
Because Knetbooks knows college students. Our rental program is designed to save you time and money. Whether you need a textbook for a semester, quarter or even a summer session, we have an option for you. Simply select a rental period, enter your information and your book will be on its way!
| Preface | p. 10 |
| Introduction | p. 12 |
| Art as Craft | p. 12 |
| Systems of Building | p. 13 |
| Sculptural Techniques and Materials | p. 13 |
| Painting Techniques and Materials | p. 15 |
| Print-making | p. 18 |
| Photography | p. 18 |
| Pictorial Representation | p. 19 |
| Perspective | p. 19 |
| Color | p. 21 |
| St... MORE | p. 23 |
| Context: Function and Meaning | p. 25 |
| The Power of Images | p. 26 |
| Women Artists | p. 28 |
| The History of Art | p. 30 |
| Foundations of Art | |
| Before History | p. 34 |
| Timechart | p. 34 |
| The Art of Hunters | p. 35 |
| Cave Art | p. 37 |
| Mesolithic Art | p. 43 |
| The Art of Farmers | p. 43 |
| In Context Catal Huyuk: A Neolithic Town | p. 44 |
| Neolithic Architecture | p. 47 |
| Stonehenge | p. 48 |
| The Early Civilizations | p. 50 |
| Timechart | p. 50 |
| Mesopotamia | p. 50 |
| Sumer | p. 51 |
| Akkadian Art | p. 55 |
| Sources and Documents Gudea's Dream | p. 56 |
| Ziggurats | p. 57 |
| Babylon | p. 57 |
| The Indus Valley | p. 58 |
| Ancient Egypt | p. 62 |
| Predynastic | p. 62 |
| Early Dynastic | p. 63 |
| Old Kingdom Architecture | p. 64 |
| Sources and Documents Ancient Egytian Pyramid Texts | p. 67 |
| Old Kingdom Sculpture and Painting | p. 68 |
| Middle Kingdom | p. 72 |
| The Aegean | p. 75 |
| Minoan Crete | p. 76 |
| Mycenae and the Mainland | p. 80 |
| In Context The Homeric World | p. 84 |
| China | p. 85 |
| Shang Dynasty | p. 86 |
| Developments Across the Continents | p. 90 |
| Timechart | p. 90 |
| The Hittites | p. 90 |
| The Discovery of Iron | p. 93 |
| The New Kingdom in Ancient Egypt | p. 93 |
| Sources and Documents Thutmose Instructs his Vizier | p. 95 |
| In Context Hatshepsut: Women in Ancient Egypt | p. 96 |
| New Kingdom Architecture | p. 98 |
| Akhenaten | p. 100 |
| Ramesside Art | p. 103 |
| Assyria and Babylon | p. 106 |
| Narrative Relief | p. 108 |
| Babylon | p. 110 |
| Iran | p. 112 |
| Achaemenid Art | p. 113 |
| Persepolis | p. 114 |
| Zhou China | p. 116 |
| The Americas | p. 119 |
| The Olmecs | p. 120 |
| Peru | p. 122 |
| In Context Chavin de Huantar: Religion and Society in Ancient Peru | p. 123 |
| Africa: Nok Culture | p. 125 |
| The Greeks and their Neighbours | p. 126 |
| Timechart | p. 126 |
| Archaic Greece | p. 127 |
| The Male Nude | p. 131 |
| The Polis | p. 135 |
| The Classical Period | p. 136 |
| The Parthenon | p. 136 |
| Sources and Documents Pausanias on the Parthenon | p. 138 |
| In Context The Delphi Charioteer: Ancient Greek Religion and Athletics | p. 144 |
| Naturalism and Idealization | p. 148 |
| Concepts The Ideal: Idealism, Proportion and the Canon | p. 149 |
| Vase Painting | p. 153 |
| Stelae | p. 155 |
| The Late Classical Period | p. 156 |
| Barbarian Alternatives: Scythians and the Animal Style | p. 159 |
