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| Introduction | p. ix |
| The Texts of the Plays | p. 1 |
| The Pot of Broth | p. 12 |
| At the Hawk's Well | p. 20 |
| Purgatory | p. 29 |
| Spreading the News | p. 36 |
| The Rising of the Moon | p. 50 |
| Riders to the Sea | p. 58 |
| The Playboy of the Western World | p. 68 |
| John Bull's Other Island | p. 113 |
| Juno and the Paycock | ... MOREp. 197 |
| Krapp's Last Tape | p. 247 |
| Translations | p. 255 |
| The Weir | p. 309 |
| By the Bog of Cats | p. 352 |
| Backgrounds and Criticism | p. 399 |
| The Irish Dramatic Revival | p. 401 |
| Our Irish Theatre | p. 401 |
| What Should Be the Subjects of National Drama? | p. 410 |
| An Irish National Theatre | p. 412 |
| An Irish National Theatre | p. 415 |
| [The Collaborations of Yeats and Lady Gregory] | p. 417 |
| On W. B. Yeats | p. 424 |
| An Introduction for My Plays | p. 424 |
| Strangers in the House | p. 426 |
| Cathleen ni Houlihan Writes Back | p. 429 |
| [At The Hawk's Well] | p. 433 |
| [Purgatory] | p. 440 |
| On Lady Gregory | p. 443 |
| Spreading the News | p. 443 |
| A Note on Spreading the News | p. 444 |
| The Rising of the Moon | p. 444 |
| [Spreading the News] | p. 445 |
| Image-Maker for Ireland: Augusta | p. 449 |
| On J. M. Synge | p. 453 |
| Preface to the Playboy of the Western World | p. 453 |
| Preface to the First Edition of the Well of the Saints | p. 454 |
| [Journal 1907] | p. 454 |
| The Controversy over the Playboy of the Western World | p. 462 |
| The First Playboy | p. 464 |
| [The Playboy of the Western World] | p. 468 |
| On Bernard Shaw | p. 473 |
| Preface far Politicians | p. 473 |
| The Rejection of Shaw's Irish Play: John Bull's Other Island | p. 481 |
| Irish Romance | p. 486 |
| John Bull's Other Islander-Bernard Shaw | p. 491 |
| On Sean O'Casey | p. 496 |
| [Journal 1923-24] | p. 496 |
| [Journal 1923-24] | p. 499 |
| [Juno and the Paycock] | p. 502 |
| [Juno and the Paycock] | p. 506 |
| Sensationalizing Sacrifice | p. 513 |
| On Samuel Beckett | p. 517 |
| Correspondence of Samuel Beckett and Alan Schneider | p. 517 |
| [Krapp's Last Tape] | p. 521 |
| The Irish Beckett | p. 525 |
| Beckett and Yeats: Among the Dreaming Shades | p. 530 |
| Chronicles of the Human Heart | p. 535 |
| On Brian Friel | p. 540 |
| Field Day Theatre Company | |
| Program Notes for Translations | p. 540 |
| Making a Reply to the Criticisms of Translations | p. 543 |
| [Translations: A Night at the Theatre] | p. 546 |
| [Review of Translations] | p. 552 |
| Translations: On the Page and On the Stage | p. 554 |
| On Conor McPherson | p. 559 |
| [The Weir] | p. 559 |
| Secular Morality in the Plays of Conor McPherson | p. 563 |
| The Structural Elegance of Conor McPherson's The Weir | p. 568 |
| Pastoral Exhibits: Narrating Authenticities in Conor McPherson's The Weir | p. 572 |
| On Marina Carr | p. 577 |
| [Introduction to Plays] | p. 577 |
| [Interview: On Playing in By the Bog of Cats] | p. 578 |
| A Cautionary Tale: Marina Carr's By the Bog of Cats | p. 582 |
| Grotesque and Carnivalesque Elements in By the Bog of Cats | p. 587 |
| On Theater in Ireland | p. 594 |
| [Postcolonialism and Irish Theater] | p. 594 |
| Translating Women into Irish Theatre History | p. 600 |
| The Abbey Theatre and the Irish State | p. 606 |
| Pageants, Parades, and Performance Culture | p. 613 |
| Chronology | p. 623 |
| Selected Bibliography | p. 633 |
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