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Photography : A Cultural History

ISBN: 9780130198563 | 0130198560
Edition: 6th
Format: Paperback
Publisher: Prentice Hall
Pub. Date: 1/1/2003

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SummaryTable of Contents
For one or two semester courses in History of Photography. Incorporating the latest research and international uses of photography, this text surveys the history of photography in such a way that students can gauge the medium's long-term multifold developments and see the historical and intellectual contexts in which photographers lived and worked. It also provides a unique focus on contemporary photo-based work and electronic media.
The Origins of Photography (to 1839)
Before Photography
The Invention of “Photographies”
Responses to the Announcement of the Daguerreotype
The Politics of Invention
Focus: The Stranger
Philosophy and Practice: Nature's Automatic Writing
The Second Invention of Photography (1839-1854)
The Second Invention... MORE
Focus: Iron, Glass, and Photography
Photography and the Sciences
Focus: Photography, Race, and Slavery
Recording Events with the Camera
War and Photography
Focus: The Mexican-American War
Expeditionary and Travel Photography
Portaiture and the Camera
Focus: The First Police Pictures?
Photography and Fiction
Philosophy and Practice: A Threat to Art?
The Expanding Domain (1855-1880)
The Stereograph
War and Photography
Focus: The Valley of Death
Portrait: Mathew Brady
Portrait: Alexander Gardner
Topographical Surveys and Photography
Focus: The Abyssinian Campaign, or the Magdala Expedition
Photography and Science
Photography and the Social Sciences
Popularizing Ethnic and Economic Types
Art and Photography
Portrait: Julia Margaret Cameron
Women Behind the Camera
Focus: Lewis Carroll's Photographs of Children
Philosophy and Practice: “Superseded by Reality”
Photography in the Modern Age (1880-1918)
The Challenge for Art Photography
Pictorialism
Portrait: Alfred Stieglitz
Portrait: Edward Steichen
Portrait: Gertrude Käsebier
Photography and the Modern City
Portrait: Jacob Riis
Science and Photography
Focus: Photography and Futurism
Focus: Worker Efficiency: The Gilbreth's Time and Motion Studies
Photography, Social Science, and Exploration
Focus: The National Geographic
War and Photography
Philosophy and Practice: The Real Thing
A New Vision (1919-1945)
Revolutionary Art: The Soviet Photograph
Focus: Photomontage or Photocollage
Dada and After
Surrealist Photography
Focus: Film and Photography
Experimental Photography and Advertising
California Modern
Social Science, Social Change, and the Camera
Portrait: Margaret Bourke-White
Portrait: August Sander
Popular Science
World War II
Philosophy and Practice: The “Common Man” and the End of Media Utopia
Through the Lens of Culture (1945-75)
The Family of Man
Cultural Realitivism and Cultural Resistance
Focus: Making an Icon of Revolution
Mexico
Portrait: Manuel Álvarez Bravo
Africa
Asia
Portrait: Shomei Tomatsu
Focus: Photographing the Atomic Bomb
The West and the Cold War
Annihilation, Alienation, Abstraction: America
Technology and Media in Postwar America
Photography in Art
Philosophy and Practice
Photography “Born Whole”
Convergences (1975-2000)
The Predicaments of Social Concern
Portrait: Sabastãio Salgado
Neutral Vision
Focus: The Cambodian Genocide Photographic Database
The Look of Politics
The Postmodern Era
Focus: Culture Wars
Family Pictures
Focus: Looking at Children
Nature and the Body Politic
Philosophy and Practice: The Passing of the Postmodern
Epilogue: On Beauty, Science, and Nature
Post-Photography
Everything Old Is New Again
Timeline
Glossary
Notes
Bibliography
Literary Credits
Picture Credits
Index
Table of Contents provided by Publisher. All Rights Reserved.

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