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| I | |
| COMMON PRACTICE TECHNIQUES: DIATONIC | |
| 1. Rhythm: One-and Two-Pulse Units (Unmetered) | |
| Pitch: The Major Scale | |
| 2. Rhythm: Simple Meters | |
| Pitch: Introducing Thirds | |
| Pitch: Introducing Fourths | |
| 3. Pitch: Tonic Triad in the Major Mode | ... MORE |
| Introducing Fifths, Sixths, and Octaves | |
| 4. Rhythm: 2:1 Subdivisions of the Beat | |
| Pitch: I, V, and V7. Introducing Sevenths | |
| 5. Rhythm: Anacruses (Upbeats) and 4:1 | |
| Subdivisions of the Beat | |
| Pitch: I, IV, V, and V7. Pitch: Introducing the Alto Clef | |
| 6. Rhythm: Dots and Ties | |
| Pitch: Minor Mode | |
| 7. Music from the Literature | |
| 8. Rhythm: Compound Meter | |
| Pitch: All Diatonic Triads | |
| Pitch: Tenor Clef | |
| 9. Rhythm: Triplets and Duplets | |
| 10. Music from the Literature | |
| 11. Rhythm: Syncopation | |
| Pitch: Seventh Chords | |
| II | |
| COMMON PRACTICE TECHNIQUES: CHROMATIC | |
| 12. Pitch: Decorative Chromaticism | |
| Pitch: Inflected Scale Degrees | |
| Pitch: Scalar Variants in Minor | |
| Pitch: Modal Borrowing | |
| 13. Music from the Literature | |
| 14. Pitch: Secondary Dominants | |
| 15. Pitch: Modulations to Closely Related Keys | |
| 16. Music from the Literature | |
| 17. Rhythm: Quintuple Meters | |
| Pitch: Chromaticism Implying Altered Chords | |
| Modulation to Nonclosely Related Keys | |
| 18. Music from the Literature | |
| III | |
| TWENTIETH-CENTURY TECHNIQUES | |
| 19. Rhythm: Irregular Meters | |
| Pitch: Diatonic Modes | |
| Pitch: Changing Clefs | |
| 20. Rhythm: Changing Meters | |
| Pitch: Pandiatonicism | |
| 21. Rhythm: Syncopation | |
| Pitch: Extended and Altered Tertian Harmony | |
| 22. Pitch: Exotic Scales | |
| 23. Rhythm: Complex Divisions of the Beat | |
| Pitch: Quartal Harmony | |
| 24. Rhythm: Polyrhythms and Polymeters | |
| Pitch: Polyharmony and Polytonality | |
| 25. Pitch: Interval Music | |
| 26. Serial Music | |
| 27. Music from the Literature |