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| Getting Started | |
| Camera and Film | |
| Loading Film into the Camera | |
| Focusing and Setting the Exposure | |
| Taking Your Picture | |
| What Will You Photograph? | |
| Camera | |
| Basic Camera Controls | |
| The Shutter | |
| The Aperture | |
| Using Shutter and Aperture Together | |
| Choosing a Camera | ... MORE|
| Special-Purpose Cameras | |
| Keeping the Camera Steady | |
| Photographer at Work: Photojournalist James Nachtwey | |
| Lens | |
| From Pinhole to Lens | |
| Lens Focal Length | |
| Special-Purpose Lenses | |
| Focusing Your Lens | |
| Focus and Depth of Field | |
| Perspective | |
| How to Make a Close-up Photograph | |
| Guidelines for Buying a Lens | |
| Getting the Most from Your Camera and Lens | |
| Light and Film | |
| Selecting and Using Film | |
| How Film Responds to Light | |
| Using Filters | |
| Photographer at Work: Another Angle on Sports-Walter Iooss | |
| Exposure | |
| Exposure Basics | |
| How to Meter | |
| Using Exposure | |
| Developing the Negative | |
| How to Process Black-and-White Roll Film | |
| Processing Black-and-White Roll Film Step by Step | |
| How Film Processing Affects Your Picture | |
| Exposure and Development: Under, Normal, Over | |
| Push Processing | |
| Printing the Positive | |
| Black-and-White Printing | |
| Making a Black-and-White Print Step by Step | |
| Evaluating Density and Contrast in a Print | |
| Controlling Contrast | |
| Dodging and Burning | |
| Cropping | |
| Archival Processing for Maximum Permanence | |
| Toning for Color and Other Effects | |
| Finishing and Mounting | |
| Spotting to Remove Minor Flaws | |
| Mounting a Print | |
| Color | |
| Color: Additive or Subtractive | |
| Color Photographs: Three Image Layers | |
| Choosing a Color Film | |
| Exposure Latitude | |
| Color Balance | |
| Developing Color Film | |
| Making a Color Print from a Negative | |
| Making a Color Print from a Transparency | |
| Photographer at Work: Advertising Photographer Chris Clemens | |
| Digital Camera | |
| A Computer with a Lens | |
| Using a Digital Camera | |
| Choosing a Digital Camera | |
| Digital Darkroom | |
| Digital Imaging: An Overview | |
| Scanning a Photograph | |
| The Digital Photograph | |
| Working Memory, Storage, and Transmission | |
| Your Work Area and Tools | |
| Adjusting the Image Overall | |
| Compositing | |
| Other Adjustments | |
| Printing and Display | |
| Ethics and Digital Imaging | |
| Using Digital Imaging | |
| Photographer at Work: Merging Photography and Illustration-William Duke | |
| Lighting | |
| Direction of Light | |
| Degree of Diffusion: From Hard to Soft Light | |
| Available Light-Outdoors | |
| Available Light-Indoors | |
| Artificial Light | |
| The Main Light: The Dominant Source | |
| The Fill Light: To Lighten Shadows | |
| Lighting with Flash | |
| Simple Portrait Lighting | |
| Multiple-Light Portrait Setups | |
| Lighting Textured Objects | |
| Lighting Reflective Objects | |
| Lighting Translucent Objects | |
| Using Lighting | |
| Photographer at Work: Dance Photographer Lois Greenfield | |
| Special Techniques | |
| Copying Techniques | |
| Pinhole Photography | |
| Special Printing Techniques | |
| Alternative Processes | |
| View Camera | |
| Inside a View Camera | |
| View Camera Movements | |
| Using a View Camera to Control the Image | |
| Equipment You'll Need | |
| What to Do First-and Next | |
| Loading and Processing Sheet Film | |
| Table of Contents provided by Publisher. All Rights Reserved. |