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Contemporary Class Piano
ISBN: 9780195342772 | 0195342771
Edition: 6thFormat: Spiral Bound
Publisher: Oxford University Press, USA
Pub. Date: 1/18/2008
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Highly acclaimed for its creative approach to beginning piano,Contemporary Class Piano presents materials in an engaging manner and in alogical progression of difficulty. Easily accessible to students with no priormusic or keyboard experience, the book offers a well-rounded and abundant soloand ensemble repertoire--including classical pieces and folk, jazz, rock, pop,and blues tunes--with ample opportunities for students to improvise, transpose,harmonize, and compose accompaniments. New to the Enhanced Edition: * Incorporates thirty-five new re... MORE
| New to this edition | |
| Preface to the Enhanced Sixth Edition: | |
| Preface: | |
| Keyboard Basics | |
| Keyboard Posture | |
| Finger Numbers | |
| Basic Note Values | |
| The Keyboard | |
| The Major Five-Finger Pattern | |
| Dynamics | |
| Reading Notes | |
| IntervalsKeeping Time | |
| S... MORE | |
| Key Signature | |
| Transposition | |
| Eighth Notes and Eighth Rests | |
| Drone Bass | |
| Repertoire | |
| Improvisation | |
| Harmonization | |
| Sightreading Stud | |
| Rhythmic Studies | |
| Ensemble Pieces | |
| Worksheet Review | |
| Reading | |
| A Jazz Waltz | |
| Keveren | |
| Beethoven, Shepherd''s Song ("Pastoral" from Symphony No. 6) | |
| Classic Miniatures: Gurlitt, The Contest, Op. 136, No. 3; Beyer, Two Etudes | |
| Repertoire | |
| Bartok, Melody (No. 1 from First Term at the Piano) | |
| Ensemble Pieces | |
| Wohlfahrt, Waltz, Op. 87, No. 39 (from The Children''s Musical Friend) | |
| Mach, Ancient Chinese Bells | |
| The Five-Finger Pattern | |
| Playing in Different Registers | |
| Tempo Markings | |
| More Dynamic Markings | |
| Dotted Quarter Notes | |
| AccidentalsSlurs | |
| Parallel Motion6/8 Time | |
| Identifying Flat Key Signatures | |
| Change of Dynamics | |
| Contrary Motion | |
| Major Triads | |
| Five-Finger Studies and Triads in Major | |
| The Minor Five-Finger Pattern | |
| Minor TriadsFive-Finger Studies and Triads in Major and Minor | |
| More Tempo Markings | |
| Pieces Using Major and Minor Triads | |
| The Dominant Seventh Chord | |
| Block-Chord Accompaniment with I and V6/5Music Chord Symbols | |
| Five-Finger Melodies with Letter-Name Chord Symbols for I and V6/5 Chord | |
| Accompaniments | |
| The Subdominant Chord | |
| Cadences | |
| The Circle of Fifths and Major Key Signatures | |
| Pieces with I-IV6/4-V6/5 Accompaniments | |
| Five-Finger Melodies with Letter-Name Chord Symbols for I, IV6/4, and V6/5 Chord | |
| Accompaniments | |
| Changing Five-Finger Positions | |
| Repertoire | |
| Improvisation | |
| Creative Music and Harmonization | |
| Sightreading Studies | |
| Rhythmic Studies | |
| Technical Studies | |
| Ensemble Pieces | |
| Worksheet Review | |
| Reading | |
| Mach, Sahara | |
| Mach, Shoestring Boogie | |
| Classic Miniatures: Reinagle, Minuet; Beyer, Etude in A Minor, Op. 101, No. 60Repertoire | |
| Beyer, Etude in DEnsemble Piece | |
| Diabelli, Scherzo, Op. 149, No. 6 (from Melodious Pieces) | |
| Pieces with Easy Accompaniments | |
| Major Scales | |
| Major Scales in Tetrachord Position | |
| Major Scales with Fingerings for Both Hands Together | |
| Scale Studies in Clusters | |
| Triads on Major-Scale Degrees | |
| Intervals of a Sixth, Seventh, and Eighth (Octave) | |
| Extending the Five-Finger Position | |
| Sixteenth Notes and Sixteenth Rests | |
| The Dotted Eighth Note | |
| Musical Forms: AB and ABA | |
| Melodies with Letter-Name Chord Symbols for I, IV6/4, and V6/5 Chords | |
| Broken-Chord Accompaniment Patterns | |
| Waltz Pattern | |
| Arpeggio Accompaniment Patterns | |
| Syncopation | |
| The Damper PedalOther Accompaniment Patterns | |
| Secondary Chords | |
| Intervals Within the Scale | |
| Melodic Lines with Intervals | |
| Chord Inversions | |
| The Damper Pedal (Indirect Pedaling)Hymn Style | |
| Augmented and Diminished Triads | |
| Repertoire | |
| Improvisation | |
| Creative Music and Harmonization | |
| Sightreading Studies | |
| Rhythmic Studies | |
| Technical Studies | |
| Ensemble Pieces | |
| Worksheet Review | |
| Reading | |
| Gurlitt, Moving Along | |
| Mach, Apple Street Rag | |
| Classic Miniatures: Kuhlau, Scotch Dance; Turk, TeasingRepertoire | |
| Mach, Perpetual Motion | |
| Oesten, Hunting HornsEnsemble Pieces | |
| Au Clair de la Lune: | |
| Howard, Hello, Ma'' Baby | |
| Tonality and Atonality | |
| Minor Scales | |
| Minor Key Signatures | |
| Natural Minor Scales in Tetrachord Positions | |
| Harmonic Minor Scalesi-iv6/4-i-V6/5-i Chord Progression | |
| Parallel Major and Minor Scales | |
| Other Scale Forms (Modes) | |
| The Chromatic ScaleJazz | |
| Pandiatonicism | |
| The Whole-Tone Scale | |
| Bitonality | |
| Atonality | |
| Innovative Notations | |
| Quartal Harmony | |
| Repertoire | |
| Bitonal Improvisation | |
| Sightreading Studies | |
| Ensemble Pieces | |
| Worksheet Review | |
| Reading | |
| Dark Eyes | |
| Classic Miniatures: Kohler, Etude, Op. 190, No. 31; Rousseau, The VillageProphetRepertoire | |
| Salutrinskaya, Shepherd PipesEnsemble Pieces | |
| Tchaikovsky, Sugar Plum Fairy Dance (from The Nutcracker Suite) | |
| Wells, Gallop | |
| Letter-Name Chord Symbols | |
| Letter Names of I, IV, and V7 Chords | |
| Melodies with Letter-Name Chord Symbols | |
| Famous Themes | |
| Strumming Accompaniments | |
| Arpeggio Accompaniments | |
| Major and Minor Seventh Chords | |
| Letter-Name Chord Chart | |
| Ensemble Pieces | |
| Melodies to Harmonize | |
| Dona Nobis Pacern | |
| Hush Littl | |
| Table of Contents provided by Publisher. All Rights Reserved. |
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