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| Preface | p. 7 |
| Introduction: Art History and the Woman Artist | p. 17 |
| The Middle Ages | p. 43 |
| The Renaissance Ideal | p. 66 |
| The Other Renaissance | p. 87 |
| Domestic Genres and Women Painters in Northern Europe | p. 114 |
| Amateurs and Academics: A New Ideology of Femininity in France and England | p. 139 |
| Sex, Class, and Power in Victorian England | p. 175 |
| ... MORE | p. 205 |
| Separate but Unequal: Woman's Sphere and the New Art | p. 228 |
| Modernism, Abstraction, and the New Woman, 1910-25 | p. 252 |
| Modernist Representation: The Female Body | p. 279 |
| Gender, Race, and Modernism after the Second World War | p. 316 |
| Feminist Art in North America and Great Britain | p. 355 |
| New Directions: A Partial Overview | p. 378 |
| Worlds Together, Worlds Apart | p. 423 |
| A Place to Grow: Personal Visions, Global Concerns, 2000-06 | p. 467 |
| Bibliography and Sources | p. 496 |
| List of Illustrations | p. 516 |
| Index | p. 523 |
| Table of Contents provided by Ingram. All Rights Reserved. |