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| Introduction: What It's All About | p. xi |
| Some Really Crude Basics | p. 1 |
| What Is a College Paper? | |
| Format and Length | |
| Timing Counts! | |
| How Much Work Do I Have to Do? | |
| Picking Your Nose at 4 a.m. | |
| Choosing a Topic and Telling Your Story | p. 9 |
| K.I.S.S. | |
| Plagiarize | |
| Brainstorming | ... MORE |
| Why Must We Fight? | |
| Daring Dissent | |
| Swindler's List | |
| Finding Patterns: Comparisons and Contrasts | |
| Freeing the Slaves | |
| Look for the Conflict | |
| End with a Bang | |
| Before Plunging In | |
| In the Beginning ... Pulling Your Creation Out of the Void | p. 28 |
| Do I Really Need an Outline? | |
| What's in a Title? | |
| The Topic Paragraph | |
| Topic Sentences | |
| Keep the Flow Going | |
| Sentences and Paragraphs | |
| Be Specific | |
| Show; Don't Tell | |
| Choosing a Voice | p. 39 |
| Who Must You Pretend to Be? | |
| Faking Other Voices | |
| Sin Boldly! | |
| Dialogue | |
| Voices to Avoid | |
| Dissing the Prof | |
| Imagining Your Audience | |
| Ungrammatical Voices | |
| Breezy or Pompous? | |
| Overwriting | |
| Plain-Style American Populism | p. 54 |
| Yankee Doodle's Macaroni | |
| McMurphy's "Average Asshole" | |
| The All-American Con-Man | |
| Empowering or Cowering | |
| PC Patty | |
| Business and Other Jargon | |
| Bushwhacking Bush | |
| Choosing Words | p. 67 |
| Piss and Urine | |
| Christian Dogs | |
| Being Niggardly About the Paddy Wagon | |
| Snobs and Slobs | |
| Cliches | |
| Say What You Mean--Mean What You Say | |
| The Prepositionless Excremental | |
| Sexist Language | |
| Past and Present | |
| Poetic Prose | |
| Arguing Your Case | p. 87 |
| No Right or Wrong | |
| Make It Yours | |
| Battle Tactics | |
| VGs, AEs, and OAs | |
| Show What You Know and Define Your Terms | |
| Keep Your Argument Grounded | |
| Refute! Reply! Fight Back! | |
| The Propaganda Machine | |
| How to Lose Your Case | p. 102 |
| Circular Reasoning | |
| Just Say No to "Just" | |
| Post Hoc, Ergo Propter Hoc | |
| Ad Hominem | |
| False Choices | |
| Non Sequitur | |
| Teleological False Assumptions | |
| Blaming the Victim | |
| Emotionally Logical | |
| For Instance: Three Examples | p. 110 |
| "Robert Frost: Gentle New England Satanist" | |
| "Bouncing into Graceland" | |
| "Women Are Like Boxcars" | |
| Literary Games | p. 127 |
| What Is "Literature," Anyway? | |
| The "Deep Inner Meaning" Debate | |
| The Voice Behind the Voice | |
| Searching for Symbols | |
| Texts in Context | |
| Class and the Classroom Context | |
| Cynics and Essentialists | |
| RaceGenderClass | |
| Francobabble for Freshmen | |
| Morality Plays | |
| Dr. Dave's Dirty Dozen, or the Twelve Deadly Sins of Writing About Literature | |
| The Social Sciences | p. 158 |
| What's the Dif? | |
| Free to Be? Free at All? | |
| Nature and Nurture | |
| Praise and Blame | |
| Cause and Effect Again | |
| Constructed Snobs and Essential Slobs | |
| Grammatical Horros | p. 171 |
| ONW--Omit Needless Words | |
| NAS--Not a Sentence | |
| MM--Misplaced Modifier | |
| //--Parallelism Problem | |
| A [not equal] They | |
| AWK--Awkward | |
| OOG--One Step Beyond AWK | |
| BB--Back-to-Back | |
| Typo--Typographical Error | |
| SP--Spelling | |
| WW--Wrong Word | |
| Big Brother Bill Cannot Be Trusted | |
| Some Common Stupid Mistakes | p. 180 |
| Its, It's, and Its' | |
| One's and Theirs | |
| The Split Infinitive | |
| "Hopefully" and Other Controversies | |
| Adjective or Adverb? | |
| Prepositions and Their Pronouns | |
| Fewer and Less | |
| Who and Whom | |
| Unclear Referents | |
| I, Me, Mine | |
| Subjunctive Dreams | |
| Plurals | |
| Hyphens | |
| Must of Alot of Attitude | |
| Edit Carefully! | |
| "Punct'uation!?!" | p. 194 |
| Clueless High School Teachers | |
| Commas | |
| Semicolons | |
| Colons | |
| Quotation Marks | |
| Block That Quote! | |
| Parentheses (), Brackets [], and Dashes | |
| Citing Sources Successfully | p. 204 |
| MLA Style | |
| APA Style | |
| Citing Cyberspace | |
| Some Sample Quizzes--Just for Fun! | p. 211 |
| Test Your Skills | |
| Why Punctuation Is Important | |
| Why Punctuation Is Important: Two | |
| Concluding Sermon | p. 216 |
| The Author's Rap Sheet | p. 218 |
| Index | p. 219 |
| Table of Contents provided by Ingram. All Rights Reserved. |