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Writing About Literature

ISBN: 9780131540576 | 0131540572
Edition: 11th
Format: Paperback
Publisher: Prentice Hall
Pub. Date: 1/1/2006

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SummaryTable of Contents
Writing about Literatureserves as a hands-on guide for writing about literature, thus justifying the integration of literature and composition. The reading of literature encourages students to think, and the use of literary topics gives instructors a viable way to combine writing and literary study.

Appropriate for any college course or advanced placement course that emphasizes writing about literature. Message: Writing about Literature serves as a hands-on guide for writing about literature, thus justifying the in... MORE
To the Instructorxi
Chapter 1 Preliminary: The Process of Reading, Responding to, and Writing About Literature1(52)
What Is Literature, and Why Do We Study It?
1(1)
... MORE
Types of Literature: The Genres
2(2)
Reading Literature and Responding to It Actively
4(9)
GUY DE MAUPASSANT, The Necklace
5(8)
Reading and Responding in a Notebook or Computer File
13(3)
Writing Essays on Literary Topics
16(1)
The Goal of Writing: To Show a Process of Thought
17(1)
'Three Major Stages in Thinking and Writing: Discovering Ideas, Making Initial Drafts, and Completing the Essay
18(1)
Discovering Ideas ("Brainstorming")
18(6)
Assembling Materials and Beginning to Write
24(3)
Drafting Your Essay
27(3)
Writing a First Draft
30(1)
Developing an Outline
31(3)
The Use of References and Quotations in Writing About Literature
34(6)
Illustrative Essay (First Draft): How Setting in "The Necklace" Is Related to the Character of Mathilde
39(1)
Developing and Strengthening Your Essay Through Revision
40(4)
Checking Development and Organization
44(2)
Using Exact, Comprehensive, and Forceful Language
46(5)
Illustrative Essay (Revised Draft): How Maupassant Uses Setting in "The Necklace" to Show the Character of Mathilde
49(2)
Commentary on the Essay
51(1)
Essay Commentaries
51(1)
Special Topics for Studying and Discussing the Writing Process
52(1)
Chapter 2 Writing About a Close Reading: Analyzing Entire Short Poems or Selected Short Passages from Fiction, Longer Poems, and Plays53(11)
The Purpose and Requirements of a Close-Reading Essay
53(1)
The Location of the Passage in a Longer Work
54(1)
Writing About the Close Reading of a Passage in a Prose Work, Drama, or Longer Poem
55(3)
Illustrative Essay: Reading a Passage in Mark Twain's"Luck"
56(2)
Commentary on the Essay
58(1)
Writing an Essay on the Close Reading of a Poem
59(4)
Illustrative Essay: A Close Reading of Thomas Hardy's "The Man He Killed"
61(2)
Commentary on the Essay
63(1)
Special Topics for Studying and Discussing the Close Reading of Literary Works
63(1)
Chapter 3 Writing About Character: The People in Literature64(13)
Character Traits
64(1)
How Authors Disclose Character in Literature
65(2)
Types of Characters: Round and Flat
67(2)
Reality and Probability: Verisimilitude
69(2)
Writing About Character
71(4)
Illustrative Essay: The Character of Minnie Wright in Susan Glaspell's Trifles
73(2)
Commentary on the Essay
75(1)
Special Topics for Studying and Discussing Character
75(2)
Chapter 4 Writing About Point of View: The Position
or Stance of the Work's Narrator or Speaker
77(1)
An Exercise in Point of View: Reporting an Accident
78(1)
Conditions That Affect Point of View
79(1)
Determining a Work's Point of View
80(4)
Mingling Points of View
84(1)
Summary: Guidelines for Point of View
84(2)
Writing About Point of View
86(5)
Illustrative Essay: Bierce's Control of Point of View in "An Occurrence at Owl Creek Bridge"
89(2)
Commentary on the Essay
91(1)
Special Topics for Studying and Discussing Point of View
92(1)
Chapter 5 Writing About Plot and Structure:
The Development and Organization of Narratives and Drama
93(1)
Plot: The Motivation and Causation of Narratives and Plays
93(2)
Writing About the Plot of a Story or Play
95(3)
Illustrative Essay (on Plot): Conflicting Values in Thomas Hardy's "The Three Strangers"
96(2)
Commentary on the Essay
98(1)
Structure: The Organization of Fiction, Poetry, and Drama
98(1)
Formal Categories of Structure
99(1)
Formal and Actual Structure
100(4)
WILLIAM SHAKESPEARE, Sonnet 73: That Time of Year Thou Mayst in Me Behold
102(2)
Writing About Structure in Fiction, Poetry, and Drama
104(3)
Illustrative Essay (on Structure): Conflict and Suspense in Thomas Hardy's "The Three Strangers"
105(2)
Commentary on the Essay
107(1)
Special Topics for Studying and Discussing Plot and Structure
108(1)
Chapter 6 Writing About Setting: The Background of Place, Objects, and Culture in Literature109(10)
What Is Setting?
