The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

On the morning they left for Nashville, my mother packed a small suitcase with two weeks' worth of underwear, three heavy wool sweaters she had bought at a garage sale for two dollars apiece, and pants and shirts suitable for summer, fall, and winter, even though it was the first week of September and so far the days had been nothing but mild, sunny, and occasionally even too warm for the thin cotton tank tops she had seen other women wearing as they walked casually through the aisles of the grocery store, through shopping malls, and down the deserted Main Street. Those women were neither slim nor graceful. They were plain, pale, and average, and to her eyes entirely indistinguishable one from another, which was precisely what she resented and envied the most. The trip was supposed to last from start to finish four nights and five days, but as she stuffed her suitcase to its limits, she decided it was best to always be prepared for the unexpected, for the broken-down car, for the potential wrong turn, for the long walk at night that for one reason or another never ended. She had packed up her entire life once before, and now six months later, if she had learned anything at all about herself, it was that she could do with far less. She could, if she wanted, get away with almost nothing.

Her husband, Yosef, was already waiting for her outside in the red Monte Carlo he had scraped and saved for more than a year to buy and now could hardly afford. It was not the same car as the one in the photo. She couldn't have said how or why, but it was less elegant, smaller perhaps, and even though the picture had been black and white, she thought of the Monte Carlo he was waiting in as being a shabbier shade of red than the one she imagined.

The car horn honked twice for her: two short high-pitched bleeps that could have gone unnoticed but did not because she half expected, half prayed for them. When they came she pictured a bird—a dove, or something dovelike—being set free, its rapidly fluttering wings disturbing the air. Had she known more words in English she would have said the sound of the horn pierced through the silence,piercedbeing the operative word here, with its suggestion that something violent had occurred.

If he honks one more time, my mother said to herself, I will refuse to go. It was a matter of principle and conviction, or at least something that so closely resembled the two that even if it was merely pride or rage in disguise, she was willing to fight and tear down the house to stand by it. She had, after all, waited for him for years—a virtual widow but without the corpse and sympathy. If she was owed anything now it was time. Time to pack her clothes, fix the straps of her dress, and take account of everything she might have missed and would perhaps potentially later need.

If he honks again, she told herself, I will unpack my suitcase, lock the bedroom door, and wait until he leaves without me.

This was the way most if not all of my parents' fights began. With a minor, almost invisible transgression that each seized upon, as if they were fighting not about being rushed or about too many lights having been left on, but for their very right to exist, to live and breathe God's clean air. As a child I learned quickly that a fight was never far off or long in the making, and imagined it sometimes as a real physical presence lurking in the shadows of whatever space my parents happened to occupy at that given moment—a grocery store, a car, a restaurant. I pictured the fight sitting down with us on the couch in front of the television, a solemn black figure in executioner's robes, a caricature of death and tragedy clearly stolen from books and movies but no less real as a result. Ghosts are common to the life of any child: mine just happened to come to dinner more often than most.

The last fight they had had before that morning left my mother with a deep black and purple bruise on her right arm, just below her shoulder. The bruise had a rotting plum color and that was how she thought of it, as a rotten plum, one pressed so fast and hard into her skin that it had broken through the surface and flattened itself out underneath. She found it almost beautiful. That the body could turn so many different shades amazed her, made her believe that there was more lurking under the surface of our skin than a mess of blood and tissue.

She waited with one hand on top of the suitcase for the car to honk again. She tried not to think it, but it came to her nonetheless, a selfish, almost impregnable desire to hear even the accidental bleating of a car horn crying out.

Just once more, she thought. Honk just once more.

She held her breath. She closed the lid of the suitcase in complete silence. With her hand pressing down on the top, she zipped it halfway shut. A tiny stitch of blue fabric from a pair of padded hospital socks picked up two weeks earlier peeked out over the edge. She pressed the sock back in with one finger, granted the zipper its closure, and with that, acknowledged that on this occasion her husband had won. He had held out long enough for her to complete the one minor task that stood between her and leaving, and despite her best efforts, that was how she saw it, as a victory won and a loss delivered. She was going. Even if he pressed on the horn now with all his might she would have to go, would have to walk down the stairs and apologize for having taken so long, because he had pressed her just far enough without going too far. Sometimes she suspected that he knew the invisible lines she was constantly drawing. There were dozens of such lines spread out all over their one-bedroom apartment like tripwire that, once crossed, signaled the start of yet another battle. There was the line around how many dishes could be left in the sink, another around shoes worn in the house, and others that had to do with looks and touches, with the way he entered a room, took off his clothes, or kissed her on the cheek. Once, after an especially rough night of sleep, she felt her husband's breath on the back of her neck. It was warm and came in the steady consistent bursts of a man soundly asleep. She didn't know which one she really hated—the breaths or the man breathing. In the end, she created a wall of pillows behind her, one she would deny having made the next morning.

