The Longman Anthology of World Literature, Volume II (D,E,F) The Seventeenth and Eighteen Centu...
ISBN: 9780205625925 | 0205625924
Edition: 2ndFormat: Paperback
Publisher: Longman
Pub. Date: 7/2/2008
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The Longman Anthology of World Literature, Volume II,offers a fresh and highly teachable presentation of the varieties of world literature from the seventeenth century through the twentieth century. The editors of the anthology have sought to find ways to place major texts within their cultural contexts and have selected and grouped materials in ways intended to foster connections and conversations across the anthology, between eras as well as regions. The anthology includes epic and lyric poetry, drama, and prose narrative, with many works in ... MORE
| Seventeenth And Eighteenth Centuries | |
| The World The Mughals Made | |
| from The Memoirs of Babur | |
| Jahangir (1569-1627) | |
| from The Memoirs of Jahangir | |
| Mirza Muhammad Rafi "Sauda" (1713-1781) | |
| from Satires[How to Earn a Living in Hindustan] | |
| Mir Muhammad Taqi "Mir" (1723-1810) | |
| Selected Couplets | |
| from The Autobiogra... MORE | |
| Barnarsidass (Mid-17th Century) | |
| from Half a Tale | |
| Love Suicide at Amijima | |
| Resonance | |
| Houzumi Ikan: Chikamatsu on the Art of Puppet Theatre | |
| from The Story of the Stone | |
| Resonance | |
| Shen Fu: from Six Records of a Floating Life | |
| The Ottoman Empire | |
| I opened my eyes from sleep | |
| At times, my longing for the beloved slays me | |
| My heart burns in flames of sorrow | |
| Fuzuli (1480-1556) | |
| Oh God, don't let anyone be like me | |
| If my heart were a wild bird | |
| For long years we have been haunting the quarter | |
| The pointed reproach of the enemy | |
| Nedîm (1681-1730) | |
| At the gathering of desire | |
| When the east wind leaves that curl | |
| As the morning wind blows | |
| Take yourself to the rose garden | |
| Delicacy was drawn out like the finest wine | |
| Lady Mary Wortley Montagu (1689-1762) | |
| The Turkish Embassy Letters | |
| To Alexander Pope (1 April 1717) | |
| To Sarah Chiswell (1 April 1717) | |
| To Lady Mar (18 April 1717) | |
| The Age Of Enlightenment | |
| Tartuffe | |
| Perspectives: Court Culture and Female Authorship | |
| from Clélie | |
| Marie-Madeline Pioche de La Vergne, Comtesse de Lafayette (1634-1693) | |
| The Countess of Tende | |
| Marie de Rabutin-Chantal | |
| from Selected Letters | |
| Elisabeth Charlotte von der Pfalz | |
| from Letters | |
| To my Excellent Lucasia, on Our Friendship | |
| An Answer to Another Persuading a Lady to Marriage | |
| from The Ladies Defence | |
| Countess of Winchilsea (1661-1720) | |
| The Introduction | |
| Friendship between Ephelia and Ardelia | |
| from The Spleen | |
| The Lady's Dressing Room | |
| The Reasons that Induced Dr. S. to write a Poem called The Lady's Dressing Room | |
| To Mr., an Unlettered Poet, on Genius Unimproved | |
| Crosscurrents | |
| Oroonoko | |
| Resonance | |
| George Warren: from An Impartial Description of Surinam | |
| Gulliver's Travels | |
| A Voyage to the Country of the Houyhnhnms | |
| Perspectives: Journeys In Search of the Self | |
| from The Book of Travels | |
| [Selected Haiku] | |
