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A Short History of the Movies

ISBN: 9780023770753 | 0023770759
Edition: 6th
Format: Paperback
Publisher: Prentice Hall Professional Technical Reference
Pub. Date: 3/1/1996

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SummaryTable of Contents
B> The seventh edition of A Short History of the Movies continues the tradition that has made it one of the most popular books ever in film history. This volume offers students a panoramic overview of the worldwide development of film, from the early Mack Sennett and Charlie Chaplin shorts, through the studio heyday of the 1930s and 1940s and the Hollywood Renaissance of the 1960s and 1970s, to the pictures and their technology appearing in the multiplexes of today. This new edition, which has been revised and rewritten to reflect current scholarship and recent industry developments, and new films and filmmakers, represents an accurate, scrupulous updating of a classic. Features an emphasis on key historical and aesthetic principles provides solid scholarship in an accessible, intelligent, and readable format. Inlcudes almost 500 color and black-and-white photographs including frame enlargements and production stills. Includes evaluations of great works from such directors as Griffith, Ford, Scorsese, and Hitchcock illuminates conflicts and controversies in many areas of filmmaking. Also features extensive treatment of international film enables comparison and contrast between American films and those of other countries, particularly Germany, Russia, France, Italy, and China. For anyone interested in the history of film.
Prefaceix
Chapter 1 Introductory Assumptions
1(8)
Chapter 2 Birth
9(20)
... MORE
Persistence of Vision
9(3)
Stroboscopic Toys
10(2)
Photography
12(2)
Muybridge and Marey
12(2)
Thomas Edison
14(4)
W. K. L. Dickson
14(3)
The Kinetoscope
17(1)
Projection
18(6)
The Magic Lantern
19(2)
The Lumière Brothers
21(2)
The Vitascope
23(1)
The First Films
24(5)
Chapter 3 Film Narrative, Commercial Expansion
29(25)
Early Companies
29(3)
Narrative
32(15)
Georges Méliès
33(4)
Cohl and Others
37(1)
Edwin S. Porter
38(5)
From Brighton to Biograph
43(4)
Business Wars
47(4)
The Film d'Art
51(3)
Chapter 4 Griffith
54(33)
Apprenticeship
54(15)
Biograph: The One-Reelers
56(8)
Two Reels and Up
64(5)
The Birth of a Nation
69(6)
Intolerance
75(4)
1917-31
79(8)
Broken Blossoms and Way Down East
81(3)
The Struggle
84(3)
Chapter 5 Mack Sennett and the Chaplin Shorts
87(17)
Krazy Keystones
87(6)
Charlie
93(11)
Chapter 6 Movie Czars and Movie Stars
104(46)
Stars over Hollywood
105(4)
The First Stars
105(4)
California, Here We Come
109(1)
The Emperors and Their Rule
109(4)
Major Studios
110(2)
Movie Palaces
112(1)
Morality
113(3)
Sermons and Scandals
114(2)
The Hays Office
116(1)
Films and Filmmakers, 1910-28
116(18)
Thomas Ince
117(1)
Douglas Fairbanks
118(1)
DeMille and von Stroheim
119(4)
Greed
123(3)
Henry King
126(1)
Oscar Micheaux
127(1)
Webber and Watson
128(1)
Webber and Women
129(1)
King Vidor
130(1)
Lubitsch and Others
131(1)
Flaherty and the Silent Documentary
132(2)
The Comics
134(10)
Laurel and Hardy and Hal Roach
134(1)
Harold Lloyd
135(1)
Harry Langdon
136(1)
Buster Keaton
137(3)
The Gold Rush and The General
140(4)
Hollywood and the Jazz Age
144(6)
Modernism
144(1)
Jazz, Booze, and It
144(6)
Chapter 7 The German Golden Age
150(25)
Expressionism, Realism, and the Studio Film
150(3)
Fantasy
153(8)
Caligari
153(2)
Destiny and Metropolis
155(4)
Nosferatu and Others
159(2)
Psychology
161(6)
The Last Laugh
161(3)
Pabst and die neue Sachlichkeit
164(3)
The End of an Era
167(8)
Beyond the Studio
168(1)
Exodus to Hollywood
169(2)
Using Sound
171(1)
Leni Riefenstahl
172(3)
Chapter 8 Soviet Montage
175(27)
The Kuleshov Workshop
176(2)
Sergei M. Eisenstein
178(10)
Battleship Potemkin
180(5)
October
185(2)
Sound and Color
187(1)
Vsevolod I. Pudovkin
188(8)
Mother
190(2)
Later Works
192(4)
Other Major Figures
196(4)
Alexander Dovzhenko
196(2)
Dziga Vertov
198(2)
Socialist Realism
200(2)
Chapter 9 Sound
202(14)
Processes
202(5)
Problems
207(2)
Solutions
209(7)
Chapter 10 France between the Wars
216(27)
