Bright Segments: The Complete Short Fiction
Bright Segments: The Complete Short Fiction
- ISBN 13: 9781641295543
- ISBN 10: 1641295546
- Format: Hardcover
- Copyright: 11/12/2024
- Publisher: Soho Crime
List Price $35.00 Save
| TERM | PRICE | DUE |
|---|---|---|
Free Shipping Both Ways
Highlight/Take Notes Like You Own It
Purchase/Extend Before Due Date
List Price $35.00 Save $0.20
Usually Ships in 3-5 Business Days
We Buy This Book Back!
Free Shipping On Every Order
Note: Supplemental materials are not guaranteed with Rental or Used book purchases.
Need to keep your rental past your due date? At any time before your due date you can extend or purchase your rental through your account.
Summary
Published over the six decades of Sallis's storied career, the complete collection contains 154 stories, 11 of which are exclusive to this volume.
James Sallis moves with ease among genres and modes: novels, stories, poetry, criticism, musicology, biography, translation. Best known perhaps as a crime writer—author of Drive and the six Lew Griffin novels along with others—his first acclaim came in the 1960s from groundbreaking short stories in science fiction publications like Michael Moorcock’s New Worlds, for which he served for a time as editor, and Damon Knight’s Orbit anthologies.
In years since, he’s published eighteen novels, numerous collections of essays, six volumes of poetry, a landmark biography of Chester Himes, and a translation of Raymond Queneau’s novel Saint Glinglin, while writing widely about books for The New York Times, LA Times, The Washington Post, and for The Boston Globe, where he served as books columnist. He’s received a lifetime achievement award from Bouchercon, the Hammett Award for literary excellence in crime writing, and the Grand Prix de Littérature Policière.
Through it all, his interest in the short story has remained strong, with work appearing regularly in venues ranging from The Georgia Review to the Magazine of Fantasy & Science Fiction. Herein you’ll find science fiction, comedy low and high, fantasy, crime stories, stories of everyday life: the realist, arealist, and surreal all together in a jumble, enjambed. Literature, Jim insists, is not a cabinet with labeled drawers, it’s a banquet table. Stroll around, pick what you want from it all. What you need. Enjoy.




