did-you-know? rent-now

Amazon no longer offers textbook rentals. We do!

The Invisible Cut: How Editors Make Movie Magic

9781932907537

The Invisible Cut: How Editors Make Movie Magic

  • ISBN 13:

    9781932907537

  • ISBN 10:

    193290753X

  • Edition: 1st
  • Format: Paperback
  • Copyright: 03/01/2009
  • Publisher: Michael Wiese Productions

List Price $30.95 Save

Rent $11.62
TERM PRICE DUE
Added Benefits of Renting

Free Shipping Both Ways Free Shipping Both Ways
Highlight/Take Notes Like You Own It Highlight/Take Notes Like You Own It
Purchase/Extend Before Due Date Purchase/Extend Before Due Date

List Price $30.95 Save $7.77

Used $23.18

In Stock Usually Ships in 24 Hours.

We Buy This Book Back We Buy This Book Back!

Included with your book

Free Shipping On Every Order Free Shipping On Every Order

List Price $30.95 Save $1.08

New $29.87

In Stock Usually Ships in 24 Hours.

We Buy This Book Back We Buy This Book Back!

Included with your book

Free Shipping On Every Order Free Shipping On Every Order

Note: Supplemental materials are not guaranteed with Rental or Used book purchases.

Extend or Purchase Your Rental at Any Time

Need to keep your rental past your due date? At any time before your due date you can extend or purchase your rental through your account.

Summary

Bobbie Osteen, an award-winning editor, explains the mysterious art of editing by analysing the "out" and "in" frames of the actual cuts from America's greatest movies including The Graduate, Chinatown, Rear Window, The French Connection, Twelve Angry Men, The Big Chill, Body Heat, A Hard Day's Night, and Butch Cassidy and the Sundance Kid. The author uses interviews and compelling research about these scenes to further demonstrate what the editor actually does to make movie magic. The book reveals how the editor - like a magician - manipulates his audience by using sleight of hand and seduces them by anticipating their needs and desires. Only then can he create those invisible cuts that grab them and keep them on the edge of their seats. Part One lays out the rules, strategies and techniques as well as the evolution of editing in movie history. Part Two shows the actual work of master editors by using 248 "frame grabs" - individual frames - from thirteen famous scenes. The book will be endorsed by some of the world's greatest directors of these movies, such as Sidney Lumet, Lawrence Kasden, and Roman Polanski.

Supplemental Materials

Read more