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| Preface | p. vii |
| Acknowledgments | p. xiii |
| Introduction | p. 1 |
| Mexicanidad and Música Norteña in the "Two Mexicos" | p. 7 |
| Regional Identity, Class, and the Emergence of "Border Music" | p. 27 |
| Border Culture, Migration, and the Development of Early Música Norteña | p. 56 |
| Modern Música Norteña and the Undocumented Immigrant | p. 100 |
| Los Tigres del Norte and the Transnationa... MORE | p. 142 |
| Conclusion | p. 201 |
| Glossary | p. 205 |
| References | p. 213 |
| Selected Discography | p. 225 |
| Interviews | p. 229 |
| Index | p. 233 |
| Table of Contents provided by Ingram. All Rights Reserved. |
Cathy Ragland is an Assistant Professor in Music and the Arts at SUNY/Empire State College. She is a former music critic for the San Antonio Express-News, Seattle Times and Austin American-Statesman, where, among many things, she wrote about Tex-Mex and Norte±a music. She is also a former folklorist and co-founder of the Mariachi Academy of New York, an after-school program in East Harlem.