109(1)
The Importance of Setting in Literature
110(3)
Writing About Setting
113(3)
Illustrative Essay: Poe's Use of Interior Setting to Augment the Eeriness of "The Masque of the Red Death"
115(1)
Commentary on the Essay
116(1)
Special Topics for Studying and Discussing Setting
117(2)
Chapter 7 Writing About an Idea or a Theme: The Meanings and the Messages in Literature119(10)
Ideas and Assertions
119(1)
Ideas and Values
120(1)
The Place of Ideas in Literature
120(1)
How to Find Ideas
121(3)
Writing About a Major Idea in Literature
124(3)
Illustrative Essay: The Idea of Love's Power in Chekhov's The Bear
126(1)
Commentary on the Essay
127(1)
Special Topics for Studying and Discussing Ideas
128(1)
Chapter 8 Writing About Imagery: The Literary Work's Link to the Senses129(9)
Responses and the Writer's Use of Detail
129(1)
The Relationship of Imagery to Ideas and Attitudes
130(1)
Types of Imagery
130(2)
Writing About Imagery
132(3)
Illustrative Essay: The Images of Masefield's "Cargoes"
134(1)
Commentary on the Essay
135(1)
Special Topics for Studying and Discussing Literary Imagery
136(2)
Chapter 9 Writing About Metaphor and Simile: A Source of Depth and Range in Literature138(11)
Metaphors and Similes: The Major Figures of Speech
138(2)
Characteristics of Metaphors and Similes
140(2)
JOHN KEATS, On First Looking into Chapman's Homer
141(1)
Writing About Metaphors and Similes
142(4)
Illustrative Essay: Shakespeare's Metaphors in "Sonnet 30: When to the Sessions of Sweet Silent Thought"
145(1)
Commentary on the Essay
146(1)
Special Topics for Studying and Discussing Metaphors and Similes
147(2)
Chapter 10 Writing About Symbolism and Allegory: Keys to Extended Meaning149(15)
Symbolism
149(2)
Allegory
151(1)
Fable, Parable, and Myth
152(1)
Allusion in Symbolism and Allegory
153(1)
Writing About Symbolism and Allegory
154(5)
Illustrative Essay: Symbolism in William Butler Yeats's "The Second Coming"
157(2)
Commentary on the Essay
159(3)
Illustrative Essay: The Allegory of Hawthorne's "Young Goodman Brown"
159(3)
Commentary on the Essay
162(1)
Special Topics for Studying and Discussing Symbolism and Allegory
162(2)
Chapter 11 Writing About Tone: The Writer's Control over Attitudes and Feelings164(11)
Tone and Attitudes
165(1)
Tone and Humor
166(1)
Tone and Irony
167(2)
Writing About Tone
169(4)
Illustrative Essay: The Confident Tone of "Theme for English B" by Langston Hughes
172(1)
Commentary on the Essay
173(1)
Special Topics for Studying and Discussing Tone
174(1)
Chapter 12 Writing About a Problem: Challenges to Overcome in Reading175(7)
Strategies for Developing an Essay About a Problem
175(3)
Writing About a Problem
178(2)
Illustrative Essay: The Problem of Frost's Use of the Term "Desert Places" in the Poem "Desert Places"
179(1)
Commentary on the Essay
180(1)
Special Topics for Studying and Discussing Literary Problems
181(1)
Chapter 13 Writing About Prosody: Sound, Rhythm, and Rhyme in Poetry182(25)
