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| Indicate sections new to this edition | |
| Preface | |
| To Instructors: About This Book | |
| To Students: About the Writing Workshop | |
| Whatever Works: The Writing Proces? | |
| Get Started | |
| Journal Keeping | |
| Freewriting | |
| Exercises | |
| The Computer | |
| The Critic: A Caution | |
| Choosing a... MORE | |
| Keep Going | |
| A Word about Theme | |
| "Shitty First Drafts," | |
| "Why I Write,"Joan Didion | |
| Writing Exercises | |
| Seeing is Believing: Showing and Tellin? | |
| Significant Detail | |
| Writing about Emotion | |
| Filtering | |
| The Active Voice | |
| Prose | |
| Rhythm | |
| Mechanics | |
| "Big Me," | |
| "The Things They Carried," | |
| "Where Are You Going, Where Have You Been?," | |
| Writing Exercises | |
| Building Character: Characterization | |
| The Direct Methods of Character Presentation | |
| Appearance | |
| Action | |
| Dialogue | |
| Summary, Indirect, and Direct Dialogue | |
| Economy in Dialogue | |
| Characterizing Dialogue | |
| Other Uses of Dialogue | |
| Dialogue as Action | |
| Text and Subtext | |
| "No" Dialogue | |
| Specificity | |
| Format and Style | |
| Vernacular | |
| Table of Contents provided by Publisher. All Rights Reserved. |