| Hallstatt and La Tene | p. 162 |
| Iberia and Sardinia | p. 164 |
| The Etruscans | p. 165 |
| Sources and Documents Pliny on Etruscan Sculpture | p. 168 |
| Hellenistic and Roman Art | p. 173 |
| Timechart | p. 173 |
| The Hellenistic Period | p. 175 |
| Plato, Aristotle and the Arts | p. 177 |
| Allegory | p. 181 |
| Hellenistic Architecture | p. 183 |
| Hellenistic and Roman Painting and Mosaics | p. 186 |
| In Context Roman Luxury: Silver and Cameo Glass | p. 187 |
| Sources and Documents Vitruvius on Roman Painting | p. 192 |
| Roman Architecture | p. 193 |
| Domestic Architecture | p. 193 |
| Temples and Public Works | p. 195 |
| Urban Development From Jericho to Imperial Rome: Grid Planning and Organic Growth | p. 196 |
| The Colosseum and the Invention of Concrete | p. 199 |
| The Pantheon | p. 201 |
| Roman Sculpture | p. 203 |
| Towards a Definition of Roman Art | p. 204 |
| In Context Family Piety: The Roman Portrait Bust | p. 208 |
| Late Antique Art | p. 215 |
| Art and the World Religions | |
| Buddhism, Hindusim and Far Eastern Art | p. 224 |
| Timechart | p. 224 |
| Buddhist Art in India | p. 227 |
| In Context The Life of Buddha: Scriptures and Images | p. 230 |
| The Image of Buddha | p. 232 |
| Hindu Art in India | p. 238 |
| Concepts The Divine: From Apollo to Vishnu | p. 241 |
| In Context Ellora: An Architect Sculptor's Summit | p. 245 |
| Sources and Documents Konarak Temple Building Accounts | p. 248 |
| Buddhist and Hindu Art in Sri Lanka and Java | p. 252 |
| Buddhist and Hindu Art on the South-east Asian Mainland | p. 258 |
| Confucian, Daoist and Buddhist Art in China | p. 263 |
| Han Dynasty | p. 263 |
| In Context Confucius: Han Relief Carving | p. 266 |
| Tang Dynasty and the Five Dynasties | p. 273 |
| Song Dynasty | p. 276 |
| Landscape Painting | p. 280 |
| Shinto and Buddhist Art in Japan | p. 285 |
| Sources and Documents The Nihongi and the First Buddhist Images in Japan | p. 286 |
| The Heian, Fujiwara and Kamakura Periods (794-1333) | p. 290 |
| Sources and Documents Lady Murasaki on Calligraphy | p. 293 |
| Early Christian and Byzantine Art | p. 296 |
| Timechart | p. 296 |
| The Beginnings of Christian Art | p. 297 |
| In Context The Catacombs: Early Christian Art | p. 300 |
| From Domus Ecclesiae to the Christian Basilica | p. 302 |
| The Image of Christ | p. 305 |
| Sources and Documents Agnellus on S Apollinare Nuovo | p. 308 |
| Ravenna | p. 311 |
| Byzantine Art | p. 314 |
| Ecclesiastical Architecture | p. 314 |
| Urban Development Constantinople: The Creation of a Capital City | p. 316 |
| Hagia Sophia | p. 318 |
| The Classical Tradition | p. 321 |
| Icons and Iconoclasts | p. 323 |
| The Triumph of Orthodoxy | p. 324 |
| In Context The Virgin: The First Images | p. 326 |
| Christian Art in Northern Europe | p. 328 |
| Interlace and Illumination | p. 329 |
| Christian Art in Western Europe | p. 332 |
| The Carolingian Renovatio | p. 333 |
| Sources and Documents Einhard on the Palatine Chapel | p. 335 |
| In Context Monasticism: East and West | p. 336 |
| Developments in Christian Imagery | p. 337 |