Important Definitions for Studying Prosody
182(2)
Segments: Individually Meaningful Sounds
184(1)
Poetic Rhythm
185(1)
The Major Metrical Feet
186(2)
Substitution
188(2)
Accentual, Strong-Stress, and "Sprung" Rhythms
190(1)
The Caesura: The Pause Creating Variety and Natural Rhythms in Poetry
190(2)
Segmental Poetic Devices
192(1)
Rhyme: The Duplication and Similarity of Sounds
193(1)
Rhyme and Meter
194(3)
Rhyme Schemes
197(1)
Writing About Prosody
197(7)
Illustrative Essay: Rhythm, Sound, and Rhyme in Robert Browning's "Porphyria's Lover"
201(3)
Commentary on the Essay
204(1)
Special Topics for Studying and Discussing Rhythm and Rhyme in Poetry
205(2)
Chapter 14 Writing Essays of Comparison-Contrast and Extended Comparison-Contrast: Learning by Seeing Literary Works Together207(15)
Guidelines for the Comparison-Contrast Method
208(3)
The Extended Comparison-Contrast Essay
211(1)
Writing a Comparison-Contrast Essay
212(4)
Illustrative Essay (Comparing and Contrasting Two Works): The Implication of "Westward" in Wordsworth's "Stepping Westward" and Donne's "Good Friday, 1613, Riding Westward"
214(2)
Commentary on the Essay
216(4)
Illustrative Essay (Extended Comparison-Contrast): Literary Treatments of Conflicts Between Private and Public Life
217(3)
Commentary on the Essay
220(1)
Special Topics for Studying and Discussing Comparison and Contrast
221(1)
Chapter 15 Writing a Review Essay: Developing Ideas and Evaluating Literary Works for General or Particular Audiences222(10)
Writing a Review Essay
222(4)
First Illustrative Essay (A Review for General Readers): Hawthorne's Story "Young Goodman Brown": A View of Mistaken Zeal
225(1)
Commentary on the Essay
226(2)
Second Illustrative Essay (Designed for a Particular Group; Here, a Religious Group): Religious Intolerance and Hawthorne's Story "Young Goodman Brown"
227(1)
Commentary on the Essay
228(2)
Third Illustrative Essay (A Personal Review for a General Audience): Security and Hawthorne's Story "Young Goodman Brown"
229(1)
Commentary on the Essay
230(1)
Special Topics for Studying and Discussing the Writing of Reviews
231(1)
Chapter 16 Writing About a Work in Its Historical, Intellectual, and Cultural Context232(11)
History, Culture, and Multiculturalism
233(1)
Literature in Its Time and Place
234(1)
Writing About a Work in Its Historical and Cultural Context
234(6)
Illustrative Essay: Hughes's References to Black Servitude and Black Pride in "Negro"
239(1)
Commentary on the Essay
240(1)
Special Topics for Studying and Discussing Works in Their Historical, Intellectual, and Cultural Context
241(2)
Chapter 17 Writing About Film: Drama on the Silver Screen, Television Set, and Computer Monitor243(15)
A Thumbnail History of Film
243(1)
Stage Plays and Film
244(2)
The Aesthetics of Film
246(1)
The Techniques of Film
247(3)
Editing or Montage Is the Assembling of a Film out of Separate Parts
250(2)
Writing About Film
252(4)
Illustrative Essay: Welles's Citizen Kane: Whittling a Giant Down to Size
