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| Introduction | |
| A Note on the Texts | |
| The Texts of the Conjure Stories | |
| The Goophered Grapevine | |
| Po' Sandy | |
| The Conjurer's Revenge | |
| Dave's Neckliss | |
| A Deep Sleeper | |
| Lonesome Ben | |
| The Dumb Witness | |
| A Victim of Heredity; or, Why the Darkey Loves Chicken | |
| The Gray W... MORE | |
| Mars Jeems's Nightmare | |
| Sis' Becky's Pickaninny | |
| Tobe's Tribulations | |
| Hot-Foot Hannibal | |
| The Marked Tree | |
| Contexts | |
| Sarah Ingle | |
| The Terrain of Chesnutt's Conjure Tales | |
| Charles W. Chesnutt | |
| From His Journal, Spring 1880 | |
| [Why could not a colored man . . . write a far better book about the South?] | |
| [I think I must write a book] | |
| William Wells Brown | |
| [Voudooism in Missouri] | |
| The Sad Fate of Mr. Fox Ovid | |
| The Transformation of Daphne into a Laurel | |
| Letters to Albion W. Tourgée and George Washington Cable | |
| To Tourgée, Sept. 26, 1889 | |
| To Cable, March 29, 1890 | |
| To Cable, June 13, 1890 | |
| The Deserted Plantation | |
| Superstitions and Folk-lore of the South | |
| The Free Colored People of North Carolina | |
| Adaptation of "The Dumb Witness" | |
| The Negro in Art: How Shall He Be Portrayed? | |
| Post-Bellum-Pre-Harlem | |
| Criticism | |
| Early Criticism | |
| Critical Notices of The Conjure Woman | |
| Mr. Charles W. Chesnutt's Stories | |
| [Fiction with a Firm Sense of Art] | |
| Chesnutt and Walter Hines Page | |
| Modern Criticism | |
| [Black Magic, Audience, and Belief] | |
| [A Critique of the Plantation Legend] | |
| [The Cycle of the First Four Stories] | |
| [Julius's Ex-Slave Narrative] | |
| [Reason, Property, and Modern Metamorphoses] | |
| [The Sound of the Conjure Stories] | |
| [Chesnutt's Revision of Uncle Remus] | |
| [Chesnutt's Negotiation with the Dominant Literary Culture] | |
| Conjuring the Conjugal: Chesnutt's Scenes from a Marriage | |
| [Black Humor in the Conjure Stories] | |
| A Chronology | |
| Selected Bibliography | |
| Table of Contents provided by Publisher. All Rights Reserved. |