| Early Islamic Art | p. 341 |
| Timechart | p. 341 |
| Umayyad Art and Architecture | p. 344 |
| Abbasid Art and Architecture | p. 349 |
| Sources and Documents The Byzantine Ambassadors Visit Baghdad | p. 350 |
| Islamic Spain | p. 353 |
| Samanid and Seljuk Architecture | p. 356 |
| In Context The Madrasa: Architecture for Education | p. 358 |
| Islamic Decoration | p. 359 |
| Sacred and Secular Art | |
| Medieval Christendom | p. 364 |
| Timechart | p. 364 |
| Ottonian Art | p. 367 |
| Romanesque Architecture in Italy | p. 370 |
| Romanesque Art and Architecture in Northern Europe | p. 374 |
| Innovations in Romanesque Architecture | p. 381 |
| Gothic Art and Architecture | p. 383 |
| Sources and Documents Abbot Suger Finds Columns and Beams for St-Denis | p. 384 |
| In Context The Gothic Cathedral: The New Jerusalem | p. 386 |
| High Gothic | p. 388 |
| Stained Glass and Flying Buttresses | p. 390 |
| Economics and Theology | p. 393 |
| Sources and Documents Abbot Haymo and the 'Cult of the Carts' at Chartres | p. 393 |
| Sculpture and Painting | p. 395 |
| English and German Gothic | p. 397 |
| Sources and Documents Piers Plowman on Stained Glass and Opus Anglicanum | p. 398 |
| Italian Gothic | p. 400 |
| In Context St Francis and St Clare | p. 402 |
| Giotto | p. 409 |
| Sources and Documents The Monks in Padua Complain about the Scrovegni Chapel | p. 411 |
| Secular and International Gothic | p. 413 |
| The Fifteenth Century in Europe | p. 422 |
| Timechart | p. 422 |
| The Beginnings of the Italian Renaissance | p. 423 |
| Brunelleschi | p. 424 |
| Masaccio | p. 426 |
| 'Progress' in Sculpture | p. 427 |
| A New Style in Flanders | p. 430 |
| Van Eyck and van der Weyden | p. 430 |
| In Context The Ghent Altarpiece: Jan van Eyck and his Patrons | p. 432 |
| Sources and Documents Bartolommeo Fazio on Jan van Eyck | p. 435 |
| Architecture in Italy | p. 436 |
| Alberti | p. 437 |
| Sculpture in Italy | p. 439 |
| Donatello | p. 439 |
| New Departures | p. 440 |
| Italian Painting and the Church | p. 444 |
| Fra Angelico, Uccello and Piero della Francesca | p. 444 |
| Sources and Documents Filippino Lippi and Folippo Strozzi: Financial and other Problems over the Strozzi Chapel | p. 449 |
| Secular Painting | p. 450 |
| Boticelli | p. 451 |
| The Venetian Synthesis | p. 455 |
| Mantegna and Bellini | p. 455 |
| In Context Bellini and Carpaccio: Corporate Patronage in Renaissance Venice | p. 460 |
| International Humanism | p. 461 |
| Durer | p. 461 |
| The Sixteenth Century in Europe | p. 464 |
| Timechart | p. 464 |
| Reform and Early Sixteenth-century Art in the North | p. 465 |
| Hieronymus Bosch | p. 467 |
| Grunewald | p. 468 |
| Protestant Art | p. 470 |
| The High Renaissance in Italy | p. 473 |
| Leonardo da Vinci | p. 473 |
| Harmony, Unity and Raphael | p. 476 |
| In Context Bramante's Tempietto: Alberti, Leonardo and the Ideal Renaissance Church | p. 478 |
| Michelangelo | p. 482 |
| Sources and Documents Michelangelo's David: Contract and Installation | p. 482 |
| Urban Development Renaissance Urbanism: The Rome of Sixtus V | p. 492 |
