Because Knetbooks knows college students. Our rental program is designed to save you time and money. Whether you need a textbook for a semester, quarter or even a summer session, we have an option for you. Simply select a rental period, enter your information and your book will be on its way!
| Alternative Contents: Forms and Processes of Creative Nonfiction | p. xi |
| Preface: Beginning the Conversation | p. xv |
| Introduction: Creative Nonfiction, The Fourth Genre | p. xxiii |
| Writing Creative Nonfiction | p. 1 |
| ôOut Thereö | p. 3 |
| ôOde to Every Thingö | p. 8 |
| ôThe Answer That Increasingly Appealsö | p. 11 |
| ôFictionö | p. 19 |
| ôSoundtrackö | p. ... MORE |
| ôLes Cruel Shoesö | p. 31 |
| ôBefriending Barbieö | p. 35 |
| ôI'm Just Getting to the Disturbing Partö | p. 46 |
| ôSilent Dancingö | p. 54 |
| ôA Little Whileö | p. 61 |
| ôOn the Fringes of the Physical Worldö | p. 64 |
| ôWelcome to Afghanistanö | p. 73 |
| ôInto the Gulf: A Journal-Day 10: Beyond the Oiled Pelicanö | p. 79 |
| ôNortheast Directö | p. 83 |
| ôOn the Busö | p. 87 |
| ôRed Sky at Morningö | p. 91 |
| ôStripped for Partsö | p. 95 |
| ô13,1977,21ö | p. 101 |
| ôPortrait of My Bodyö | p. 107 |
| ôI Met a Man Who Has Seen the Ivory-billed Woodpecker, and This Is What He Told Meö | p. 115 |
| ôSome Things About That Dayö | p. 118 |
| ôMother's Dayö | p. 120 |
| ôThe Search for Marvin Gardensö | p. 128 |
| ôGeasö | p. 137 |
| ôIn Plain Sightö | p. 147 |
| ôGrammar Lessons: The Subjunctive Moodö | p. 151 |
| ôGlaciologyö | p. 162 |
| ôCelebrating Creationö | p. 167 |
| ôKnowing Where You've Beenö | p. 171 |
| ôPostcards from Birobidzhan: The Life & Death & Life of the Jewish Autonomous Republicö | p. 178 |
| ôCloud Crossingö | p. 188 |
| ôMy Father Always Saidö | p. 194 |
| ôAn E-Book Is Not a Book, In Which I Launch the Slow Book Movementö | p. 202 |
| ôNatural History, or What Happens When We're Not Lookingö | p. 204 |
| ôChin Musicö | p. 208 |
| ôEverything But Your Witsö | p. 218 |
| ôSpreading the Wordö | p. 223 |
| ôHow I Became a Bed-Makerö | p. 232 |
| ôBathingö | p. 237 |
| Talking About Creative Nonfiction | p. 241 |
| ôThe Landscape of Creative Nonfictionö | p. 243 |
| ôThe Art of Memoirö | p. 250 |
| ôOn the Origin of the Video Essayö | p. 254 |
| ôI Think I'm Musing My Mindö | p. 258 |
| ôA Narrator Leaps Past Journalismö | p. 261 |
| ôMemory and Imaginationö | p. 264 |
| ôThe Art of Selfö | p. 274 |
| ôThe Digital Essay: An Introductionö | p. 276 |
| ôCourting the Approval of the Deadö | p. 278 |
| ôMending Wallö | p. 292 |
| ôDays into Essays: A Self for All Seasonsö | p. 296 |
| ô'Brenda Miller Has a Cold,' or: How the Lyric Essay Happensö | p. 308 |
| ôHow to Live: Grandfather of the Writing We Love to Hateö | p. 315 |
| ôCollage, Montage, Mosaic, Vignette, Episode, Segmentö | p. 318 |
| ôProse Poems, Paragraphs, Brief Lyric Nonfictionö | p. 330 |
| ôFinding the Inner Story in Memoirs and Personal Essaysö | p. 333 |
| ôExperimental Critical Writingö | p. 337 |
| ô(Note to Self): The Lyric Essayö | p. 342 |
| Composing Creative Nonfiction | p. 345 |
| ôHomeö | p. 347 |
| ôUnwrapping Surprises in the Personal Essayö | p. 354 |
| ôWarping Time with Montaigneö | p. 362 |
| ôNotes from a Journey Toward 'Warping Time'ö | p. 368 |
| ôLambing Midwifeö | p. 376 |
| ôGestating Memory: Capturing Narrative Details in 'Lambing Midwife'ö | p. 382 |
| ôTeacher Trainingö | p. 388 |
| ôComposing 'Teacher Training'ö | p. 394 |
| ôZionö | p. 402 |
| ôOn Writing 'Zion'ö | p. 410 |
| Notes on Authors | p. 416 |
| Credits | p. 419 |
| Index | p. 423 |
| Table of Contents provided by Ingram. All Rights Reserved. |