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Anthology for Music in Western Civilization, Volume A Antiquity through the Renaissance

by: Roden, Timothy; Wright, Craig; Simms, Bryan

Anthology for Music in Western Civilization, Volume A Antiquity through the Renaissance

by: Roden, Timothy; Wright, Craig; Simms, Bryan

ISBN 13:
9780495008798
ISBN 10:
0495008796
Edition: 1st
Format: Spiral Bound
Copyright: 07/19/2005
Publisher: Cengage Learning

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Summary

The perfect companion to MUSIC IN WESTERN CIVILIZATION! With an introduction to, a score for, and lyrics and translation for each piece, ANTHOLOGY FOR MUSIC IN WESTERN CIVILIZATION, VOLUME A: ANTIQUITY THROUGH THE RENAISSANCE enhances your understanding of the major European styles, genres, and composers.

Composers and Titles

xiii

Preface

xvii

Credits

xix

Part I ANTIQUITY AND THE MIDDLE AGES

Music in Ancient Greece

(3)

Euripides, Orestes, Stasimon Chorus (c408 B.C.E.)

(2)

Seikilos, Skolion or Epitaph (first century C.E.)

(1)

Music in the Monastery and Convent

(10)

Chants of Vespers

(2)

Antiphon, Tecum principium

(1)

Psalm, Dixit Dominus

(1)

Chants of Vespers, Hymn, Jesu, Redemptor omnium

(2)

Chants Beginning the Mass for Christmas Day, Introit, Puer natus est nobis

(1)

Chants Beginning the Mass for Christmas Day, Kyrie, Omnipotens genitor

(1)

Chants Beginning the Mass for Christmas Day, Gloria No. 1

(2)

Chants Beginning the Mass for Christmas Day, Gradual, Viderunt omnes

(1)

Chants Beginning the Mass for Christmas Day, Alleluia, Alleluia. Dies sanctificatus

(1)

Later Medieval Chant: Tropes, Sequences, and the Liturgical Drama of Hildegard of Bingen

(14)

Tuotilo of St. Gall, Introit trope, Hodie cantandus est nobis (c900)

(2)

Tuotilo of St. Gall, Kyrie trope, Omnipotens genitor (c900)

(2)

Anonymous, Dies irae (c1250)

(6)

Hildegard of Bingen, O rubor sanguinis (c1150)

(1)

Hildegard of Bingen, Excerpts from Ordo virtutum (c1150)

(3)

Troubadours and Trouveres

(6)

Beatriz de Dia, A chantar m'er (c1175)

(1)

Bernart de Ventadorn, Can vei la lauzeta (c1165)

(3)

Richard the Lionheart, Ja nuns hons pris ne dira (1192--1194)

(2)

Early Polyphony

(4)

Anonymous, Viderunt Hemanuel (c1125)

(2)

Master Albertus of Paris, Congaudeant Catholici (c1150)

(2)

Music in Medieval Paris: Polyphony at Notre Dame

(23)

Leoninus, Viderunt omnes (c1170)

(8)

Perotinus the Great, Viderunt omnes (1198)

(15)

Music in the Cathedral Close and University: Conductus and Motet

(17)

Anonymous, Orientis partibus (c1200)

(2)

Philip the Chancellor, Dic, Christi veritas (c1230)

(4)

Anonymous

(9)

Et gaudebit for Alleluia. Non vos relinquam (c1200)

(1)

O quam sancta/Et gaudebit (c1230)

(2)

El mois d'avril/O quam sancta/Et gaudebit (c1230)

(5)

Anonymous Motet, On parole de batre/A Paris/Frese nouvele (c1280)

(2)

Music at the Court of the French Kings

(18)

Gerves de Bus, Roman de Fauvel (c1314)

(2)

Anonymous, Quare fremuerunt gentes (c1317)

(2)

Philippe de Vitry, Garrit Gallus/In nova fert/Neuma (c1317)

(5)

Anonymous, La quinte estampie real (c1320)

(1)

Anonymous, Robertsbridge Codex (c1350), Estampie

(8)

Fourteenth-Century Music in Reims: Guillaume de Machaut

(14)

Guillaume de Machaut, Hoquetus David (c1364)

(4)

Guillaume de Machaut, Je puis trop bien (c1355)

100

(3)

Guillaume de Machaut, Douce dame jolie (before 1350)

103

(1)

Guillaume de Machaut, Kyrie of the Mass of Our Lady (c1360)

104

(6)

Avignon, Symbolic Scores, and the Ars Subtilior

110

(11)

Baude Cordier, Tout par compas suy composes (c1391)

110

(6)

Philippus de Caserta, Par les bons Gedeons (c1385)

116

(5)

Part II THE LATE MIDDLE AGES AND EARLY RENAISSANCE

From the Late Middle Ages to the Early Renaissance

121

(6)

Jacopo da Bologna, Non al suo amante (c1350)

121

(3)

Francesco Landini, Or su, gentili spirti (c1389)

124

(3)

Music at the Cathedral of Florence

127

(8)

Guillaume Dufay, Nuper rosarum flores (1436)

127

(8)

Music in England

135

(8)