| The Venetian High Renaissance | p. 495 |
| Giorgione | p. 495 |
| Titian | p. 496 |
| Tintoretto and Veronese | p. 499 |
| Sources and Documents Veronese's Interrogation by the Inquisition | p. 501 |
| Sansovino, Palladio and the Laws of Harmony | p. 502 |
| Mannerism and Mannerisms | p. 504 |
| Coreggio and Mannerist 'Licence' | p. 504 |
| Pieter Bruegel the Elder | p. 509 |
| In Context Pieter Bruegel's Months: Patronage in Flanders | p. 510 |
| El Greco | p. 512 |
| The Americas, Africa And Asia | p. 514 |
| Timechart | p. 514 |
| Mesoamerica and Peru | p. 515 |
| The Maya, Toltecs and Mixtecs | p. 517 |
| The Aztecs | p. 521 |
| Sources and Documents Cortes and Durer on Mexico and Montezuma's Treasure | p. 522 |
| Africa | p. 524 |
| Sources and Documents Dapper on Benin | p. 529 |
| The Islamic World | p. 530 |
| Ottoman Architecture | p. 533 |
| Safavid Art and Architecture | p. 535 |
| Urban Development Isfahan and Samarkand: Islamic Urban Design | p. 540 |
| Mughal Art and Architecture | p. 542 |
| In Context Nur-Jahan and Jahangir: Art at the Mughal Court | p. 546 |
| Sources and Documents Domingo Paes on Vijayanagar | p. 550 |
| China | p. 551 |
| The Yuan Dynasty | p. 551 |
| The Ming Dynasty | p. 555 |
| Sources and Documents Dong Quichang on Painting: The Study of Nature and Old Masters | p. 562 |
| Japan - Kamakura to Edo | p. 562 |
| The Influence of Zen Buddhism | p. 565 |
| In Context Namban Screens: The Japanese Encounter with Europeans | p. 570 |
| The Seventeenth Century in Europe | p. 574 |
| Timechart | p. 574 |
| New Beginnings in Rome | p. 575 |
| Concepts Nature, Imitation and Invention: The Formation of Academic Theory | p. 576 |
| Baroque Art and Architecture | p. 579 |
| Rubens and van Dyck | p. 580 |
| In Context The Jesuit Missions: Evangelization and Colonization | p. 582 |
| The Easel Painting in Italy | p. 585 |
| Bernini | p. 587 |
| Borromini | p. 591 |
| Poussin and Claude | p. 592 |
| Velasquez | p. 595 |
| Sources and Documents Pacheco Art in the Service of Religion | p. 597 |
| Dutch Painting | p. 598 |
| Hals | p. 598 |
| Rembrandt | p. 600 |
| In Context Rembrandt's 'Hundred-guilder Print': The Development of Graphic Processes | p. 602 |
| Landscape | p. 605 |
| Still Life and Genre | p. 608 |
| Vermeer | p. 609 |
| England and France | p. 610 |
| Enlightenment and Liberty | p. 614 |
| Timechart | p. 614 |
| French Rococo Art | p. 615 |
| Watteau, de Troy and the Rococo Interior | p. 617 |
| Boucher, Chardin and Fragonard | p. 619 |
| Sources and Documents Diderot on Boucher, Greuze and Chardin | p. 620 |
| In Context Fragonard and Greuze: Sex Objects and Virtuous Mothers | p. 622 |
| The Rococo in Germany and Italy | p. 624 |
| Tiepolo, Guardi and Canaletto | p. 626 |
| English Sense and Sensibility | p. 629 |
| Hogarth and Gainsborough | p. 629 |
| Landscape and Classicism | p. 630 |
| Neo-Classicism, or the 'True Style' | p. 635 |
| Sources and Documents Washington and Jefferson: Antique versus Modern Dress | p. 636 |
| Canova and David | p. 637 |
| The Making of The Modern World | |
