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| Table of contents | |
| Bibliography | |
| Duration | |
| Teaching Pulse And Rhythms | |
| Technique, Style, And Articulation | |
| On Musical Phrase | |
| On Interpretation | |
| On Teaching Emotion To Young Musicians | |
| Suggestions For Encouraging The Heart | |
| March Style | |
| Motivation For A New Century | |
| Intrinsic And Extrinsic Motivation | |
| Scope And Sequence | |
| Motivating From The Heart | |
| 7 Steps To Opening A Motivational Bank Account With Your Music Program | |
| What Makes A Great Motivational Teacher? | |
| Assessment And Evaluation | |
| Rehearsal Plans | |
| Selecting Repertoire | |
| Rehearsal Facilities And Equipment | |
| Concert Programming | |
| Auditions And Instrumental Seating | |
| Recruiting And Retention | |
| Music Curriculum Standards | |
| Budget And Program Funding | |
| Support Personnel | |
| Advocacy And Public Relations | |
| Festivals, Camps And Workshops | |
| Organization And Time Management | |
| Practicing | |
| Music Copyright | |
| Classroom Management And Discipline | |
| P-1 Professional Growth | |
| Technolody's Role In Music Curriculum | |
| P-2 Personal Growth | |
| Q-1 Intelligence Quotient | |
| Q-2 Emotional Quotient | |
| Nurturing Your Ensemble's E.Q. | |
| Snapshot Of The Past | |
| Snapshot Of The Future | |
| Tone Quality | |
| Balance And Blend | |
| Pitch/Intonation | |
| Pulse And Rhythm Final Thoughts From The Author | |
| Index | |
| Table of Contents provided by Publisher. All Rights Reserved. |