
Because Knetbooks knows college students. Our rental program is designed to save you time and money. Whether you need a textbook for a semester, quarter or even a summer session, we have an option for you. Simply select a rental period, enter your information and your book will be on its way!
| Preface | p. xi |
| An Introduction, Theoretically | p. 3 |
| Textual Tours | p. 3 |
| Checking Some Baggage | p. 6 |
| Anything to Declare? | p. 10 |
| Recommended Further Reading | p. 12 |
| Critical Worlds: A Selective Tour | p. 15 |
| Brendan Gill, from Here at "The New Yorker" | p. 16 |
| New Criticism | p. 17 |
| Reader-Response Criticism | p. 20 | ... MORE
| Structuralist and Deconstructive Criticism | p. 22 |
| Historical, Postcolonial, and Cultural Studies | p. 25 |
| Psychological Criticism | p. 30 |
| Political Criticism | p. 33 |
| Other Approaches | p. 36 |
| Works Cited | p. 37 |
| Recommended Further Reading | p. 37 |
| Unifying the Work: New Criticism | p. 39 |
| The Purpose of New Criticism | p. 39 |
| Basic Principles Reflected | p. 40 |
| Archibald MacLeish, Ars Poetica | p. 40 |
| Radicals in Tweed Jackets | p. 44 |
| How to Do New Criticism | p. 48 |
| Film and Other Genres | p. 51 |
| The Writing Process: A Sample Essay | p. 52 |
| Gwendolyn Brooks, The Mother | p. 53 |
| Preparing to Write | p. 54 |
| Shaping | p. 55 |
| Drafting | p. 56 |
| Practicing New Criticism | p. 59 |
| Lucille Clifton, forgiving my father | p. 59 |
| Questions | p. 60 |
| Stephen Shu-ning Liu, My Father's Martial Art | p. 60 |
| Questions | p. 61 |
| Ben Jonson, On My First Son | p. 61 |
| Questions | p. 62 |
| Useful Terms for New Criticism | p. 63 |
| Works Cited | p. 64 |
| Recommended Further Reading | p. 65 |
| Creating the Text: Reader-Response Criticism | p. 67 |
| The Purpose of Reader-Response Criticism | p. 67 |
| New Criticism as the Old Criticism | p. 67 |
| The Reader Emerges | p. 68 |
| Hypertextual Readers | p. 72 |
| How to Do Reader-Response Criticism | p. 73 |
| Preparing to Respond | p. 73 |
| Sandra Cisneros, Love Poem #1 | p. 73 |
| Making Sense | p. 74 |
| Subjective Response | p. 76 |
| Receptive Response | p. 78 |
| The Writing Process: A Sample Essay | p. 84 |
| Preparing to Respond | p. 84 |
| Ernest Hemingway, A Very Short Story | p. 84 |
| Preparing to Write | p. 89 |
| Shaping | p. 92 |
| Drafting | p. 92 |
| Practicing Reader-Response Criticism | p. 95 |
| Michael Drayton, Since There's No Help | p. 95 |
| Questions | p. 96 |
| Judith Minty, Killing the Bear | p. 97 |
| Questions | p. 100 |
| Caroline Fraser, All Bears | p. 101 |
| Questions | p. 102 |
| Useful Terms for Reader-Response Criticism | p. 103 |
| Works Cited | p. 103 |
| Recommended Further Reading | p. 104 |
| Opening Up the Text: Structuralism and Deconstruction | p. 107 |
| The Purposes of Structuralism and Deconstruction | p. 107 |
| Structuralism and Semiotics | p. 109 |
| Post-Structuralism and Deconstruction | p. 110 |
| How to Do Structuralism and Deconstruction | p. 116 |
| William Butler Yeats, Sailing to Byzantium | p. 116 |
| The Writing Process: A Sample Essay | p. 122 |
| Amy Clampitt, Discovery | p. 122 |
| Preparing to Write | p. 124 |
| Shaping | p. 129 |
| Drafting | p. 131 |
| Practicing Structuralist and Deconstructive Criticism | p. 135 |
| Questions | p. 135 |
| USC Continuing Education, Cut Through the Anxiety... | p. 136 |
| William Blake, London | p. 137 |
| Questions | p. 137 |
| Linda Pastan, Ethics | p. 139 |
| Questions | p. 139 |
