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| Preface | p. ix |
| Acknowledgments | p. xiii |
| The Business | |
| World Rejects Hollywood Blockbusters!? | p. 3 |
| Live with It! There'll Always Be Movie Sequels. Good Thing, Too. | p. 12 |
| Superheroes for Sale | p. 21 |
| What Won the Weekend? Or, How to Understand Box-Office Figures | p. 34 |
| Snakes, No; Borat, Yes: Not All Internet Publicity Is the Same | p. 39 |
| Don... MORE | p. 46 |
| Writing About Movies | |
| In Critical Condition | p. 53 |
| Love Isn't All You Need | p. 63 |
| Do Filmmakers Deserve the Last Word? | p. 69 |
| Crix Nix Variety's Tics | p. 78 |
| Film as Art | |
| But What Kind of Art? | p. 85 |
| This Is Your Brain on Movies, Maybe | p. 96 |
| Movies Still Matter | p. 103 |
| Storytelling and Style | |
| Anatomy of the Action Picture | p. 113 |
| Times Go by Turns | p. 126 |
| Grandmaster Flashback | p. 135 |
| Originality and Origin Stories | p. 151 |
| Good Actors Spell Good Acting | p. 155 |
| By Annie Standards | p. 159 |
| Unsteadicam Chronicles | p. 167 |
| Pausing and Chortling: A Tribute to Bob Clampett | p. 177 |
| Films | |
| A Behemoth from the Dead Zone | p. 185 |
| Cronenberg's Violent Reversals | p. 196 |
| The Movie Looks Back at Us | p. 203 |
| Lessons from Babel | p. 207 |
| Slumdogged by the Past | p. 213 |
| Rat Rapture | p. 229 |
| A Welcome Basterdization | p. 235 |
| Into the Future | |
| New Media and Old Storytelling | p. 249 |
| The Celestial Multiplex | p. 258 |
| Take My Film, Please | p. 269 |
| Index | p. 279 |
| Table of Contents provided by Ingram. All Rights Reserved. |