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| The Nineteenth Century | |
| Lines Written a Few Miles above Tintern Abbey | |
| Nutting from Preface to Lyrical Ballads | |
| Composed Upon Westminster Bridge | |
| My heart leaps up | |
| Ode: Intimations of Immortality from Recollections of Early Childhood | |
| To the Cuckoo | |
| Mark the concen'tred hazels that enclose from The Prelude from Book Fifth: Books (The Dream of the Arab) from... MORE | |
| Perspectives: Romantic Nature | |
| from Reveries of a Solitary Walker - Fifth Walk | |
| from Critique of Practical Reason | |
| The Ecchoing Green | |
| The Tyger | |
| Ode to a Nightingale | |
| To Autumn | |
| The Man on the Heath | |
| In the Grass | |
| The Infinite | |
| Dialogue Between Nature and an Icelander | |
| from Nature | |
| from Self-Reliance | |
| from Walden | |
| Crosscurrents | |
| Faust | |
| Dedication | |
| Prelude on the Stage | |
| Prologue in Heaven | |
| Night from Outside the Town Wall | |
| Faust's Study (1) from Faust's Study (2) | |
| A Witch's Kitchen | |
| Evening | |
| A Promenade | |
| The Neighbor's House | |
| A Street | |
| A Garden | |
| A Summerhouse from A Forest Cavern | |
| Gretchen's Room | |
| Martha's Garden | |
| At the Well | |
| By a Shrine Inside the Town Wall | |
| Night. The Street Outside Gretchen's Door | |
| A Cathedral from A Walpurgis Night | |
| Act 1 | |
| A Beautiful Landscape | |
| A Dark Gallery | |
| Act 5 | |
| Open Country | |
| A Palace | |
| Deep Night | |
| Midnight | |
| The Great Forecourt of the Palace | |
| Burial Rules from Mountain Gorges | |
| Translations: Goethe's Faust | |
| To the Moon | |
| Erlking | |
| Dusk Descended from on High | |
| Blissful Yearning | |
| Translations: Goethe's Mignon | |
| from Don Juan, Cantos 2-4 | |
| I'm neither the loosening of song nor the close-drawn tent of music | |
| Come now: I want you: my only peace | |
| When I look out, I see no hope for change | |
| If King Jamshid's diamond cup breaks, that's it | |
| One can sigh, but a lifetime is needed to finish it | |
| When the Great One gestures to me | |
| For tomorrow's sake, don't skimp with me on wine today | |
| I'm confused: should I cry over my heart, or slap my chest? | |
| She has a habit of torture, but doesn't mean to end the love | |
| For my weak heart this living in the sorrow house | |
| Religious people are always praising the Garden of Paradise | |
| Only a few faces show up as roses | |
| I agree that I'm in a cage, and I'm crying | |
| Each time I open my mouth, the Great One says | |
| My heart is becoming restless again | |
| Resonances | |
| Agha Shahid Ali: Ghalib's Ghazal | |
| Agha Shahid Ali: Of Snow | |
| I visited Again | |
| The Bronze Horseman | |
| from Eugene Onegin | |
| Perspectives: The National Poet | |
| Reading Hsiao-ching | |
| from The Tale of Kieu | |
| Resonance | |
| Che Lan Vien, Thoughts on Nguyen | |
| The Mouse's Petition to Dr. Priestly | |
| Washing Day | |
| Eighteen Hundred and Eleven | |
| Resonance | |
| John Wilson Croker, from A Review of Eighteen Hundred and Eleven | |
| The Ruins of the Castle of Balaklava | |
| Zosia in the Kitchen Garden | |
| The Lithuanian Forest | |
| Hands That Fought | |
| To a Polish Mother | |
| Song of the Bard | |
| The Free Besieged | |
| from The Poet | |
| I Hear America Singing | |
| from Song of Myself | |
| Crossing Brooklyn Ferry | |
| As I Lay with My Head in Your Lap camerado | |
| O Captain! My Captain! | |
| Prayer of Columbus | |
| Crosscurrents | |
| Perspectives: On the Colonial Frontier | |
| from A Hero of our Time, trans. Paul Foote | |
| from Life of Juan Facundo Quiroga: Civilization and Barbarism | |
| from From the Deep Woods to Civilization | |
| Forest Trees of the Sea | |
| Piano at Evening | |
| Bill the Ice Skater | |
| The Pearl | |
| A Feather Chant for Ka-pi'o-lani at Wai-mănalo | |
| The Sprinkler | |
| from Noli Me Tangere | |
| Crosscurrents | |
| The Romantic Fantastic | |
| The Rime of the Ancient Mariner | |
| Fair-haired Eckbert | |
| Sarrasine | |
| The Pit and the Pendulum | |
| A Simple Heart | |
| from Travels in Egypt | |
| Perspectives: Occidentalism - Europe Through Foreign Eyes | |
| from Journal of a Residence in England | |
| On the General Conditions of Europe | |
| from The Western Peep Show | |
| The Cup of Humanity | |
| Resonance | |
| Chiang Yee: from The Silent Traveller in London | |
| Crosscurrents | |
| from Aurora Leigh | |
| from Les Fleurs Du Mal | |
| To the Reader | |
| The Albatross | |
| Correspondences | |
| The Head of Hair | |
| Carrion | |
| Invitation to the Voyage | |
| Spleen (II) | |
| The Swan | |
| In Passing | |
| Twilight: Daybreak | |
| Ragpickers' Wine | |
| A Martyr | |
| Travelers | |
| from The Painter of Modern Life | |
| from Paris Spleen | |
| To Each His Chimera | |
| Crowds | |
| Invitation to the Voyage | |
| Get High | |
| Any Where Out of the World | |
| Let's Beat Up the Poor! | |
| Resonances | |
| Jules and Edmund Goncourt: from Journal | |
| Stephane Mallarmé: The Tomb of Charles Baudelaire | |
| Arthur Rimbaud: Vowels, City, Departure | |
| The Death of Ivan Ilych | |
| Notes from Underground | |
| Resonances | |
| Friedrich Nietzsche: from Daybreak | |
| Ishikawa Takuboku: The Romaji Diary | |
| Other Americas | |
| The Story of Emergence | |
| Resonance | |
| Nicholas Black Elk and John G. Neihardt: from Black Elk Speaks | |
| Bartleby the Scrivener | |
| Narrative of the Life of Frederick Douglass | |
| from Incidents in the Life of a Slave Girl | |
| I never lost as much but twice | |
| Title divine-is mine! | |
| There came a day at summer's full | |
| It was not Death, for I stood up | |
| After great pain, a formal feeling comes | |
| I died for Beauty | |
| I dwell in Possibility | |
| I heard a Fly buzz-when I died | |
| I live with Him-I see His face | |
| My Life had stood-a Loaded Gun | |
| Further in Summer than the Birds | |
| Tell all the Truth but tell it slant- | |
| The Psychiatrist | |
| The Yellow Wallpaper | |
| First, A Look | |
| Walt Whitman | |
| To Roosevelt | |
| I Pursue a Form.... | |
| What Sign Do You Give...? | |
| A Doll's House | |
| Separate Ways | |
| Lady with Pet Dog | |
| The Conclusion | |
| Bibliography | |
| Credits | |
| Index | |
| Table of Contents provided by Publisher. All Rights Reserved. |