254(2)
Commentary on the Essay
256(1)
Special Topics for Studying and Discussing Film
257(1)
Chapter 18 Writing and Documenting the Research Essay: Using Extra Resources for Understanding258(30)
Selecting a Topic
258(2)
Setting up a Bibliography
260(1)
Online Library Services
261(3)
Taking Notes
264(8)
Documenting Your Work
272(4)
Strategies for Organizing Ideas in Your Research Essay
276(10)
Illustrative Research Essay: The Structure of Mansfield's "Miss Brill"
278(8)
Commentary on the Essay
286(1)
Special Topics for Studying and Discussing How to Undertake Research Essays
287(1)
Chapter 19 Writing Examinations on Literature288(11)
Answer the Questions That Are Asked
288(2)
Systematic Preparation
290(3)
Two Basic Types of Questions About Literature
293(6)
Appendix A Critical Approaches Important in the Study of Literature299(14)
Appendix B MLA Recommendations for Documenting Electronic Sources313(4)
Appendix C Works Used for References and Illustrative Essays317(1)
Stories
AMBROSE BIERCE, An Occurrence at Owl Creek Bridge
317(6)
KATE CHOPIN, The Story of an Hour
323(1)
ANITA SCOTT COLEMAN, Unfinished Masterpieces
324(2)
THOMAS HARDY, The Three Strangers
326(14)
NATHANIEL HAWTHORNE, Young Goodman Brown
340(8)
KATHERINE MANSFIELD, Miss Brill
348
GUY DE MAUPASSANT, The Necklace [in Chapter 1]
5(346)
FRANK O'CONNOR, First Confession
351(5)
EDGAR ALLAN POE, The Masque of the Red Death
356(4)
MARK TWAIN, Luck
360(3)
Poems
MATTHEW ARNOLD, Dover Beach
363(1)
WILLIAM BLAKE, The Tyger
364(1)
GWENDOLYN BROOKS, We Real Cool
364(1)
ROBERT BROWNING, My Last Duchess
365(1)
ROBERT BROWNING, Porphyria's Lover
366(1)
SAMUEL TAYLOR COLERIDGE, Kubla Khan
367(1)
JOHN DONNE, Good Friday, 1613, Riding Westward
368(1)
ROBERT FROST, Desert Places
369(1)
ROBERT FROST, The Road Not Taken
370(1)
THOMAS HARDY, Channel Firing
370(1)
THOMAS HARDY, The Man He Killed
371(1)
LANGSTON HUGHES, Negro
372(1)
LANGSTON HUGHES, Theme for English B
373(1)
JOHN KEATS, Bright Star
374
JOHN KEATS, On First Looking into Chapman's Homer [in Chapter 9]
141(233)
IRVING LAYTON, Rhine Boat Trip
374(1)
AMY LOWELL, Patterns
375(2)
JOHN MASEFIELD, Cargoes
377(1)
WILFRED OWEN, Anthem for Doomed Youth
378(1)
DUDLEY RANDALL, Ballad of Birmingham
378(1)
CHRISTINA ROSSETTI, Echo
379(1)
LUIS OMAR SALINAS, In a Farmhouse
379(1)
WILLIAM SHAKESPEARE, Sonnet 30: When to the Sessions of Sweet Silent Thought
380
WILLIAM SHAKESPEARE, Sonnet 73: That Time of Year Thou Mayst in Me Behold [in Chapter 5]
102(278)
SHELLY WAGNER, The Boxes
380(1)
WILLIAM WORDSWORTH, Lines Written in Early Spring
381(1)
WILLIAM WORDSWORTH, Stepping Westward
382(1)
WILLIAM BUTLER YEATS, The Second Coming
383(1)
Plays
ANTON CHEKHOV, The Bear
384(8)
SUSAN GLASPELL, Trifles
392(9)
A Glossary of Important Literary Terms401(11)
Acknowledgments412(1)
Index of Authors and Titles, Topics, Directors, Producers, and Chapter Titles413

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