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| About the Authors | p. xi |
| Preface | p. xii |
| Why Teach Literature? | p. 1 |
| What Does it Mean to Teach Literature to Adolescents? | p. 3 |
| Chapter Overview | |
| Case Narrative: Molly's Beliefs about Teaching Literature | |
| Different Theories of Teaching Literature | |
| The Why Teach Literature Shapes the What and the How | |
| Practices Constituting a Literature ... MORE | |
| Tools for Use in Literature Learning | |
| Molly's Literature Instruction: Issues Related to Teaching Literature to Adolescents | |
| Portfolio Reflection | |
| Teaching Literature With Adolescents In Mind: Who Are My Students? | p. 18 |
| Chapter Overview | |
| Case Narrative: Lily's Identity as a Millennial Adolescent Meet the Millennials | |
| Getting Past the "Reading Sucks" Syndrome: Developing Motivation and Interest for Reading | |
| The Search for Self: Young Adult Literature and Identity Development | |
| Race, Identity, and Representation in the Literature Classroom | |
| The Multiple Identities of Adolescents / ce | |
| Exploding the Monocultural Mindset: Cultural Modeling in the Literature Classroom | |
| Taking Inventory: Funds of Knowledge in the Literature Classroom | |
| Creating a Classroom Environment: Making Room for Reading | |
| Multitextured Teaching: Organizing the Literature Curriculum in an Age of Multiliteracies | |
| Putting It All Together: Coming of Age in a New Age | |
| Portfolio Reflection | |
| What Literatures Are We Teaching? | p. 37 |
| Planning and Organizing Literature Instruction: How Do I Decide What to Teach? | p. 39 |
| Chapter Overview | |
| Case Narrative: Considering Different Factors in Planning Lessons | |
| Curriculum Goals for Teaching Literature | |
| The Planning Model (Questions for Planning Instruction) | |
| Designing Units | |
| Creating Units of Instruction: Melissa's 9th Grade Unit on The House on Mango Street | |
| Portfolio Reflection | |
| Teaching the Classics: Do I Have to Teach the Canon, and If So, How Do I Do It? | p. 61 |
| Chapter Overview | |
| Case Narrative: Teaching a Classic Novel: The Scarlet Letter | |
| The Enduring Nature of the Canon | |
| The Value of the Canon | |
| Approaches and Strategies to Teaching the Classics | |
| Lesson Planning | |
| Assessment | |
| Portfolio Reflection | |
| Teaching Contemporary Young Adult Literature: How Do I Teach What My Students Are Reading? | p. 77 |
| Chapter Overview | |
| Case Narrative: Millennial Teens and Contemporary Young Adult Literature | |
| The Recent Rise of Young Adult Literature | |
| What Exactly is Young Adult Literature, and Why isn't it in the Book Room? | |
| On Texts and Teaching: Young Adult Literature as Cultural Ideal or Cultural Access? | |
| Young Adult Literature in the Millennium: What Teens Read, What Teachers Teach | |
| If it's Not in the Book Room, Where Can I find it? Locating Quality Young Adult Literature | |
| How do I Possibly Choose? Developing Selection Criteria | |
| What Can I Do (or Should I Avoid) with the Anthology? Using What's in the Book Room | |
| What if I Get into Trouble? Censorship and the Complications of Choice Portfolio Reflection | |
| Media Makers and Media Readers: Teaching Analysis and Production of Media | p. 96 |
| Chapter Overview | |
| Case Narrative: Justifying Media/Digital Literacy Instruction in a Traditional English Curriculum | |
| Justifying a Media Literacy Curriculum | |
| Accessing and Responding to Online Literature | |
| Responding to and Creating Digital Texts | |
| Studying and Creating Film Adaptations of Literature | |
| Critical Analysis of Media Representations | |
| Studying Film/Television Genres | |
| Studying Audiences' Construction of Media Texts | |
| Portfolio Reflection | |
| How Do We Engage Students With Literature? | p. 115 |
| How Do I Help Students Understand What They Are Reading? | p. 117 |
| Chapter Overview | |
| Case Narrative: Getting Started: The Pre-Requisites to Helping Students Navigate Texts: The Case of 9th Grade Teacher Jamie Heans | |
| Helping Students Acquire General Reading and Literary Response Strategies | |
| Working with "Struggling" Readers | |
| Portfolio Reflection | |
| Teaching Literary Genres: How Do I Engage Students in Reading Different Kinds of Literature? | p. 129 |
| Chapter Overview | |
| Case Narrative: Creating Facebook Profiles for Scout in To Kill a Mockingbird | |
| Helping Students Acquire Knowledge of Genre Conventions | |
| Responding to Poetry | |
| Responding to Narratives | |
| Responding to Fables/Myths | |
| Responding to Comics/Graphic Novels | |
| Portfolio Reflection | |
| Multiple Perspectives to Engage Students in Literature: What Are Different Ways of Seeing? | p. 151 |
| Chapter Overview | |
| Case Narrative: Applying Different Critical Perspectives to To Kill a Mockingbird | |
| Reading Texts, Reading the World | |
| Preparing to Teach Multiple Perspectives | |
| A Brief Synopsis of Some Major Theories | |
| Getting Your Class Started | |
| Lesson Planning | |
| Portfolio Reflection | |
| Using Drama Strategies to Foster Interpretation: How Do I Get My Students to Participate in Textual Worlds? | p. 163 |
| Chapter Overview | |
| Case Narrative: How Enactment Teaches Reading Strategies | |
| Drama/Enactment Strategies and Transactional Reading | |
| The Power and Flexibility of Drama | |
| Drama, Values, Feelings, and Cultural Understanding | |
| Implementing Drama Activities | |
| Reflection on Participation in Drama Activities | |
| Portfolio Reflection | |
| Leading Discussions of Literature: How Do I Get Students to Talk About Literature? | p. 184 |
| Chapter Overview | |
| Case Narrative: Jessica's Reflection on Her Students' Discussion of "The Bear" | |
| Leading Large-Group Discussions | |
| Leading Small Group and Book Club Discussions | |
| Leading Online Discussions | |
| Portfolio Reflection | |
| Writing About Literature: How Do I Get Students to Write About Literature? | p. 202 |
| Chapter Overview | |
| Case Narrative: Differences in Kinds of Writing about Literature | |
| Limitations of "List and Gist" Writing about Literature | |
| Informal Writing Tools | |
| Collaboratively Sharing Knowledge about Texts | |
| Formal Writing about Literature | |
| Understanding Texts through Writing Texts | |
| Portfolio Reflection | |
| Where Do I Go From Here? | p. 221 |
| Evaluating and Assessing Students' Learning: How Do You Know What They Have Learned? | p. 223 |
| Chapter Overview | |
| Case Narrative: Coping with Issues of Assessment | |
| Defining What You Value in Literature Instruction | |
| Alternatives to "Correct Answer" Tests | |
| Using Feedback to Foster Students' Revision and Perspective-taking | |
| Providing Students with Criteria in Writing Assignments | |
| Determining Student Learning in your Classroom | |
| Devising Literature Tests and Assessments | |
| Using Portfolios to Evaluate Growth and Reflection | |
| Portfolio Review | |
| Reflecting and Developing as a Literature Teacher: How Do I Grow as a Teacher? | p. 242 |
| Chapter Overview | |
| Case Narrative: Chris Johnson's Reflections on Teaching Catcher in the Rye | |
| Teacher Reflection and Action Research | |
| Tools for Reflection | |
| Engaging in Professional Development | |
| Portfolio Reflection | |
| References | p. 250 |
| Index | p. 266 |
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