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| Common Practice Techniques: Diatonic | |
| Rhythm: One-and-Two-Pulse Units (Unmetered). Pitch: The Major Scale | |
| Rhythm: Simple Meters | |
| Pitch: Introducing Thirds | |
| Pitch: Introducing Fourths | |
| Pitch: Tonic Triad in the Major Mode | |
| Introducing Fifths, Sixths, and Octaves | |
| Rhythm: 2:1 Subdivisions of the Beat | |
| Pitch: I, V, and V7; Introducing ... MORE | |
| Rhythm: Anacruses (Upbeats) and 4:1 Subdivisions of the Beat | |
| Pitch: I, IV, V, and V7 | |
| Pitch: Introducing the Alto Clef | |
| Rhythm: Dots and Ties | |
| Pitch: Minor Mode | |
| Music from the Literature | |
| Rhythm: Compound Meter | |
| Pitch: Supertonic Traid | |
| Pitch: Submediant and Mediant Triads | |
| Pitch: Tenor Clef | |
| Rhythm: Triplets and Duplets | |
| Music from the Literature | |
| Rhythm: Syncopation | |
| Pitch: Other Seventh Chords | |
| Common Practice Techniques: Chromatic | |
| Pitch: Decorative Chromaticism | |
| Pitch: Inflected Scale Degrees | |
| Pitch: Scalar Variants in Minor | |
| Pitch: Modal Borrowing | |
| Music from the Literature | |
| Pitch: Secondary Dominants | |
| Pitch: Modulations to Closely Related Keys | |
| Rhythm: Quintuple Meters | |
| Pitch: Chromaticism Implying Altered Chords; Modulation to Distantly Related Keys | |
| Music from the Literature | |
| Twentieth-Century Techniques | |
| Rhythm: Irregular Meters | |
| Pitch: Diatonic Modes | |
| Pitch: Changing Clefs | |
| Part Music | |
| Rhythm: Changing Meters | |
| Pitch: Pandiatonicism | |
| Rhythm: Syncopation Including Irregular and Mixed Meters | |
| Pitch: Extended and Altered Tertian Harmony | |
| Pitch: Exotic Scales | |
| Rhythm: Complex Divisions of the Beat | |
| Pitch: Quartal Harmony | |
| Rhythm: Polyrhythms and Polymeters | |
| Pitch: Polyharmony and Polytonality | |
| Pitch: Interval Music | |
| Serial Music | |
| Music from the Literature | |
| Table of Contents provided by Publisher. All Rights Reserved. |