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Anthology for Music in Western Civilization, Volume II The Enlightenment to the Present
ISBN: 9780495030003 | 0495030007
Edition: 1stFormat: Paperback
Publisher: Cengage Learning
Pub. Date: 8/2/2005
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The perfect companion to MUSIC IN WESTERN CIVILIZATION! With an introduction to, a score for, and lyrics and translation for each piece, ANTHOLOGY FOR MUSIC IN WESTERN CIVILIZATION, VOLUME II:THE ENLIGHTENMENT TO THE PRESENT enhances your understanding of the major European styles, genres, and composers.
| The Enlightenment and The Classical ERA | |
| Music in the Age of Enlightenment: Opera | |
| Hasse, CLEOFIDE, "Digli ch'io son fedele." | |
| Gay, The Beggar's Opera, dialogue and songs from Act I | |
| Pergolesi, La Serva Padrona, "Lo conosco." | |
| Rousseau, Le Devin Du Village, "? jamais Colin." | |
| Gluck, Orfeo Ed Euridice, "Deh placatevi," "Misero giovane," "Ahim?! Dove trascorsi?" "Che faro senza Euridi... MORE | |
| Music in the Age of Enlightenment: Orchestral Music | |
| Sammartini, Symphony No. 3, 1st mvt | |
| Stamitz, Symphony in E-flat major, 1st mvt | |
| Music in the Age of Enlightenment: Keyboard Music | |
| Scarlatti, ESSERCIZI, Sonata No. 26 | |
| C. P. E. Bach, FANTASIA in C minor | |
| J. C. Bach, Piano Sonata, 1st mvt | |
| Joseph Haydn: Instrumental Music | |
| Haydn, Symphony No. 6, 1st mvt | |
| Haydn, Op. 33, No. 3, "The Bird" Quartet, 1st mvt | |
| Joseph Haydn: Late Symphonies and Vocal Music | |
| Haydn, Symphony No. 94, The "Surprise," 2nd mvt | |
| Haydn, Symphony No. 99, 1st mvt | |
| Haydn, The Creation, "The Heavens Are Telling." | |
| Wolfgang Amadeus Mozart: Instrumental Music | |
| Mozart, Symphony No. 40, 1st mvt | |
| Mozart, Symphony No. 41, "Jupiter," 4th mvt | |
| Mozart, Piano Concerto in A major, 1st mvt | |
| Wolfgang Amadeus Mozart: Vocal Music | |
| Mozart, Le Nozze Di Figaro, "Se vuol ballare," "Porgi, amor," "Voi, che sapete," "Vostre dunque." | |
| Mozart, Requiem Mass, "Confutatis," "Lacrimosa." | |
| The Early Music of Beethoven | |
| Beethoven, Piano Sonata in C minor ("Path?tique"), 1st mvt | |
| Beethoven, Piano Concerto No. 1, 3rd mvt | |
| Beethoven's Middle Period: 1802-1814 | |
| Beethoven, Symphony No. 3 (EROICA), 2nd mvt | |
| After the Congress of Vienna: Beethoven's Late Music | |
| Beethoven, String Quartet in B-flat major, 5th mvt | |
| Beethoven, Missa Solemnis, Kyrie | |
| Romanticism | |
| Franz Schubert | |
| Schubert, Erlk?Nig | |
| Schubert, Ganymed | |
| Schubert, N?He Des Geliebten | |
| Music in Paris Under Louis Philippe: Berlioz and Chopin | |
| Berlioz, Symphonie Fantastique, 4th mvt | |
| Berlioz, "Absence" from Les Nuits D'?T? | |
| Chopin, Nocturne in D-flat major | |
| Leipzig and the Gewandhaus: Mendelssohn and the Schumanns | |
| Mendelssohn, Piano Trio in D minor, 1st mvt | |
| Robert Schumann, Symphony No. 1, 2nd mvt | |
| Clara Schumann, Liebst Du Um Sch?Nheit | |
| German Opera in the Nineteenth Century: Weber and Wagner | |
| Weber, Der Freisch?Tz, Wolf's Glen Scene. Wagner, DAS RHEINGOLD, Entrance of the Gods into Valhalla | |
| Opera in Italy: Rossini and Verdi | |
| Rossini, The Barber Of Seville, Act 1, No. 1 | |
| Verdi, Otello, Act IV, Sc. 3. | |
| Nationalism and Virtuosity: Franz Liszt | |
| Liszt, Hungarian Rhapsody No. 15 (R?k?czy March) | |
| Vienna in the Late Nineteenth Century: Brahms and Bruckner | |
| Brahms, Symphony No. 3, 1st mvt | |
| Brahms, Feldeinsamkeit. Bruckner, Christus Factus Est | |
| Music and Ballet in Nineteenth-Century Russia: Mussorgsky and Tchaikovsky | |
| Mussorgsky, Sunless, "Within Four Walls." | |
| Tchaikovsky, Nutcracker, Act 1, No. 8 | |
| Vienna at the Turn of the Twentieth Century: Gustav and Alma Mahler | |
