
Because Knetbooks knows college students. Our rental program is designed to save you time and money. Whether you need a textbook for a semester, quarter or even a summer session, we have an option for you. Simply select a rental period, enter your information and your book will be on its way!
| Preface | p. iii |
| Note to Students | p. vi |
| Introduction | p. 1 |
| The Piano | p. 1 |
| Elements of Music: Melody, Rhythm, Harmony, and Form | p. 5 |
| Summary | p. 6 |
| p. 7 | |
| Exploring the Keyboard | p. 10 |
| Names of the White Keys | p. 10 |
| Sharps and Flats | p. 13 |
| Names of the Black Keys | p. 13 |
| ... MORE | p. 16 |
| Chapter Evaluation | p. 18 |
| Chapter 2 | p. 19 |
| Whole Steps and Half Steps | p. 19 |
| Major Five-Finger Pattern | p. 20 |
| Notes and Rests | p. 23 |
| Beat and Meter | p. 25 |
| Treble and Bass Clef Notation | p. 29 |
| Key Signatures | p. 33 |
| Composing Project | p. 36 |
| Ensemble Playing | p. 36 |
| Repertoire | p. 36 |
| Technique Exercises | p. 38 |
| Chapter Evaluation | p. 40 |
| Chapter 3 | p. 43 |
| Interval Reading | p. 43 |
| Transposition | p. 46 |
| Rhythm | p. 49 |
| Harmony | p. 51 |
| Chords | p. 51 |
| Composing Project | p. 54 |
| Ensemble Playing | p. 55 |
| Repertoire | p. 55 |
| Technique Exercises | p. 56 |
| Chapter Evaluation | p. 59 |
| p. 63 | |
| Rhythm | p. 63 |
| Dotted Notes and Rests | p. 63 |
| Upbeats | p. 67 |
| Harmony | p. 71 |
| Triads | p. 71 |
| Tonic Chord (Major) | p. 73 |
| Form | p. 76 |
| Phrases | p. 76 |
| Composing Project | p. 77 |
| Ensemble Playing | p. 78 |
| Repertoire | p. 79 |
| Technique Exercises | p. 81 |
| Chapter Evaluation | p. 83 |
| p. 85 | |
| Melody | p. 85 |
| Minor Five-Finger Pattern | p. 85 |
| Intervals | p. 87 |
| Harmony | p. 90 |
| Major and Minor Triads | p. 90 |
| Minor Triad | p. 92 |
| Tonic Chord (Minor) | p. 93 |
| Rhythm | p. 95 |
| Composing Project | p. 96 |
| Ensemble Playing | p. 97 |
| Repertoire | p. 97 |
| Technique Exercises | p. 98 |
| Chapter Evaluation | p. 101 |
| p. 103 | |
| Melody | p. 103 |
| Introduction to Scales | p. 103 |
| Identification of Scale Tones | p. 105 |
| Major Key Signatures | p. 106 |
| Intervals | p. 110 |
| Major Scale Fingering | p. 111 |
| Harmony | p. 114 |
| Tonic and Dominant Chords | p. 114 |
| Composing Project | p. 119 |
| Ensemble Playing | p. 119 |
| Repertoire | p. 120 |
| Technique Exercises | p. 122 |
| Chapter Evaluation | p. 123 |
| p. 127 | |
| Harmony | p. 127 |
| Primary Chords | p. 127 |
| Twelve-Bar Blues Progression | p. 129 |
| Rhythm | p. 134 |
| Syncopation | p. 134 |
| Form | p. 137 |
| Sectional Form | p. 137 |
| Composing Project | p. 139 |
| Ensemble Playing | p. 139 |
| Repertoire | p. 139 |
| Technique Exercises | p. 142 |
| Chapter Evaluation | p. 144 |
| p. 147 | |
| Harmony | p. 147 |
| Seventh Chord | p. 147 |
| Chord Inversions | p. 150 |
| I and IV6/4 Chords | p. 151 |
| Nonchord Tones | p. 153 |
| I and V6/5 Chords | p. 155 |
| I, IV6/4, and V6/5 Chords in Selected Major Keys | p. 157 |
| Harmonization | p. 163 |
| Rhythm | p. 166 |
| Compound Meters | p. 166 |
| Composing Project | p. 169 |
| Ensemble Playing | p. 169 |
| Repertoire | p. 170 |
| Technique Exercises | p. 172 |
| Chapter Evaluation | p. 174 |
| p. 177 | |
| Melody | p. 177 |
| The Minor Scales | p. 177 |
| Natural Minor Scale | p. 178 |
| Minor Key Signatures | p. 180 |
| Harmonic Minor Scale | p. 182 |
| Melodic Minor Scale | p. 183 |
| Identification of Scale Tones | p. 184 |
| Identifying Minor Keys | p. 185 |
| Harmony | p. 187 |
| Primary Chords in Minor | p. 187 |
| Relative Majors and Minors | p. 195 |
| Parallel Majors and Minors | p. 196 |
| Form | p. 197 |
| Theme and Variations | p. 197 |
| Rhythm | p. 201 |
| Composing Project | p. 202 |
| Ensemble Playing | p. 202 |
| Repertoire | p. 202 |
| Technique Exercises | p. 204 |
| Chapter Evaluation | p. 207 |
| p. 209 | |
| Melody | p. 209 |
| Pentatonic Scales | p. 209 |
| Modes | p. 211 |
| The Whole-Tone Scale | p. 214 |
| The Blues Scale | p. 216 |
| Bitonality | p. 217 |
| Atonality | p. 218 |
| Rhythm | p. 220 |
| Shifting Meter | p. 220 |
| Asymmetric Meter | p. 222 |
| Composing Project | p. 223 |
| Ensemble Playing | p. 224 |
| Repertoire | p. 224 |
| Technique Exercises | p. 226 |
| Chapter Evaluation | p. 229 |
| Supplementary Music | p. 233 |
| Supplementary Classical Piano Literature | p. 233 |
| Supplementary Blues, Boogie, and Ragtime | p. 253 |
| Supplementary Songs with Accompaniments | p. 258 |
| Supplementary Songs (Melodies Only) | p. 265 |
| Ensemble Music | p. 270 |
| Appendixes | p. 301 |
| Musical Terms and Signs | p. 301 |
| Treble and Bass Clef Notation/Octave Identifications | p. 304 |
| Circle of Fifths (Major and Minor Keys) | p. 305 |
| Major Scales | p. 306 |
| Minor Scales | p. 309 |
| Intervals and Chords | p. 313 |
| Selected Primary Chords | p. 315 |
| Accompaniment Patterns | p. 317 |
| Chords and Chord Symbols (Lead Sheet Notation) | p. 321 |
| Timeline of Western Art Music and History | p. 324 |
| Timeline of Selected Keyboard Composers and Keyboard Instruments | p. 326 |
| Biographical Sketches of PianoLab Composers | p. 330 |
| Glossary | p. 333 |
| Classified Indexes | p. 339 |
| Index of Titles | p. 341 |
| Subject Index | p. 343 |
| Table of Contents provided by Syndetics. All Rights Reserved. |