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| Illustrations | p. vii |
| Contributors | p. viii |
| Acknowledgements | p. xi |
| Foreword: art and premonition | p. xv |
| Introduction: avant-garde and avant-guerre | p. 1 |
| 'A campaign of extermination': Walter Sickert and modernism in London in 1914 | p. 20 |
| W. B. Yeats in 1914: a cosmopolitan modernist and the 'great menace' of nationalism | p. 41 |
| Jacob Epstein's Rock Drill: man and m... MORE | p. 78 |
| Conflict 'resolution': Wyndham Lewis's Blasts at war | p. 101 |
| 'Something is happening there': early British modernism, the Great War and the 'Whitechapel Boys' | p. 122 |
| Inventing literary modernism at the outbreak of the Great War | p. 148 |
| 'Touching civilisation in its tender mood': nationalism and art in the friendship between Henri Gaudier-Brzeska and Edward Wadsworth, 1914-1915 | p. 165 |
| Remembrance/reconstruction: autobiography and the men of 1914 | p. 196 |
| Around the galleries: art exhibitions in London in 1914 through the eyes of the critics | p. 214 |
| Rewriting 1914: the Slade, Tonks, and war in Pat Barker's Life Class | p. 240 |
| Appendix | p. 272 |
| Bibliography | p. 276 |
| Index | p. 292 |
| Table of Contents provided by Ingram. All Rights Reserved. |