9780205790951

ART HISTORYprovides the reader with the most student-friendly, contextual, and inclusive art history survey on the market. These hallmarks makeART HISTORYthe choice for reader who seeks to actively engage in the study of art. This new edition of ART HISTORY is the result of a happy and productive collaboration between two scholar-teachers (Marilyn Stokstad and Michael Cothren) who share a common vision that survey courses on the history of art should be filled with as much enjoyment as erudition, and that they should foster an enthusiastic, as well as an educated, public for the visual arts. Like its predecessors, this new edition seeks to balance formal and iconographic analysis with contextual art history in order to craft interpretations that will engage a diverse student population. Throughout the text, the visual arts are treated as part of a larger world, in which geography, politics, religion, economics, philosophy, social life, and the other fine arts are related components of a vibrant and cultural landscape. Art History Portable Editionoffers exactly the same content asArt History, Fourth Editionbut in smaller individual booklets for maximum portability. The combined six segment set consists of four booklets that correspond to major periods in Western art and two that cover global art. Each book is available individually, making them ideal for courses focused on individual periods.

Marilyn Stokstad, teacher, art historian, and museum curator, has been a leader in her field for decades and has served as president of the College Art Association and the International Center of Medieval Art. In 2002, she was awarded the lifetime achievement award from the National Women’s Caucus for Art. In 1997, she was awarded the Governor’s Arts Award as Kansas Art Educator of the Year and an honorary degree of doctor of humane letters by Carleton College. She is Judith Harris Murphy Distinguished Professor Emerita at the University of Kansas, Lawrence. She has also served in various leadership capacities at the University’s Spencer Museum of Art and is Consultative Curator of Medieval Art at the Nelson-Atkins Museum of Art in Kansas City, Missouri

Michael W. Cothren is Scheuer Family Professor of Humanities at Swarthmore College, where he has also served as Art Department Chair, Coordinator of Medieval Studies, and Divisional Chair of the Humanities. Since arriving at Swarthmore in 1978, he has taught specialized courses on Medieval, Roman, and Islamic art and architecture, as well as seminars on visual narrative and on theory and method, but he particularly enjoys teaching the survey to Swarthmore beginners. His research and publications focus on French Gothic art and architecture, most recently in a book on the stained glass of Beauvais Cathedral entitled Picturing the Celestial City. Michael is a consultative curator at the Glencairn Museum in Bryn Athyn, Pennsylvania. He has served on the board of the International Center of Medieval Art and as President both of the American Committee of the International Corpus Vitrearum and of his local school board. When not teaching, writing, or pursuing art historical research, you can finding him hiking in the red rocks around Sedona, Arizona.