Surrealism and Other Movements
216(4)
Gance and Dreyer
220(5)
Abel Gance
220(3)
The Passion of Joan of Arc
223(2)
René Clair
225(4)
Jean Renoir
229(6)
Grand Illusion
230(3)
The Rules of the Game
233(2)
Vigo and Others
235(8)
Jean Vigo
236(3)
Carné and Prévert
239(4)
Chapter 11 The American Studio Years: 1930-45
243(52)
Film Cycles and Cinematic Conventions
244(10)
The Production Code
244(2)
Cycles
246(3)
Studios and Style
249(5)
The Comics
254(12)
Late Chaplin
254(2)
Disney's World
256(1)
Lubitsch and Sound
257(1)
Frank Capra
258(2)
Preston Sturges
260(1)
George Cukor
261(2)
The Marx Brothers
263(1)
Mae West
263(1)
W. C. Fields
264(2)
Masters of Mood and Action
266(29)
Josef von Sternberg
266(5)
John Ford
271(5)
Howard Hawks
276(5)
Alfred Hitchcock
281(4)
Orson Welles
285(10)
Chapter 12 Hollywood in Transition: 1946-65
295(43)
Enemies within: Freedom of Association and Free Entertainment
295(13)
The Hollywood Ten
297(2)
3-D, CinemaScope, Color, and the Tube
299(9)
Films in the Transitional Era
308(16)
Freedom of Speech, Preminger, and the Blacklist
310(1)
Message Pictures: Kazan and Others
311(2)
John Huston
313(2)
Film Noir and Other Genres
315(6)
The Freed Musicals
321(3)
Surfaces and Subversions
324(11)
Samuel Fuller
324(2)
Late Hitchcock
326(3)
Nicholas Ray
329(2)
Late Ford
331(2)
Douglas Sirk
333(2)
Finding the Audience
335(3)
Chapter 13 Neorealism and the New Wave
338(58)
Italian Neorealism
339(6)
Roberto Rossellini
340(2)
De Sica and Zavattini
342(2)
Luchino Visconti
344(1)
Romantics and Antiromantics
345(17)
Federico Fellini
345(5)
Michelangelo Antonioni
350(5)
Pasolini and Bertolucci
355(3)
Germi, Leone, and Others
358(4)
France--Postwar Classicism
362(9)
Cocteau and Others
362(2)
Max Ophüls
364(4)
Robert Bresson
368(1)
Tati, Clouzot, and Clément
369(2)
1959 and After
371(23)
The New Wave
372(1)
François Truffaut
373(5)
Jean-Luc Godard
378(5)
Alain Resnais
383(3)
Chabrol, Rohmer, and Rivette
386(1)
Varda, Marker, and the Documentary
387(3)
Malle and Others
390(4)
The French (and Italian) Revolution
394(2)
Chapter 14 Emerging National Traditions 1: 1945-
396(65)
Sweden
396(11)
Ingmar Bergman
397(10)
England
407(14)
Postwar Masters
407(5)
Another New Wave
412(3)
From A Hard Day's Night to Masterpiece Theatre
415(6)
Central and Eastern Europe
421(10)
The Czech Golden Age
421(5)
Poland
426(3)
Hungary
429(1)
The Balkan States
430(1)
Cinemas East
431(30)
Japan
431(18)
India
449(6)
China
455(4)
Taiwan and Hong Kong
459(2)
Chapter 15 Hollywood Renaissance: 1964-76
461(40)
The New American Auteurs
470(23)
John Cassavetes
470(1)
Woody Allen
471(3)
Robert Altman
474(2)
Francis Ford Coppola
476(3)
Martin Scorsese
479(3)
Malick, De Palma, and Others
482(8)
Stanley Kubrick
490(3)
The Independent American Cinema
493(8)
Early History
494(1)
The New Film Poets
495(6)
Chapter 16 Emerging National Traditions 2: 1968-
501(46)
Das neue Kino
501(13)
Rainer Werner Fassbinder
503(4)
Werner Herzog
507(2)
Wim Wenders
509(4)
Von Trotta and Others
513(1)
Third World Cinemas
514(11)
Emerging Cinemas, Emerging Concerns
515(2)
Instructive Dramas
517(3)
Documentaries
520(2)
Alea and Sembene
522(3)
Up from Down Under, Down from Up Above
525(9)
Australia
525(4)
New Zealand
529(2)
Canada
531(2)
Other English-Language Cinemas
533(1)
Russia and the Former Soviet Union
534(4)
Paradjanov, Tarkovsky, and Others
535(2)
Glasnost and After
537(1)
The New Internationalism
538(9)
Luis Buñuel
541(6)
Chapter 17 The Return of the Myths: 1977-
547(64)
Star Wars and the New Mythology
550(8)
Supermen, Slashers, and Cops
551(2)
Feelgood Movies and Bummers
553(3)
Popular Heroes and Postmodern Irony
556(2)
Emerging Directors
558(32)
Lucas and Spielberg
558(3)
Dark Satire: Lynch, Waters, and Others
561(7)
The Comic Edge: Burton, Zemeckis, and Others
568(7)
Politics, Insight, and Violence: Lee, Carpenter, and Others
575(15)
Business and Technology
590(17)
It's A Wonderful Deal
590(5)
Movies in the Age of Video
595(6)
Enter the Computer
601(6)
The Look of the Future
607(4)
Appendix: For Further Reading and Viewing611(51)
Distributors662(3)
Glossary665(14)
Acknowledgments679(2)
Index681

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