Depth | p. xvi |
| Preface | p. xvii |
| Introduction | p. 2 |
| Definitions and Themes | p. 6 |
| Goals and Definitions | p. 16 |
| Key Terms | p. 22 |
| Further Reading | p. 22 |
| Music, Conquest, and Colonialism | p. 24 |
| Introduction | p. 25 |
| The Colonization of Latin America: Historical Overview | ... MOREp. 27 |
| Indigenous Musical Culture at the Time of the Conquest | p. 31 |
| Music of the Conquest and Early Colonial Period | p. 35 |
| Music and Colonialism in Brazil | p. 50 |
| Mission Music | p. 57 |
| Opera | p. 61 |
| Popular Dance Music | p. 65 |
| The Contradanza | p. 69 |
| The End of the Colonial Era | p. 70 |
| Conclusion | p. 72 |
| Key Terms | p. 73 |
| Further Reading | p. 74 |
| Further Listening | p. 74 |
| Mexico | p. 76 |
| Introduction | p. 77 |
| Traditional and Popular Music | p. 81 |
| Classical Music | p. 111 |
| Conclusion | p. 121 |
| Key Terms | p. 122 |
| Further Reading | p. 122 |
| Further Listening | p. 123 |
| Further Viewing | p. 123 |
| Central America, Colombia, and Venezuela | p. 124 |
| Central America | p. 125 |
| Traditional Music | p. 127 |
| Popular Music | p. 134 |
| European and European-American Classical Music | p. 139 |
| Colombia | p. 141 |
| Traditional Music | p. 143 |
| Popular Music | p. 146 |
| European and European-American Classical Music | p. 153 |
| The Llanos | p. 154 |
| Miisica Llanera | p. 154 |
| Venezuela | p. 157 |
| Traditional and Popular Music | p. 161 |
| European and European-American Classical Music | p. 170 |
| Conclusion | p. 173 |
| Key Terms | p. 173 |
| Further Reading | p. 173 |
| Further Viewing | p. 174 |
| Cuba and the Hispanic Caribbean | p. 176 |
| Introduction | p. 177 |
| Traditional and Popular Music | p. 180 |
| Classical Music and Latin Jazz | p. 214 |
| Conclusion | p. 221 |
| Key Terms | p. 221 |
| Further Reading | p. 222 |
| Further Listening | p. 222 |
| Further Viewing | p. 222 |
| Brazil | p. 224 |
| Introduction | p. 225 |
| Traditional and Popular Music | p. 230 |
| Classical Music | p. 266 |
| Conclusion | p. 272 |
| Key Terms | p. 273 |
| Further Reading | p. 273 |
| Further Listening | p. 273 |
| Further Viewing | p. 273 |
| Argentina and the Rioplatense Region | p. 274 |
| Introduction | p. 275 |
| Traditional Music | p. 279 |
| Popular Music | p. 295 |
| Classical Music | p. 312 |
| Conclusion | p. 321 |
| Key Terms | p. 322 |
| Further Reading | p. 322 |
| Further Viewing | p. 323 |
| Peru and the Andes | p. 324 |
| Introduction | p. 325 |
| Traditional and Popular Music | p. 329 |
| Classical Music | p. 362 |
| Conclusion | p. 368 |
| Key Terms | p. 369 |
| Further Reading | p. 369 |
| Further Listening | p. 370 |
| Further Viewing | p. 370 |
| Latin American Impact on Contemporary Classical Music | p. 371 |
| Historical Background | p. 372 |
| Latin American Impact Today | p. 374 |
| Conclusion | p. 395 |
| Key Terms | p. 396 |
| Further Reading | p. 396 |
| Further Listening | p. 396 |
| Further Viewing | p. 396 |
| Twenty-First Century Latin American and Latino Popular Music | p. 397 |
| Introduction | p. 397 |
| Contemporary Latin American Popular Music | p. 399 |
| RecentTrends in U.S. Latino Popular Music | p. 420 |
| Conclusion | p. 431 |
| Key Terms | p. 432 |
| Further Reading | p. 432 |
| FurtherViewing | p. 433 |
| Appendix: The Elements of Music | p. 434 |
| Introduction | p. 434 |
| Sound as Music | p. 434 |
| Rhythm | p. 439 |
| Melody | p. 442 |
| Scales | p. 443 |
| Harmony | p. 445 |
| Texture | p. 447 |
| Form | p. 448 |
| Aesthetics and Culture | p. 449 |
| Key Terms | p. 453 |
| Glossary | p. 1 |
| Additional Resources | p. 15 |
| Endnotes | p. 19 |
| Music and Lyrics Credits | p. 21 |
| Photo Credits | p. 23 |
| Index | p. 25 |
| Table of Contents provided by Ingram. All Rights Reserved. |