The four large oak trees that lined the driveway were the last of their kind. The largest and oldest of the group stood just a few feet away from the two-story duplex that my mother and father shared with a frail, hunchbacked older woman with milky-blue eyes who hissed under her breath every time she passed my mother on her way in or out of the house. The oak trees cooled the living room in the summer, allowing the afternoon light to filter through seemingly oversized leaves that Mariam thought of as deliberately keeping the worst parts of the light out, leaving only the softer, quieter shades. Now that it was September and supposedly the harshest of the summer heat had passed, she noticed as she prepared to leave the apartment that the leaves nearest the tops of the trees had begun to turn; a small pile of dead ones had already grown around their bases. So this wasfall. A woman at the Baptist church had told her just a few weeks earlier, "Oh, just wait until fall. You'll see. You'll love it." Her name was Agnes and she wore a curly black wig to hide the bald patches in the center of her head. A-G-N-E-S, Mariam wrote on the back of a church pamphlet that went on in great detail about the agony of Christ, which prompted her to write, after their first meeting, A-G-O-N-Y, on the back of the pamphlet, and next to that,Agnes is in agony, which was a simple sentence, with a subject and verb, which formed a declarative statement that Mariam decided was more likely than not absolutely true.

At the time my mother had thought to herself, I could never love anything called "fall." There was fall and Fall. To fall was to sink, to drop. When my mother was nine, her grandfather came out of his bedroom at the back of the house wearing only a robe with the strings untied. He was deaf and half blind and had been for as long as Mariam could remember. He walked into the middle of the living room, and having reached the center, where he was surrounded on all sides by his family, fell, not to his knees, but straight forward, like a tree that had been felled, the side of his head splitting open on the edge of the fireplace mantel, spraying the wall and couch with blood. That was one way to fall.

One could also fall down a flight of stairs, as in, your husband falls down the stairs while leaving for work one morning. She had this thought at least once, sometimes as many as three times a week. She pictured him tripping, stumbling, feet over head, just like the characters in the cartoons she had grown addicted to watching between the hours of one p.m. and four p.m. In those shows the characters all shook the fall off after a few seconds, bending an arm back into place here, twisting an ankle there. The cartoons made her laugh, and when she thought of her husband falling down the steps, his tall, narrow body perfectly suited to roll uninterrupted down the shag-carpeted stairwell, stopping perhaps briefly at the one minor bend that led to the final descent, it was only partly with those cartoon images in mind. When real bodies fell, as Mariam knew well enough, they did not get up. They did not bounce back or spring into shape. They crumpled and needed to be rescued.

Despite my mother's best efforts to resist fall, she found herself taken by the season more and more each day. The sun set earlier, and soon she learned, an entire hour would be shaved off the day, an act that she sometimes wished could be repeated over and over until the day was nothing more than a thumbnail sketch of its former self. The nights were growing marginally but noticeably cooler. Leaves were changing, and children who over the course of the summer had ruled the neighborhood like tyrants were once again neatly arranged in groups of twos and threes each morning, beaten (or so Mariam thought) into submission by the changing rules of the season. There was enough room in the shrinking day to believe that the world was somehow sensitive to grief and longing, and responded to it the same way she did when she felt convinced that time had been arranged incorrectly, making the loss of one extra minute nearly every day a welcome relief.

My mother could never have said she loved fall, but as she walked down the steps with her suitcase in hand toward the red Monte Carlo her husband had been waiting in for nearly an hour, she could have said that she respected its place as a mediator between two extremes. Fall came and went, while winter was endured and summer was revered. Fall was the repose that made both possible and bearable, and now here she was with her husband next to her, heading headlong into an early-fall afternoon with only the vaguest ideas of who they were becoming and what came next.