| Gustav Mahler, Symphony No. 5, 4th mvt | |
| Gustav Mahler, "Um Mittnernacht." Alma Mahler, "Die stille Stadt." | |
| England at the End of the Romantic Period: Elgar and Vaughan Williams | |
| Elgar, ENIGMA Variations, theme and 9th variation ("Nimrod") | |
| Opera in Milan After Verdi: Puccini, Toscanini, and Verismo | |
| Puccini, Madama Butterfly, "Dovunque al mondo." | |
| Paris of the Belle ?poque: Debussy, Faur?, and Lili Boulanger | |
| Debussy, F?Tes Galantes I, "En sourdine." | |
| Debussy, Images I, "Reflets dans l'eau." | |
| Debussy, Nocturnes, "Nuages." | |
| Faur?, Dans la for?t de septembre | |
| Boulanger, Clairi?res Dans Le Ciel, "Elle est gravement gaie." | |
| The Early Twentieth Century | |
| Richard Strauss in Berlin | |
| Strauss, Salome, concluding scene | |
| Music in Russia During the Silver Age: Igor Stravinsky | |
| Stravinsky, The Rite Of Spring, "Procession of the Sage," "The Sage," "Dance of the Earth." | |
| Atonality: Schoenberg and Scriabin | |
| Schoenberg, Piano Piece, Op. 11, No. 1 | |
| Schoenberg, Pierrot Lunaire, "Nacht." | |
| Scriabin, Piano Prelude, Op. 74, No. 5. | |
| French Music at the Time of World War I: Ravel and Satie | |
| Ravel, Le Tombeau De Couperin, "Rigaudon." Satie, Sarabande No. 2. | |
| Music in Paris After World War I: Stravinsky and the Six | |
| Stravinsky, Octet, 1st mvt | |
| Milhaud, Saudades De Brazil, "Botofago." | |
| Vienna in the Aftermath of War: Twelve-Tone Methods. Schoenberg, String Quartet No. 4, 1st mvt | |
| Webern, Symphony, 2nd mvt | |
| Musical Theater in Germany in the 1920s: Berg and Weill | |
| Berg, Wozzeck, Act 3, Sc. 2. Weill, The Threepenny Opera, "Ballad of Mack the Knife." | |
| B?la Bart?k and Hungarian Folk Music | |
| Bart?k, Eight Hungarian Folk Songs, "Fekete f?d." Bart?k, Concerto for Orchestra, 1st mvt | |
| Early Jazz | |
| Joplin, "Maple Leaf Rag." | |
| Paul Hindemith and Music in Nazi Germany | |
| Hindemith, Mathis Der Maler, Sc. 6, Entrance 3 | |
| Music in Soviet Russia: Prokofiev and Shostakovich | |
| Prokofiev, Piano Sonata No. 7, 3rd mvt. Shostakovich, Piano Concerto No. 1, 1st mvt | |
| Self-Reliance in American Music: Ives, Seeger, Nancarrow | |
| Ives, "Feldeinsamkeit." Ives, "Charlie Rutlage." Ives, The Unanswered Question | |
| Seeger, String Quartet, 2nd mvt | |
| American Composers Return from Europe: Copland and Barber | |
| Copland, Piano Variations | |
| Copland, Appalacian Spring, "Variations on a Shaker Hymn." | |
| Barber, Hermit Songs, "Sea-Snatch." | |
| Tin Pan Alley and the Broadway Musical | |
| Gershwin, "The Man I Love." | |
| Rodgers and Hammerstein, Oklahoma! "I Cain't Say No." | |
| Bernstein, West Side Story, "Cool." | |
| Contemporary Music | |
| Reflections on War: Britten, Penderecki, and Others | |
| Britten, War Requiem, Agnus Dei | |
| Penderecki, Threnody For The Victims Of Hiroshima | |
| Twelve-Tone Music and Serialism After World War II | |
| Babbitt, Composition for Piano No. 1 | |
| Stravinsky, AGON, Bransle Double | |
| Boulez, Le Marteau Sans Ma?Tre, "L'artisanat furieux." | |
| Alternatives to Serialism: Chance, Electronics, Textures | |
| Cage, Music of Changes, Part 1 | |
| Var?se, Po?Me ?Lectronique | |
| Messiaen, "Mode de valeurs et d'intensit?s." | |
| Music in the 1960s and 1970s: Live Processes, Minimalism, Metric Modulations | |
| Berio, Circles, "Stinging Gold Swarms." | |
| Crumb, Ancient Voices of Children, "?De donde vienes?" Carter, String Quartet No. 2, Introduction and 1st mvt. Reich, Clapping Music | |
| Returning to the Known: Music of the Recent Past | |
| Ligeti, Hungarian Rock | |
| Adams, Nixon In China, "News." | |
| Tower, Fanfare For The Uncommon Woman | |
| P?rt, Berlin Mass, Credo | |
| Table of Contents provided by Publisher. All Rights Reserved. |
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