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| List of illustrations | p. vii |
| Preface | p. xiii |
| Illustration acknowledgments | p. xvi |
| Introduction: Global Visual Cultures: Paradox and Comparison | p. 1 |
| Keyword The Division of the Sensible | p. 17 |
| Sight becomes Vision: From al-Haytham to Perspective | p. 21 |
| Keyword Culture as Transculture | p. 41 |
| "1492": Expulsions, Expropriations, Encounters | p. 45 |
| Breakout Image The Ambassadors: Slavery and the Gaze | p. 63 |
| Slavery, Modernity and Visual Culture | p. 68 |
| Keyword Visuality | p. 89 |
| Panoptic Modernity | p. 94 |
| Keyword Modernity | p. 113 |
| Breakout Image Photography and Death | p. 119 |
| Imperial Transcultures: From Kongo to Congo | p. 127 |
| Keyword Race | p. 147 |
| Sexuality Disrupts: Measuring the Silences | p. 153 |
| Keyword The Fetish and the Gaze | p. 169 |
| Inventing the West | p. 176 |
| Keyword Empire and the State of Emergency | p. 192 |
| Decolonizing Visions | p. 197 |
| Keyword Networks | p. 218 |
| Discrete States: Digital Worlds from the Difference Engine to Web 2.0 | p. 224 |
| Breakout Image Blade Runner | p. 245 |
| The Death of the Death of Photography | p. 250 |
| Keyword Spectacle and Surveillance | p. 264 |
| Celebrity: From Imperial Monarchy to Reality TV | p. 271 |
| Breakout Image The Abu Ghraib Photographs | p. 287 |
| Watching War | p. 292 |
| Index | p. 310 |
| Table of Contents provided by Ingram. All Rights Reserved. |