Anonymous, Sumer is icumen in (c1300)

135

(4)

Anonymous, Agincourt Carol (c1420)

139

(2)

John Dunstaple, Quam pulchra es (c1420)

141

(2)

Music at the Court of Burgundy

143

(13)

Gilles Binchois, Dueil angoisseus (c1435)

143

(2)

Guillaume Dufay, Lamentatio sanctae Matris Ecclesiae Constantinopolitanae (1454)

145

(4)

Guillaume Dufay

149

(7)

Tune: L'Homme arme (c1460)

150

(1)

Kyrie of the Missa L'Homme arme (c1460)

151

(5)

Music at the French Royal Court

156

(16)

Johannes Ockeghem, Prenez sur moi (c1460)

156

(2)

Johannes Ockeghem, Kyrie of the Missa Prolationum (c1475)

158

(5)

Josquin des Prez, Guillaume se va chaufer (c1482)

163

(2)

Philippe Basiron, Salve, Regina (c1475)

165

(4)

Antoine Busnoys, Je ne puis vivre ainsy tousjours (c1460)

169

(3)

Music in the Low Countries

172

(11)

Jacob Obrecht, Credo of the Missa Sub tuum presidium (c1500)

172

(8)

Heinrich Isaac, La Spagna (c1500)

180

(3)

Part III THE LATE RENAISSANCE

Popular Music in Florence, 1470--1540: Carnival Song and Lauda, Frottola, and Early Madrigal

183

(17)

Lorenzo de' Medici (text), Sian galanti di Valenza (c1490)

183

(3)

Girolamo Savonarola (text), Giesu, sommo conforto (c1495)

186

(2)

Josquin des Prez, El grillo e bon cantore (c1500)

188

(3)

Jacques Arcadelt, Il bianco e dolce cigno (c1538)

191

(3)

Orazio Vecchi, Il bianco e dolce cigno (1589)

194

(6)

Josquin des Prez and Music in Ferrara

200

(18)

Josquin des Prez, Sanctus of the Missa Hercules dux Ferrarie (c1503?)

200

(5)

Josquin des Prez, Miserere mei, Deus (1503) (Prima pars)

205

(13)

Music in Renaissance Paris

218

(11)

Claudin de Sermisy

218

(8)

Tant que vivray (c1528)

219

(2)

Tant que vivray: Arrangement for lute (1529)

221

(2)

Tant que vivray: Arrangement for voice and lute (1529)

223

(2)

Tant que vivray: Arrangement for keyboard (1531)

225

(1)

Anonymous

226

(3)

Pavane (1547)

227

(1)

Galliard (1547)

228

(1)

Renaissance Instruments and Instrumental Music

229

(10)

Miguel de Fuenllana, Fantasia (1554)

229

(3)

Claudio Merulo, Canzona 5 (c1600)

232

(7)

Religious Music in Three German Cities: The Protestant-Catholic Confrontation

239

(21)

Heinrich Isaac

239

(4)

Innsbruck, ich muss dich lassen (c1510)

240

(2)

Innsbruck, ich muss dich lassen (c1515)

242

(1)

Paul Hofhaimer, Salve, Regina for Organ (c1510?)

243

(3)

Martin Luther/Johann Walter

246

(2)

Martin Luther, Ein feste Burg ist unser Gott, Chorale (1529)

246

(1)

Johann Walter, Ein feste Burg ist unser Gott, 4-part setting (1529)

247

(1)

Orlande de Lassus, De profundis clamavi (c1560)

248

(12)

Rome and Music of the Counter-Reformation

260

(18)

Giovanni Pierluigi da Palestrina, Sanctus of the Missa Aeterna Christi munera (1590)

260

(5)

Giovanni Pierluigi da Palestrina, Motet: Tu es Petrus (1573) (Prima pars)

265

(6)

Giovanni Pierluigi da Palestrina, Kyrie of the Missa Tu es Petrus (c1585)

271

(7)

Music in Elizabethan England: Early Vocal Music

278

(12)

King Henry VIII, Pastyme with Good Companye (c1520)

278

(1)

Thomas Tallis, Psalm 2 (1567) (Psalm 2: Why fum'th in Sight)

279

(4)

William Byrd, O Lord, make thy servant, Elizabeth (c1570)

283

(7)

Music in Elizabethan England: Instrumental Music and Later Vocal Music

290

(23)

Thomas Morley, Goe from my window (c1590)

290

(5)

Thomas Weelkes, As Vesta Was from Latmos Hill Descending (1601)

295

(15)

John Dowland, Flow my tears (1600)

310

(3)

The Later Madrigal in Ferrara and Mantua: Gesualdo and Monteverdi

313

Carlo Gesualdo, Moro, lasso (1613)

313

(5)

Claudio Monteverdi, Cruda Amarilli (1598; published 1605)

318

Amazon no longer offers textbook rentals. We do!

Anthology for Music in Western Civilization, Volume A Antiquity through the Renaissance

Anthology for Music in Western Civilization, Volume A Antiquity through the Renaissance

9780495008798

0495008796

Summary

Table of Contents

Supplemental Materials

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