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The Musician's Guide to Theory and Analysis
ISBN: 9780393976526 | 0393976521
Edition: 1stFormat: Hardcover
Publisher: W W NORTON
Pub. Date: 9/1/2004
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The much-anticipated Musician's Guide series offers a comprehensive four-semester introduction to the skills of complete musicianship, seamlessly integrating theory and analysis, aural training, and performance in one pedagogical program. The Musician's Guide series is divided into two main components, each represented by a core text. While complete enough to be used alone, these dynamic texts are fully coordinated, sharing the same pedagogical approach and structure. Each book relies on a core repertoire of real music that is revisited through... MORE
| Building a Musical Vocabulary: Basic Elements of Pitch and Rhythm | |
| Pitch and Pitch Class | p. 2 |
| Beat, Meter, and Rhythm: Simple Meters | p. 19 |
| Pitch Collections, Scales, and Major Keys | p. 38 |
| Minor Keys and the Diatonic Modes | p. 54 |
| Beat, Meter, and Rhythm: Compound Meters | p. 78 |
| Pitch Intervals | p. 94 |
| Triads and Seventh Chords | p. 112 |
| Linkin... MORE | |
| Intervals in Action (Two-Voice Composition) | p. 134 |
| Melodic and Rhythmic Embellishment in Two-Voice Composition | p. 153 |
| Notation and Scoring | p. 172 |
| Voicing Chords in Multiple Parts: Instrumentation | p. 183 |
| The Phrase Model | |
| The Basic Phrase Model: Tonic and Dominant Voice-Leading | p. 198 |
| Embellishing Tones | p. 220 |
| Chorale Harmonization and Figured Bass | p. 235 |
| Expanding the Basic Phrase: Leading-Tone, Predominant, and 6/4 Chords | p. 250 |
| Further Expansions of the Basic Phrase: Tonic Expansions, Root Progressions, and the Mediant Triad | p. 276 |
| The Interaction of Melody and Harmony: More on Cadence, Phrase, and Melody | p. 298 |
| Diatonic Sequences | p. 323 |
| Intensifying the Dominant: Secondary Dominants and Secondary Leading-Tone Chords; New Voice-Leading Chords | p. 350 |
| Phrase Rhythm and Motivic Analysis | p. 372 |
| Further Expansion of the Harmonic Vocabulary | |
| Tonicizing Scale Degrees Other Than V | p. 396 |
| Modulation to Closely Related Keys | p. 418 |
| Binary and Ternary Forms | p. 440 |
| Color and Drama in Composition: Modal Mixture and Chromatic Mediants and Submediants | p. 457 |
| Chromatic Approaches to V: The Neapolitan Sixth and Augmented Sixths | p. 478 |
| Musical Form and Interpretation | |
| Popular Song and Art Song | p. 508 |
| Variation and Rondo | p. 530 |
| Sonata-Form Movements | p. 551 |
| Chromaticism | p. 574 |
| Into the Twentreth Century | |
| Modes, Scales, and Sets | p. 614 |
| Music Analysis with Sets | p. 635 |
| Sets and Set Classes | p. 653 |
| Ordered Segments and Serialism | p. 671 |
| Twelve-Tone Rows and the Row Matrix | p. 685 |
| New Ways to Organize Rhythm, Meter, and Duration | p. 698 |
| New Ways to Articulate Musical Form | p. 725 |
| The Composer's Materials Today | p. 745 |
| Appendixes | |
| Try it Answers | p. A3 |
| Glossary | p. A55 |
| Guidelines for Part-Writing | p. A77 |
| Ranges of Orchestral Instruments | p. A81 |
| Set-Class Table | p. A85 |
| Table of Contents provided by Ingram. All Rights Reserved. |
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