| from Narrow Road to the Deep North | |
| Translations | |
| from Persian Letters | |
| from Supplement to the Voyage of Bougainville | |
| from The Interesting Narrative of the Life of Olaudah Equiano | |
| Crosscurrents | |
| Candide | |
| Resonances | |
| Gottfried Wilhelm von Leibniz: from Theodicy | |
| Alexander Pope: from An Essay on Man | |
| Translations | |
| The Rape of the Lock | |
| Perspectives: Liberty and Libertines | |
| from Life of a Sensuous Woman | |
| from Love Poems of the Sixth Dalai Lama | |
| Earl of Rochester (1647-1680) | |
| The Imperfect Enjoyment | |
| A Satyr Against Reason and Mankind | |
| Fantomina: or, Love in a Maze | |
| from The Social Contract | |
| (1759-1797) | |
| from A Vindication of the Rights of Woman | |
| (1743-1825) | |
| The Rights of Women | |
| (1724-1804) | |
| An Answer to the Question: What Is Enlightenment? | |
| Crosscurrents | |
| Bibliography | |
| Credits | |
| Index | |
| The Nineteenth Century | |
| Lines Written a Few Miles above Tintern Abbey | |
| Nutting | |
| from Preface to Lyrical Ballads | |
| Composed Upon Westminster Bridge | |
| My heart leaps up | |
| Ode: Intimations of Immortality from Recollections of Early Childhood | |
| To the Cuckoo | |
| Mark the concen'tred hazels that enclose | |
| from The Prelude | |
| from Book Fifth: Books (The Dream of the Arab) | |
| from Book Sixth: Cambridge and the Alps (Crossing the Alps) | |
| from Book Eleventh: France | |
| from Book Fourteenth: Conclusion (Ascent of Snowdon) | |
| Perspectives: Romantic Nature | |
| from Reveries of a Solitary Walker - Fifth Walk | |
| from Critique of Practical Reason | |
| The Ecchoing Green | |
| The Tyger | |
| Ode to a Nightingale | |
| To Autumn | |
| The Man on the Heath | |
| In the Grass | |
| The Infinite | |
| Dialogue Between Nature and an Icelander | |
| from Nature | |
| from Self-Reliance | |
| from Walden | |
| Crosscurrents | |
| Faust | |
| Part I | |
| Dedication | |
| Prelude on the Stage | |
| Prologue in Heaven | |
| Night | |
| from Outside the Town Wall | |
| Faust's Study (1) | |
| from Faust's Study (2) | |
| A Witch's Kitchen | |
| Evening | |
| A Promenade | |
| The Neighbor's House | |
| A Street | |
| A Garden | |
| A Summerhouse | |
| from A Forest Cavern | |
| Gretchen's Room | |
| Martha's Garden | |
| At the Well | |
| By a Shrine Inside the Town Wall | |
| Night. The Street Outside Gretchen's Door | |
| A Cathedral | |
| from A Walpurgis Night | |
| Part II | |
| Act 1 | |
| A Beautiful Landscape | |
| A Dark Gallery | |
| Act 5 | |
| Open Country | |
| A Palace | |
| Deep Night | |
| Midnight | |
| The Great Forecourt of the Palace | |
| Burial Rules | |
| from Mountain Gorges | |
| Translations: Goethe's Faust | |
| To the Moon (trans. Jane K. Brown) | |
| Erlking | |
| Dusk Descended from on High | |
| Blissful Yearning | |
| Translations | |
| from Don Juan, Cantos 2-4 | |
| I'm neither the loosening of song nor the close-drawn tent of music | |
| Come now: I want you: my only peace | |
| When I look out, I see no hope for change | |
| If King Jamshid's diamond cup breaks, that's it | |
| One can sigh, but a lifetime is needed to finish it | |
| When the Great One gestures to me | |
| For tomorrow's sake, don't skimp with me on wine today | |