| Romanticism to realism | p. 642 |
| Timechart | p. 642 |
| Urban Development Factories and Public Parks: Owen, Nash and Olmsted | p. 644 |
| Romanticism | p. 646 |
| The Heirs of David | p. 648 |
| Goya | p. 650 |
| Gericault | p. 652 |
| Ingres | p. 653 |
| Delacroix | p. 654 |
| Sources and Documents Heine on Delacroix's Liberty Leading the People | p. 657 |
| Romanticism and Philosophy | p. 657 |
| Friedrich | p. 657 |
| Blake | p. 658 |
| Romantic Landscape Painting | p. 659 |
| Constable | p. 659 |
| Turner | p. 661 |
| In Context Turner's Slave Ship: Images of Slavery | p. 662 |
| Corot and the Etude | p. 664 |
| Photography | p. 665 |
| In which Style should We Build? | p. 668 |
| Sources and Documents Pugin on the Principles of Christian Architecture | p. 670 |
| Historicism and Realism | p. 671 |
| The Pre-Raphaelites | p. 672 |
| Courbet | p. 673 |
| Concepts Art for Art's Sake: Aestheticism versus Realism | p. 674 |
| Millet | p. 675 |
| Sources and Documents Baudelaire: 'What is the good of criticism?' | p. 676 |
| Manet | p. 677 |
| The USA | p. 680 |
| In Context Caleb Bingham's Fur Traders: Art and the Frontier | p. 684 |
| Photography comes of Age | p. 688 |
| Eastern Traditions | p. 692 |
| Timechart | p. 692 |
| Oing-dynasty China | p. 693 |
| In Context Wanh Huing and Others, Portrait of An Oi: Painters and Patrons under the Qing Dynasty | p. 695 |
| Architecture and the Decorative Arts | p. 696 |
| Japan in the Edo Period | p. 698 |
| Hokusai and Hiroshige | p. 701 |
| Sources and Documents Hokusai and Frank Lloyd Wright on the Japanese Print | p. 704 |
| Impressionism to Post-Impressionism | p. 706 |
| Timechart | p. 706 |
| Impressionism | p. 707 |
| Monet | p. 710 |
| Sources and Documents Laforgue on Impressionism | p. 711 |
| Morisot, Renoir and Manet | p. 711 |
| In Context Degas and Manet: City Lights and the Exploitation of Women | p. 714 |
| Degas | p. 716 |
| Japonisme | p. 718 |
| Neo-Impressionism | p. 721 |
| Seurat, Divisionism and Socialism | p. 722 |
| Symbolism | p. 723 |
| Gaugin and Van Gogh | p. 724 |
| Allegories of Modern Life: Munch and Rodin | p. 727 |
| Art Nouveau and the New Architecture | p. 729 |
| Sullivan and the Skyscraper | p. 731 |
| In Context The Crystal Palace and the Statue of Liberty: Metal and New Building Methods | p. 732 |
| Domestic Architecture | p. 734 |
| Cezanne | p. 735 |
| Sources and Documents Cezanne to Emile Bernard | p. 736 |
| Indigenous Arts of Africa, The Americas, Australia and Oceania | p. 740 |
| Timechart | p. 740 |
| Oceania | p. 741 |
| Polynesia | p. 742 |
| Sources and Documents Captain Cook and the Arts of the Pacific | p. 745 |
| Melanesia and Micronesia | p. 748 |
| Australia | p. 750 |
| The American North-West | p. 752 |
| In Context A Shaman's Mask: Art and Magic | p. 754 |
| The Plains and the Arid Lands of North America | p. 756 |
| Africa | p. 758 |
| In Context Palace Doors from Ikere: African Images of Europeans | p. 762 |
| Twentieth-century Art | |
| Art from 1900 to 1919 | p. 772 |
| Timechart | p. 772 |
| New Ways of Looking | p. 773 |
