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| Preface | p. vii |
| Acknowledgments | p. ix |
| Before Beginning | p. 1 |
| Key Terms and Phrases | p. 1 |
| About This Text | p. 1 |
| Chapter Descriptions | p. 2 |
| Drafting versus Freehand Drawing | p. 4 |
| What Skills Are Needed to Draft by Hand? | p. 6 |
| Why Learn Manual Drafting? | p. 6 |
| Three Critical Concepts | p. 8 |
| Expecta... MORE | p. 9 |
| Assignments | p. 11 |
| Getting Started | p. 13 |
| Key Terms and Phrases | p. 13 |
| Recommended Drafting Equipment and Supplies | p. 14 |
| Care of Tools | p. 22 |
| Setting Up the Drafting Surface and Starting Practice | p. 23 |
| Line Weights and Line Types | p. 27 |
| Assignments | p. 29 |
| Understanding Orthographic Drawings | p. 31 |
| Key Terms and Phrases | p. 31 |
| Defining Orthographic Drawing | p. 32 |
| Orthographic Views for Interior Spaces | p. 33 |
| Understanding Orthographic Projection | p. 40 |
| Considerations for Creating Orthographic Views | p. 40 |
| Drafting Conventions | p. 49 |
| Assignments | p. 51 |
| Learning Architectural Lettering | p. 53 |
| Key Terms and Phrases | p. 53 |
| Guidelines | p. 53 |
| Numbers | p. 54 |
| Letter Spacing | p. 54 |
| Line Spacing | p. 55 |
| Lettering With a Triangle | p. 56 |
| Stylistic Differences | p. 57 |
| Composing the Drawing Sheet | p. 58 |
| Assignments | p. 61 |
| Adding Details | p. 63 |
| Key Terms and Phrases | p. 63 |
| Material Symbols | p. 64 |
| Line Weights for Details | p. 66 |
| Upholstered Furniture in Plan | p. 67 |
| Adding the Human Figure | p. 67 |
| Plants in the Interior | p. 70 |
| Windows in Elevation | p. 70 |
| Poché | p. 71 |
| Assignments | p. 73 |
| Adding Dimensions and Notes | p. 75 |
| Key Terms and Phrases | p. 75 |
| Parts of a Dimension Line | p. 75 |
| Drawing Dimension Lines | p. 77 |
| Placement of Dimension Numbers | p. 78 |
| Dimensioning Variations | p. 79 |
| Notes in Drawings | p. 80 |
| Coordinating Dimensions and Notes | p. 81 |
| Assignments | p. 83 |
| Developing a Set of Drawings | p. 85 |
| Key Terms and Phrases | p. 85 |
| Working Drawings | p. 85 |
| What Makes Multiple Sheets of Drawings a Set? | p. 87 |
| List of Drawings for Construction of an Interior | p. 87 |
| Symbols for Set Coordination | p. 89 |
| Making Elevation and Section Symbols | p. 91 |
| Steps to Developing a Set | p. 92 |
| Checking the Drawing Set | p. 93 |
| Assignments | p. 94 |
| Drafting Three- Dimensional Drawings | p. 97 |
| Key Terms and Phrases | p. 97 |
| Types of Paraline Views | p. 98 |
| Table of Contents provided by Publisher. All Rights Reserved. |
S. CHRISTINE CAVATAIO, IDEC, LEED AP, NCIDQ, is Associate Professor of Interior Design at Newbury College in Brookline, Massachusetts. A professional interior designer for thirty years, she has also taught at Mount Ida College and Boston Architectural College, and was an interior design program advisor at BAC and RISD.