| I'm confused: should I cry over my heart, or slap my chest? | |
| She has a habit of torture, but doesn't mean to end the love | |
| For my weak heart this living in the sorrow house | |
| Religious people are always praising the Garden of Paradise | |
| Only a few faces show up as roses | |
| I agree that I'm in a cage, and I'm crying | |
| Each time I open my mouth, the Great One says | |
| My heart is becoming restless again | |
| Resonances | |
| Agha Shahid Ali: Ghalib's Ghazal | |
| Agha Shahid Ali: Of Snow | |
| I visited Again | |
| The Bronze Horseman | |
| from Eugene Onegin | |
| Perspectives: The National Poet | |
| Reading Hsiao-ching | |
| from The Tale of Kieu | |
| Resonance | |
| Che Lan Vien, Thoughts on Nguyen | |
| The Mouse's Petition to Dr. Priestly | |
| Washing Day | |
| Eighteen Hundred and Eleven | |
| Resonance | |
| John Wilson Croker, from A Review of Eighteen Hundred and Eleven | |
| Chatir Dah | |
| The Ruins of the Castle of Balaklava | |
| Zosia in the Kitchen Garden | |
| The Lithuanian Forest | |
| Hands That Fought | |
| To a Polish Mother | |
| Song of the Bard | |
| The Free Besieged | |
| from The Poet | |
| I Hear America Singing | |
| from Song of Myself | |
| Crossing Brooklyn Ferry | |
| As I Lay with My Head in Your Lap camerado | |
| O Captain! My Captain! | |
| Prayer of Columbus | |
| Crosscurrents | |
| Perspectives: On the Colonial Frontier | |
| from A Hero of our Time | |
| from Life of Juan Facundo Quiroga: Civilization and Barbarism | |
| from From the Deep Woods to Civilization | |
| Hawaiian Poems | |
| Forest Trees of the Sea | |
| Piano at Evening | |
| Bill the Ice Skater | |
| The Pearl | |
| A Feather Chant for Ka-pi'o-lani at Wai-mãnalo | |
| The Sprinkler | |
| from Noli Me Tangere | |
| Crosscurrents | |
| The Romantic Fantastic | |
| The Rime of the Ancient Mariner | |
| Fair-haired Eckbert | |
| Sarrasine | |
| The Pit and the Pendulum | |
| A Simple Heart | |
| from Travels in Egypt | |
| Perspectives: Occidentalism - Europe Through Foreign Eyes | |
| from Journal of a Residence in England | |
| On the General Conditions of Europe | |
| from The Western Peep Show | |
| The Cup of Humanity | |
| Resonance | |
| Chiang Yee: from The Silent Traveller in London | |
| Crosscurrents | |
| from Aurora Leigh | |
| from Les Fleurs Du Mal | |
| To the Reader | |
| The Albatross | |
| Correspondences | |
| The Head of Hair | |
| Carrion | |
| Invitation to the Voyage | |
| Spleen (II) | |
| The Swan | |
| In Passing | |
| Twilight: Daybreak | |
| Ragpickers' Wine | |
| A Martyr | |
| Travelers | |
| from The Painter of Modern Life | |
| from Paris Spleen | |
| To Each His Chimera | |
| Crowds | |
| Invitation to the Voyage | |
| Get High | |
| Any Where Out of the World | |
| Let's Beat Up the Poor! | |
| Resonances | |
| Jules and Edmund Goncourt: from Journal | |
| Stephane Mallarmé: The Tomb of Charles Baudelaire | |
| Arthur Rimbaud: Vowels, City, Departure | |
| The Death of Ivan Ilych | |
| Notes from Underground | |
| Resonances | |
| Friedrich Nietzsche: from Daybreak | |
| Ishikawa Takuboku: The Romaji Diary | |
| Other Americas | |
| The Story of Emergence | |
| Resonance | |
| Nicholas Black Elk and John G. Neihardt: from Black Elk Speaks | |
| Bartleby the Scrivener | |
