Andrzej Gasiorek is Professor of Twentieth-Century Literature at the University of Birmingham. He is the author of Postwar British Fiction: Realism and After (1995), Wyndham Lewis and Modernism (2003), and J. G. Ballard (2005) and the co-editor of T. E. Hulme and the Question of Modernism (2006), Ford Madox Ford: Literary Networks and Cultural Transformations (2008), The Oxford History of the Novel in English Vol. 4: The Reinvention of the British and Irish Novel 1880-1940 (2010), The Oxford Handbook of Modernisms (2010), and Wyndham Lewis and the Cultures of Modernity (2011). He is also co-editor of the journal Modernist Cultures and editor of the Journal of Wyndham Lewis Studies.

Preface ix

Abbreviations xiv

Introduction: Locating Modernism 1

1 Early Modernism 44

The New Woman 44

Literary Impressionism 54

Debating Imperialism 70

Early Modernist Drama 91

Edward Gordon Craig and W. B. Yeats 100

The Modern Metropolis 107

Ford Madox Ford and The English Review 118

2 ‘One Big Bloodless Brawl’: Modernist Literature, 1910–1914 136

Introduction 136

Exploring the Machine Age 141

Poetry and the Renovation of Language 157

Imagism 166

Ford, Flint, and Eliot 176

Dubliners 184

Suffragettes, Feminists, and Egoists 189

Blast and Vorticism 203

3 Modernism During Wartime 231

Introduction 231

Pacifism, Nationalism, and Community 234

Propaganda and Ideology 250

The Good Soldier 271

Portraits of the Male Artist 278

The Politics of Gender 292

4 ‘ A Haughty and Proud Generation’: Modernist Literature, 1918–1930 332

Introduction 332

The Backwashes of War 342

Ulysses 363

The Waste Land 381

Remaking the Novel 395

A Future for the Avant]Garde? 412

5 Modernism in the 1930s 432

Introduction 432

Modernity and Its Discontents 444

The Situation of Poetry 469

Modernism, Race, and Colonialism 479

The Festival Theatre and Group Theatre 492

Surrealism 504

Pound/Joyce 522

6 Coda: Modernism’s Afterlives 554

Index 570

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