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Literature: An Introduction to Fiction, Poetry, and Drama, Interactive Edition (With Myliteratu...
ISBN: 9780321339898 | 0321339894
Edition: 4thFormat: Nonspecific Binding
Publisher: PEARSON
Pub. Date: 1/1/2005
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Literature, Ninth Edition, the most popular introduction of its kind, is organized into three genres Fiction, Poetry, and Drama. As in past editions, the authors' collective poetic voice brings personal warmth and a human perspective to the discussion of literature, adding to students' interest in the readings.
Literature, 9/e, the most popular introduction of its kind, is organized into three genrescurren;Fiction, Poetry, and Drama. As in past editions, the authors'collective poetic voice brings personal warmth an... MORE
Literature, 9/e, the most popular introduction of its kind, is organized into three genrescurren;Fiction, Poetry, and Drama. As in past editions, the authors'collective poetic voice brings personal warmth an... MORE
| Fiction | |
| Reading a Story | |
| Fable, Parable, and Tales | |
| Somerset Maugham, The Appointment in Samarra | |
| Aesop, The Fox and the Grapes | |
| Bidpai, The Camel and His Friends | |
| Chuang Tzu, Independence | |
| Jakob and Wilhelm Grimm, Godfather Death | |
| Plot | |
| The Short Story | |
| John Updike A & P. | ... MORE |
| Writer's Perspective | |
| John Updike on Writing, Why Write? | |
| Writing Critically | |
| What's The Plot? | |
| Point of View | |
| William Faulkner, A Rose for Emily | |
| Jhumpa Lahiri, Interpreter of Maladies | |
| James Baldwin, Sonny's Blues | |
| Eudora Welty, Why I Live at the P.O. | |
| Writer's Perspective | |
| James Baldwin on Writing, Race and the African-American Writer | |
| Writing Critically | |
| How Point of View Shapes a Story | |
| Character | |
| Katherine Anne Porter, The Jilting of Granny Weatherall | |
| Alice Walker, Everyday Use | |
| Raymond Carver, Cathedral | |
| Writer's Perspective | |
| Raymond Carver on Writing, Commonplace but Precise Language | |
| Writing Critically | |
| How Character Creates Action | |
| Setting | |
| Kate Chopin, The Storm | |
| Jack London, To Build a Fire | |
| Coraghessan Boyle, Greasy Lake | |
| Amy Tan, A Pair of Tickets | |
| Writer's Perspective | |
| Amy Tan on Writing, Setting the Voice | |
| Writing Critically | |
| How Time and Place Set a Story | |
| Tone and Style | |
| Ernest Hemingway, A Clean, Well-Lighted Place | |
| William Faulkner, Barn Burning | |
| Irony | |
| Guy de Maupassant, The Necklace | |
| Ha Jin, Saboteur | |
| Writer's Perspective | |
| Ernest Hemingway on Writing, The Direct Style | |
| Writing Critically | |
| Be Style Conscious | |
| Theme | |
| Stephen Crane, The Open Boat | |
| Alice Munro, Day of the Butterfly | |
| Luke 15: 11-32, The Parable of the Prodigal Son | |
| Kurt Vonnegut, Jr., Harrison Bergeron | |
| Writer's Perspective | |
| Kurt Vonnegut, Jr. on Writing, The Themes of Science Fiction | |
| Writing Critically | |
| Stating the Theme | |
| Symbol | |
| John Steinbeck, The Chrysanthemums | |
| Shirley Jackson, The Lottery | |
| Elizabeth Tallent, No One's a Mystery | |
| Ursula K. Le Guin, The Ones Who Walk Away from Omelas | |
| Writer's Perspective | |
| Ursula K. Le Guin on Writing, On "The Ones Who Walk Away from Omelas." | |
| Writing Critically | |
| Recognizing Symbols | |
| Writing Assignment | |
| Student Essay, An Analysis of the Symbolism In Steinbeck's "The Chrysanthemums." | |
| Evaluating a Story | |
| Writing Critically | |
| Know What You're Judging | |
| Reading Long Stories and Novels | |
| Leo Tolstoy, The Death of Ivan Ilych | |
| Franz Kafka, The Metamorphosis | |
| Writer's Perspective | |
| Franz Kafka on Writing, Discussing The Metamorphosis | |
| Writing Critically | |
| Table of Contents provided by Publisher. All Rights Reserved. |
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