| Narrative of the Life of Frederick Douglass | |
| from Incidents in the Life of a Slave Girl | |
| I never lost as much but twice | |
| Title divine-is mine! | |
| There came a day at summer's full | |
| It was not Death, for I stood up | |
| After great pain, a formal feeling comes | |
| I died for Beauty | |
| I dwell in Possibility | |
| I heard a Fly buzz-when I died | |
| I live with Him-I see His face | |
| My Life had stood-a Loaded Gun | |
| Further in Summer than the Birds | |
| Tell all the Truth but tell it slant- | |
| The Psychiatrist | |
| The Yellow Wallpaper | |
| First, A Look | |
| Walt Whitman | |
| To Roosevelt | |
| I Pursue a Form.... | |
| What Sign Do You Give...? | |
| A Doll's House | |
| Separate Ways | |
| Lady with Pet Dog | |
| The Conclusion | |
| Bibliography | |
| Credits | |
| Index | |
| The Twentieth Century | |
| Perspectives: The Art of the Manifesto | |
| The Foundation and Manifesto of Futurism | |
| Unpretentious Proclamation | |
| The Surrealist Manifesto | |
| Feminist Manifesto | |
| Sensation and New Sensation | |
| Cannibalist Manifesto | |
| Manifesto: Towards a Free Revolutionary Art | |
| Some Modest Proposals for the Reform of Literature | |
| Preface to the Nigger of the Narcissus | |
| Heart of Darkness | |
| Resonances | |
| Joseph Conrad: from Congo Diary | |
| Sir Henry Morton Stanley: from Address to the Manchester Chamber of Commerce | |
| My Big Brother | |
| Preface to A Call to Arms | |
| A Madman's Diary | |
| A Small Incident | |
| Dubliners | |
| Araby | |
| The Dead | |
| Mrs. Dalloway on Bond Street | |
| The Lady in the Looking Glass: A Reflection | |
| from A Room of One's Own | |
| RashMmon | |
| In a Grove | |
| A Note Forwarded to a Certain Old Friend | |
| Perspectives: Modernist Memory | |
| The Love Song of J. Alfred Prufrock | |
| The Waste Land | |
| Days of 1908 | |
| Ithaka | |
| The Tropics in New York | |
| Flame Heart | |
| Outcast | |
| Unsleeping City | |
| In the Middle of the Road | |
| from The Secret Life of Saeed, the Ill-Fated Pessoptimist | |
| A Wind Called Bob Rauschenberg | |
| Central Park | |
| Crosscurrents | |
| The Metamorphosis | |
| Parables | |
| The Trees | |
| The Next Village | |
| The Cares of a Family Man | |
| Give it Up! | |
| On Parables | |
| Translations: Kafka | |
| The Muse | |
| I am not with those... | |
| Boris Pasternak | |
| Why is this century worse | |
| Requiem | |
| Resonance | |
| Osip Mandelstam (1891-1938): To A.A.A. (Akhmatova) | |
| The Lake Isle of Innisfree | |
| Who Goes with Fergus? | |
| No Second Troy | |
| The Wild Swans at Coole | |
| Easter 1916 | |
| Resonance | |
| Proclamation of the Irish Republic | |
| The Second Coming | |
| Sailing to Byzantium | |
| Byzantium | |
| Under Ben Bulben | |
| Perspectives: Poetry About Poetry | |
| A Pact | |
| Rhymes | |
| Poetry | |
| This | |
| Today I read nearly two pages | |
| The ancients used to invoke | |
| Translations: Pessoa's Autopsychography | |
| Tonight I can write the saddest lines | |
| Ars Poetica | |
| Anecdote of the Jar | |
| Of Modern Poetry | |
| Of Mere Being | |
| Regarding Art | |
| He Opens Wide a Third Eye | |
| Old Snow | |
| The Line | |
| Crosscurrents | |
| Mother Courage And Her Children | |
| Perspectives: Echoes of War | |
| I Beg You, Brother: Do Not Die | |