| In Context Picasso's Demoiselles: Anarchism, Colonialism and Art as Exorcism | p. 776 |
| The Fauves and Expressionism | p. 778 |
| Matisse | p. 779 |
| The German Expressionists | p. 780 |
| Kandinsky | p. 783 |
| Sources and Documents Kandinsky on Color | p. 784 |
| Marc | p. 785 |
| Cubism | p. 786 |
| Picasso and Braque: Analytical and Synthetic Cubism | p. 786 |
| Sources and Documents Braque and Picasso on Cubism | p. 789 |
| Orphic Cubism | p. 793 |
| Futurism | p. 794 |
| Abstract or Non-objective Art | p. 797 |
| Suprematism and the Founding of De Stijl | p. 797 |
| Architecture | p. 799 |
| Frank Lloyd Wright | p. 799 |
| Between the Two World Wars | p. 801 |
| Timechart | p. 801 |
| Dada and Surrealism | p. 801 |
| Duchamp | p. 803 |
| America and the Precisionist View | p. 806 |
| Diego Rivera and the Mexican Muralists | p. 808 |
| Breton, de Chirico and Ernst | p. 809 |
| In Context Orozco, Rivera and Siqueiros: Art and Politics | p. 810 |
| Sources and Documents Louis Aragon, Max Ernst and Others Issue a Surrealist Declaration | p. 812 |
| Dali, Magritte and Miro | p. 813 |
| Welded Metal: A Revolution in Sculpture | p. 816 |
| Photography and Modern Movements | p. 818 |
| Constructivism, De Stijl and the International Style | p. 821 |
| Art and Revolution | p. 821 |
| The Bauhaus | p. 823 |
| Sources and Documents Walter Gropius on the Bauhaus | p. 823 |
| Mondrian | p. 825 |
| Le Corbusier and Mies van der Rohe | p. 827 |
| Urban Development Cities of the Future: Le Corbusier and Frank Lloyd Wright | p. 828 |
| Brancusi and Moore | p. 831 |
| Art Deco | p. 832 |
| Post-War to Post-Modern | p. 834 |
| Timechart | p. 834 |
| Abstract Expressionism | p. 835 |
| Pollock and de Kooning | p. 837 |
| Still, Rothko and Neuman | p. 839 |
| European Survivors | p. 842 |
| Post-Painterly Abstraction | p. 843 |
| Jasper Johns and Robert Rauschenberg | p. 844 |
| Concepts Modernism and Formalism | p. 845 |
| Pop Art | p. 846 |
| Photographic Imagery | p. 849 |
| Minimal and Conceptual Art | p. 850 |
| Earth and Land Art | p. 852 |
| Photo-Realism and New Image Painting | p. 854 |
| Body Art and Process Art | p. 856 |
| Modernism and Post-Modernism | p. 857 |
| Towards the Third Millennium | p. 862 |
| Timechart | p. 862 |
| Questioning Modernism | p. 864 |
| Neo-Expressionism | p. 869 |
| Art as Identity | p. 874 |
| Post-Modern Multiculturalism | p. 880 |
| Video Art | p. 887 |
| Glossary | p. 888 |
| For Further Reading | p. 901 |
| Acknowledgements | p. 910 |
| Index | p. 912 |
| Maps | |
| Prehistoric Europe and the Near East | |
| The Ancient Near and Middle East | |
| Ancient Egypt | |
| The ancient Aegean | |
| Ancient China | |
| Ancient Asia Minor | |
| Ancient Mesoamerica | |
| Ancient Peru | |
| Ancient Greece | |
| Etruscan and Roman Italy | |
| India | |
| South-East Asia | |
| The Byzantine World | |
| The Islamic World | |
| Western Europe and the Middle Ages | |
| Renaissance Italy | |
| Pre-Columbian Mesoamerica | |
| Africa | |
| Japan | |
| Oceania | |
| Table of Contents provided by Syndetics. All Rights Reserved. |