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Bewitching art experts and enthusiasts alike for centuries, the Lady and the Unicorn tapestries hang today in the Cluny Museum in Paris.In each, an elegant lady and a unicorn stand or sit on an island of grass surrounded by a rich background of animals and flowers. Little is known about them except that they were woven toward the end of the fifteenth century and bear the coat of arms of a wealthy family from Lyons.Tracy Chevalier takes readers back to the tapestries’ creation, giving life to the men who designed and made them, as well as the wives, daughters, and servants who exercised subtle (and not so subtle) influences over their men. Like the many different strands of wool and silk that were woven together into one cloth, the lives and fates of these people entwine in complex patterns, crisscrossing as they seek desires sensual and spiritual, temporal and eternal.An extraordinary story exquisitely told, Tracy Chevalier’s The Lady and the Unicornweaves history and fiction into a beautiful, timeless, and intriguing literary tapestry that rivals in grace and grandeur the masterpiece that inspired it.

Tracy Chevalier is the author of the internationally bestselling novels The Virgin Blue, Girl with a Pearl Earring, and Falling Angels. An American originally from Washington, D.C., she lives in London, England, with her husband and son.

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Nicolas des Innocents The messenger said I was to come at once. That’s how Jean Le Viste is—he expects everyone to do what he says immediately.And I did. I followed the messenger, stopping just briefly to clean my brushes. Commissions from Jean Le Viste can mean food on the table for weeks. Only the King says no to Jean Le Viste, and I am certainly no king.On the other hand, how many times have I rushed across the Seine to the rue du Four, only to come back again with no commission? It’s not that Jean Le Viste is a fickle man—on the contrary, he is as sober and hard as his beloved Louis XI once was. Humorless too. I never jest with him. It’s a relief to escape his house to the nearest tavern for a drink and a laugh and a grope to restore my spirits.He knows what he wants. But sometimes when I come to discuss yet another coat of arms to decorate the chimney, or to paint on his wife’s carriage door, or to work into a bit of stained glass for the chapel— people say the Le Viste arms are as common as horse dung—he’ll stop suddenly, shake his head, and say with a frown, This is not needed. I should not be thinking about such commonplace matters. Go.” And I do, feeling guilty, as if I am to blame for bringing a carriage’s decoration to his attention, when it was he who called for me.I’d been to the rue du Four house half a dozen times before. It is not a place that impresses. Even with all the fields around it, it is built as if it were in the middle of the city, with the rooms long and narrow, the walls too dark, the stables too close—the house always smells of horses. It is the sort of house a family that has bought its way into the Court would live in—grand enough but poorly placed. Jean Le Viste probably thinks he has done well to be given such a place to live, while the Court laughs behind his back. He should be living close to the King and Notre Dame, not outside the city walls in the swampy fields around Saint-Germain-des-Prés.When I arrived the steward took me not to Jean Le Viste’s private chamber, a map-lined room where he performs duties for Court and King alongside family matters, but to the Grande Salle, where the Le Vistes receive visitors and entertain. I had never been there. It was a long room with a large hearth at the opposite end from the door and an oak table down the center. Apart from a stone coat of arms that hung on the chimney breast and another painted over the door, it was unadorned—though the ceiling was paneled with handsome carved wood.Not so grand, I thought as I looked around. Although shutters were open, the fire hadn’t been lit and the room was chilly with its bare walls.Wait here for my master,” the steward said, glaring at me. In this house people either respected artists or showed their contempt.I turned my back on him and gazed out of a narrow window where there was a clear view of the towers of Saint-Germain-des-Prés. Some say Jean Le Viste took this house so that his pious wife could step across to the church easily and often.The door opened behind me and I turned, prepared to bow. It was only a servant girl, who smirked as she caught me half-bent. I straightened and watched as she moved across the room, banging a pail against her leg. She knelt and began to clear the fireplace of ashes.Was she the one? I tried to remember—it had been dark that night behind the stables. She was fatter than I recalled, and sullen with her heavy brow, but her face was sweet enough. It was worth a word.Stay a moment,” I said when she had pulled herself up clumsily and made her way to the door. Sit and rest your feet. I’ll tell you a story.”The girl stopped with a jolt. You mean the story of the unicorn?”She was the one. I opened my mouth to answer, but the girl jumped in before me. Does the story go on to say that the woman grows big with child and may lose her place? Is that what happens?” &

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The Lady and the Unicorn

The Lady and the Unicorn

0525947671

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