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| List of Plates | p. vii |
| List of Figures | p. xi |
| Acknowledgments | p. xiii |
| Foreword | p. xv |
| Weimer to the Dramatic Workshop | p. 1 |
| Personal History | p. 3 |
| Erwin Piscator: Germany to New York City | p. 3 |
| The Founding of The Dramatic Workshop, 1940 | p. 11 |
| The Studio Theatre | p. 12 |
| The Teachers at Piscator's School | p. 13... MORE |
| The Students | p. 17 |
| My Personal Struggle to Enter The Dramatic Workshop | p. 31 |
| Valeska Gert | p. 32 |
| Lunar Bowels: An Audition Piece | p. 32 |
| The Notebook | p. 35 |
| The Ongoing Epic | p. 121 |
| End of the Notebook and First Workshop Plays | p. 123 |
| Julian Beck | p. 124 |
| By Any Other Name and Maurice Schwartz's Yiddish Art Theatre | p. 125 |
| Piscator's Basic Question: The Role of the Audience | p. 125 |
| Becoming a Director: A Confession | p. 126 |
| The Inspiration of Joseph Urban's Architecture | p. 127 |
| Eleanor Fitzgerald | p. 127 |
| The Classes | p. 128 |
| The Plays | p. 135 |
| Kandinsky's Great Insight | p. 149 |
| Piscator and the Audience | p. 150 |
| Objective Acting | p. 152 |
| Between Two Worlds | p. 155 |
| Piscator: Success and Failure | p. 159 |
| Piscator's Return to Germany - and to Berlin | p. 160 |
| Eric Bentley | p. 164 |
| Piscator's Influence | p. 167 |
| Piscator's Influence: The Work of The Living Theatre | p. 170 |
| Afterword: Political Theatre, Theatrical Politics: Epic Theatre in the 21st Century | p. 194 |
| References | p. 198 |
| Index | p. 199 |
| Table of Contents provided by Ingram. All Rights Reserved. |