BRIEF CONTENTS

CONTENTS vii

Chapter 23 ART OF SOUTH AND SOUTHEAST ASIA AFTER 1200 771

Chapter 24 CHINESE AND KOREAN ART AFTER 1279 791

Chapter 25 JAPANESE ART AFTER 1333 813

Chapter 26 ART OF THE AMERICAS AFTER 1300 835

Chapter 27 ART OF PACIFIC CULTURES 859

Chapter 28 ART OF AFRICA IN THE MODERN ERA 879

CONTEMPORARY WORLD MAP

GLOSSARY

BIBLIOGRAPHY

CREDITS

INDEX

DETAILED CONTENTS

CONTENTS vii

CHAPTER 23 ART OF SOUTH AND SOUTHEAST ASIA AFTER 1200 771

INDIA AFTER 1200 772

Buddhist Art 772

Jain Art 773

Hindu Art 774

THE BUDDHIST AND HINDU INHERITANCE IN SOUTHEAST ASIA 775

Theravada Buddhism in Burma and Thailand 775

Vietnamese Ceramics 777

Indonesian Traditions 778

MUGHAL PERIOD 778

Mughal Architecture 779

Mughal Painting 781

Rajput Painting 784

INDIA’S ENGAGEMENT WITH THE WEST 786

British Colonial Period 786

The Modern Period 787

BOXES

ART AND ITS CONTEXTS

Tantric Influence in the Art of Nepal and Tibet 776

Foundations of Indian Culture 778

THE OBJECT SPEAKS

Luxury Arts 782

A CLOSER LOOK

Private Audience Hall, Fatehpur Sikri 780

TECHNIQUE

Indian Painting on Paper 783

CHAPTER 24 CHINESE AND KOREAN ART AFTER 1279 791

THE MONGOL INVASIONS 792

YUAN DYNASTY 792

MING DYNASTY 795

Court and Professional Painting 796

Decorative Arts 798

Architecture and City Planning 799

The Literati Aesthetic 800

QING DYNASTY 804

Orthodox Painting 805

Individualist Painting 805

THE MODERN PERIOD 806

ARTS OF KOREA: THE JOSEON DYNASTY TO THE MODERN ERA 807

Joseon Ceramics 807

Joseon Painting 808

Modern Korea 810

BOXES

ART AND ITS CONTEXTS

Foundations of Chinese Culture 793

Marco Polo 794

THE OBJECT SPEAKS

Poet on a Mountaintop 802

A CLOSER LOOK

Spring Dawn in the Han Palace 798

TECHNIQUE

Formats of Chinese Painting 797

The Secret of Porcelain 800

CHAPTER 25 JAPANESE ART AFTER 1333 813

MUROMACHI PERIOD 814

Zen Ink Painting 814

The Zen Dry Garden 816

MOMOYAMA PERIOD 817

Architecture 818

Decorative Paintings for Shoin Rooms 818

The Tea Ceremony 820

EDO PERIOD 821

Rinpa School Painting 821

Naturalistic Painting 824

Literati Painting 825

Ukiyo-e: Pictures of the Floating World 826

Zen Painting: Buddhist Art for Rural Commoners 827

Crafts 828

THE MODERN PERIOD 829

Meiji Period Nationalist Painting 829

Japan After World War II 830

BOXES

ART AND ITS CONTEXTS

Foundations of Japanese Culture 817

THE OBJECT SPEAKS

Lacquer Box for Writing Implements 822

A CLOSER LOOK

Kosode with Design of Waves and Floral Bouquets 830

ELEMENTS OF ARCHITECTURE

Shoin Design 819

TECHNIQUE

Inside a Writing Box 824

Japanese Woodblock Prints 828

RECOVERING THE PAST

Craftmakers as Living National Treasures 832

CHAPTER 26 ART OF THE AMERICAS: AFTER 1300 835

THE AZTEC EMPIRE 836

Tenochtitlan 836

Sculpture 837

Featherwork 838

Manuscripts 839

THE INCA EMPIRE IN SOUTH AMERICA 840

Cuzco 841

Textiles 842

Metalwork 843

The Aftermath of the Spanish Conquest 843

NORTH AMERICA 843

The Eastern Woodlands 844

The Great Plains 846

The Northwest Coast 849

The Southwest 852

A NEW BEGINNING 855

BOXES

ART AND ITS CONTEXTS

Navajo Night Chant 854

Craft or Art? 856

THE OBJECT SPEAKS

Hamatsa Masks 850

A CLOSER LOOK

Calendar Stone 839

ELEMENTS OF ARCHITECTURE

Inca Masonry 842

TECHNIQUE

Basketry 845

CHAPTER 27 ART OF PACIFIC CULTURES 859

THE PEOPLING OF THE PACIFIC 860

AUSTRALIA 861

MELANESIA 862

New Guinea 863

New Ireland 865

New Britain 866

MICRONESIA 866

POLYNESIA 868

Marquesas Islands 869

Hawai’i 872

Monumental Moai on Rapa Nui 873

Samoa 874

RECENT ART IN OCEANIA 874

Pacific Arts Festival 974

BOXES

THE OBJECT SPEAKS

Te-Hau-ki-Turanga 870

A CLOSER LOOK

Man’s Love Story 876

CHAPTER 28 ART OF AFRICA IN THE MODERN ERA 879

TRADITIONAL AND CONTEMPORARY AFRICA 880

Domestic Architecture 882

Children and the Continuity of Life 883

Initiation 885

The Spirit World 889

Leadership 891

Death and Ancestors 895

CONTEMPORARY ART 899

BOXES

ART AND ITS CONTEXTS

Foundations of African Cultures 883

Divination among the Chokwe 892

THE OBJECT SPEAKS

Kuba Funerary Rites 896

A CLOSER LOOK

Kongo Nkisi Nkonde 890

CONTEMPORARY WORLD MAP

GLOSSARY

BIBLIOGRAPHY

CREDITS

INDEX

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Art History Portable, Book 5 : A View of the World, Part Two

Art History Portable, Book 5 : A View of the World, Part Two

020579095X

Summary

Author Biography

Table of Contents

Supplemental Materials