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| Indicates new to this edition | |
| Alternate Contents by Genre | |
| Preface to Instructors | |
| Making Connections | |
| Participation: Personal Response and Critical Thinking | |
| The Personal Dimension of Reading Literature | |
| Personal Response and Critical Thinking | |
| Writing to Learn | |
| Keeping a Journal or Reading Log | |
| Double-Entr... MORE | |
| The Social Nature of Learning: Collaboration | |
| Personal, Not Private | |
| Ourselves as Readers | |
| Different Kinds of Reading | |
| First Responses | |
| Advice to My Son | |
| Making Connections with Literature | |
| Images of Ourselves | |
| Connecting Through Experience-Zimmer in Grade School | |
| Zimmer in Grade School | |
| Connecting Through Experience-Not Waving, but Drowning | |
| Not Waving, but Drowning | |
| Making Connections | |
| Culture, Experience, and Values | |
| Connecting Through Experience-Those Winter Sundays | |
| Those Winter Sundays | |
| Connecting Through Experience-Barbie Doll | |
| Barbie Doll | |
| Being in the Moment | |
| NEW YORK TIMES, "Birmingham Bomb Kills 4." | |
| Ballad of Birmingham | |
| Participating, Not Solving | |
| Using Our Imaginations | |
| The Whole and Its Parts | |
| Communication: Writing About Literature | |
| The Response Essay | |
| Voice and Writing | |
| Voice and Response to Literature | |
| Connecting Through Experience-Incident | |
| Writing to Describe | |
| Choosing Details | |
| Choosing Details from Literature | |
| Connecting Through Experience-Eleven | |
| Eleven | |
| Writing to Compare | |
| Comparing and Contrasting Using a Venn Diagram | |
| Connecting Through Experience-Mothers | |
| Mothers | |
| Connecting Through Experience-Salvation | |
| Salvation | |
| Possible Worlds | |
| From First Response to Final Draft | |
| The Importance of Revision | |
| Using First Responses | |
| Choosing a Topic | |
| Extending Your Ideas | |
| Semantic Mapping, or Clustering | |
| Mix and Match | |
| Generating Ideas Through Collaboration | |
| The Response Essay: Composing a Draft | |
| Diedre's Draft: "Twice on Sunday." | |
| Revision | |
| Organization and Unity | |
| Showing Support | |
| Clarity | |
| Voice | |
| Dierdre's Revised Essay:"Twice on Sunday." | |
| Analysis, Argumentation, and Research | |
| Exploration and Analysis: Genre and the Elements of Literature | |
| Close Reading | |
| Annotating the Text | |
| First Annotation: Exploration | |
| Ozymandias | |
| Second Annotation: Analysis | |
| Ozymandias | |
| Literature in Its Many Contexts | |
| Your Critical Approach | |
| Reading and Analyzing Fiction | |
| Narration | |
| Point of View | |
| Setting | |
| Conflict | |
| Plot | |
| Character | |
| Language and Style | |
| Diction | |
| Symbol | |
| Irony | |
| Theme | |
| Getting Ideas for Writing about Fiction | |
| The Story of an Hour | |
| Reading and Analyzing Poetry | |
| Language and Style | |
| Denotation and Connotation | |
| Voice | |
| Tone | |
| Irony | |
| War Is Kind | |
| Imagery | |
| The Word "Plum" | |
| Table of Contents provided by Publisher. All Rights Reserved. |