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London, Modernism, and 1914

ISBN: 9780521195805 | 0521195802
Edition: 1st
Format: Hardcover
Publisher: Cambridge University Press
Pub. Date: 6/7/2010

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SummaryTable of ContentsAuthor Biography
These original essays portray a remarkable year in the city's art world, whose creative tensions and conflicts were rocked by the war. A bold, innovative account of the time and place that formed the genesis of modernism, this book suggests new routes through the fields of modernist art and literature.

The outbreak of the First World War coincided with the beginnings of high modernism in literature and the visual arts to make 1914 a pivotal moment in cultural as in national history. Yeats, Wyndham Lewis, Gaudier-Br... MORE
Illustrationsp. vii
Contributorsp. viii
Acknowledgementsp. xi
Foreword: art and premonitionp. xv
Introduction: avant-garde and avant-guerrep. 1
'A campaign of extermination': Walter Sickert and modernism in London in 1914p. 20
W. B. Yeats in 1914: a cosmopolitan modernist and the 'great menace' of nationalismp. 41
Jacob Epstein's Rock Drill: man and m... MOREp. 78
Conflict 'resolution': Wyndham Lewis's Blasts at warp. 101
'Something is happening there': early British modernism, the Great War and the 'Whitechapel Boys'p. 122
Inventing literary modernism at the outbreak of the Great Warp. 148
'Touching civilisation in its tender mood': nationalism and art in the friendship between Henri Gaudier-Brzeska and Edward Wadsworth, 1914-1915p. 165
Remembrance/reconstruction: autobiography and the men of 1914p. 196
Around the galleries: art exhibitions in London in 1914 through the eyes of the criticsp. 214
Rewriting 1914: the Slade, Tonks, and war in Pat Barker's Life Classp. 240
Appendixp. 272
Bibliographyp. 276
Indexp. 292
Table of Contents provided by Ingram. All Rights Reserved.
Michael J. K. Walsh is Associate Professor of Art History at the Eastern Mediterranean University, northern Cyprus.


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