| Useful Terms for Deconstruction | p. 140 |
| Works Cited | p. 142 |
| Recommended Further Reading | p. 142 |
| Connecting the Text: Historical, Postcolonial, and Cultural Studies | p. 145 |
| The Purposes of Historical, Postcolonial, and Cultural Studies | p. 145 |
| Biographical and Historical Criticism | p. 146 |
| John Milton, When I Consider How My Light Is Spent | p. 146 |
| Cultural Studies | p. 151 |
| New Historicism | p. 155 |
| History as Text | p. 156 |
| Marxist Criticism | p. 158 |
| Postcolonial Studies | p. 161 |
| How to Do Historical, Postcolonial, and Cultural Studies | p. 165 |
| The Writing Process: Sample Essays | p. 168 |
| John Cheever, Reunion | p. 168 |
| A Biographical Essay | p. 171 |
| Preparing to Write | p. 173 |
| Shaping | p. 175 |
| Drafting | p. 178 |
| A New Historical Essay | p. 182 |
| Preparing to Write | p. 182 |
| Shaping | p. 183 |
| Drafting | p. 184 |
| Practicing Historical, Postcolonial, and Cultural Studies | p. 187 |
| Rowland Wilson, Cartoon | p. 188 |
| Useful Sources and Terms for Historical, Cultural, and Postcolonial Criticism | p. 188 |
| Stan Hunt, Cartoon | p. 189 |
| Works Cited | p. 194 |
| Recommended Further Reading | p. 196 |
| Minding the Work: Psychological Criticism | p. 199 |
| The Purpose of Psychological Criticism | p. 199 |
| How to Do Psychological Criticism | p. 205 |
| William Wordsworth, A Slumber Did My Spirit Seal | p. 206 |
| The Writing Process: A Sample Essay | p. 209 |
| William Shakespeare, from Hamlet | p. 209 |
| Preparing to Write | p. 210 |
| Shaping | p. 214 |
| Drafting | p. 216 |
| Practicing Psychological Criticism | p. 220 |
| Emily Dickinson, A Narrow Fellow in the Grass | p. 220 |
| Questions | p. 221 |
| Marianne Moore, O to Be a Dragon | p. 222 |
| Questions | p. 222 |
| Matthew Arnold, Dover Beach | p. 222 |
| Question | p. 223 |
| Useful Terms for Psychological Criticism | p. 223 |
| Works Cited | p. 224 |
| Recommended Further Reading | p. 225 |
| Gendering the Text: Feminist Criticism, Post-Feminism, and Queer Theory | p. 227 |
| How to Do Feminist Criticism, Post-Feminism, and Queer Theory | p. 235 |
| Mary Astell, from A Serious Proposal | p. 238 |
| The Writing Process: A Sample Essay | p. 243 |
| Samuel Johnson, To Miss_______On Her Playing upon the Harsichord... | p. 244 |
| Preparing to Respond | p. 245 |
| Shaping | p. 248 |
| Drafting | p. 249 |
| Revision: Gay and Lesbian Criticism | p. 252 |
| Practicing Feminist, Post-Feminist, and Queer Theory Criticism | p. 254 |
| William Shakespeare, Shall I Compare Thee... | p. 255 |
| Questions | p. 255 |
| Emily Dickinson, My Life had stood... | p. 256 |
| Questions | p. 257 |
| Tobias Wolff, Say Yes | p. 257 |
| Questions | p. 261 |
| Useful Terms for Political Criticism | p. 261 |
| Works Cited | p. 263 |
| Recommended Further Reading | p. 264 |
| Investigating the Work: Research and Documentation | p. 267 |
| The Purposes of Research | p. 267 |
| How to Do Research | p. 272 |
| The Topic and the Task | p. 272 |
| Finding and Using Resources | p. 276 |
| Background Sources | p. 277 |
| Bibliographies, Indexes, Catalogs | p. 279 |
| Online Sources, Ethics, Plagiarism | p. 280 |
| The Writing Process: A Sample Research Paper | p. 286 |
| Getting Ideas | p. 287 |
| Organizing | p. 293 |
| Drafting | p. 294 |
| Works Cited | p. 298 |
| Recommended Further Readings | p. 298 |
| Appendix | p. 299 |
| John Donne, The Canonization | p. 299 |
| Credits | p. 301 |
| Index | p. 303 |
| Table of Contents provided by Ingram. All Rights Reserved. |