| Peace | |
| The Soldier | |
| Anthem for Doomed Youth | |
| Strange Meeting | |
| Dulce et Decorum Est | |
| Patriotism | |
| The Two Flags | |
| Death Fugue | |
| Report from the Besieged City | |
| Like the Night | |
| Giaconda and Si-Ya-U | |
| Youth in an Austrian Town | |
| Seven Laments for the War-Dead | |
| Little Ruth | |
| Crosscurrents | |
| Endgame | |
| Perspectives: Cosmopolitan Exiles | |
| Agape | |
| Our Daily Bread | |
| Good Sense | |
| Black stone on a white stone | |
| An Evening of Russian Poetry | |
| Child of Europe | |
| Encounter | |
| Dedication | |
| Fear-Dream | |
| from Prologue to an Autobiography | |
| Adonis (Ali Ahmad Sa'id), (b. 1930) | |
| A Mirror to Khalida | |
| Crosscurrents | |
| The Garden of Forking Paths | |
| The Library of Babel | |
| Borges and I | |
| Cult of the Phoenix | |
| The Web | |
| Resonance | |
| Gabriel García Marquez: I Sell My Dreams | |
| Zaabalawi | |
| Arabian Nights and Days | |
| Shahriyar | |
| Shahrzad | |
| The Sheikh | |
| The Cafe of the Emirs | |
| Sanaan al-Gamali | |
| Perspectives: The 1001 Nights in the Twentieth Century | |
| from On the Road to Baghdad | |
| Dunyazadiad | |
| from Invisible Cities | |
| from A Sister to Sheherazade | |
| Crosscurrents | |
| Letter to a Poet | |
| Nocturne (She Flies She Flies) | |
| Black Woman | |
| To New York | |
| Correspondence | |
| Notebook of a Return to a Native Land | |
| Ice Tricksters | |
| Shadows | |
| Perspectives: Indigenous Cultures in the Twentieth Century | |
| Oodgeroo of the Tribe Noonuccal (1920-1993) | |
| We Are Going | |
| Going Home | |
| Pocahontas to Her English Husband | |
| Taking a Visitor to See the Ruins | |
| Yellow Woman | |
| from The Way to Rainy Mountain | |
| Dear John Wayne | |
| The Golden Bird of Misfortune | |
| Crosscurrents | |
| Stale Mates | |
| Breast-Giver | |
| Perspectives: Gendered Spaces | |
| Preciousness | |
| The Harem Within | |
| No Sweetness Here | |
| A Season of Madness | |
| from Makbara | |
| Artificial Roses | |
| My Mother | |
| Crosscurrents | |
| Things Fall Apart | |
| from The African Writer and the English Language | |
| Resonances | |
| Ngugi wa Thiong'o: from The Language of African Literature | |
| Mbwil a M. Ngal: from Giambatista Viko; or, The Rape of African Discourse | |
| Jeremy Cronin: To learn how to speak.... | |
| Death and the King's Horseman | |
| Perspectives: Post-Colonial Conditions | |
| The Defeated | |
| In the Aging City | |
| In the Flux | |
| Face Lost in the Wilderness | |
| A Poem Which Is Not Green, from My Country | |
| Diary of a Palestinian Wound | |
| Sirhan drinks his coffee in the cafeteria | |
| Birds die in Galilee | |
| Resonance | |
| Agha Shahid Ali: Ghazal | |
| Black Out | |
| No Sign of Blood | |
| Solitary Confinement | |
| The Unrecognized | |
| Answers to an Interrogation | |
| A Poem for You | |
| A Far Cry from Africa | |
| Volcano | |
| The Fortunate Traveller | |
| Chekov and Zulu | |
| Crosscurrents | |
| Perspectives: Literature, Technology, and Media | |
| from The Storyteller | |
| from Accident: A Day's News | |
| from Cities of Salt | |
| TV People | |
| Burning Chrome | |
| Crosscurrents | |
| Bibliography | |
| Credits | |
| Index | |
| Table of Contents provided by Publisher. All Rights Reserved. |
