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| Preface | p. xv |
| Where to Listen | p. xix |
| 1900-1933 | |
| The Golden Age: Strauss, Mahler, and the Fin de Siecle | p. 3 |
| Doctor Faust: Schoenberg, Debussy, and Atonality | p. 36 |
| Dance of the Earth: The Rite, the Folk, le Jazz | p. 80 |
| Invisible Men: American Composers from Ives to Ellington | p. 130 |
| Apparition from the Woods: The Loneliness of Jean Sibelius | p. 171 |
Alex Ross, music critic for The New Yorker, is the recipient of numerous awards for his work, including two ASCAP Deems Taylor Awards for music criticism, a Holtzbrinck Fellowship at the American Academy in Berlin, a Fleck Fellowship from the Banff Centre, and a Letter of Distinction from the American Music Center for significant contributions to the field of contemporary music. The Rest is Noise is his first book.