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| Prefaces and Acknowledgments | p. 11 |
| The Prehistory of Modern Painting | p. 17 |
| Realism, Impressionism, and Early Photography | p. 29 |
| Post-Impressionism | p. 64 |
| The Origins of Modern Architecture and Design | p. 90 |
| Art Nouveau | p. 99 |
| The Origins of Modern Sculpture | p. 120 |
| Fauvism | p. 131 |
| Expressionism in Germany | p. 141 |
| Th... MORE | p. 171 |
| Cubism | p. 181 |
| Towards Abstraction | p. 217 |
| Early Twentieth-Century Architecture | p. 236 |
| From Fantasy to Dada and the New Objectivity | p. 250 |
| The School of Paris Between the Wars | p. 291 |
| Surrealism | p. 306 |
| Modern Architecture Between the Wars | p. 355 |
| International Abstraction Between the Wars | p. 370 |
| American Art Before World War II | p. 401 |
| Abstract Expressionism and the New American Sculpture | p. 437 |
| Postwar European Art | p. 477 |
| Pop Art and Europe's New Realism | p. 508 |
| Sixties Abstraction | p. 558 |
| The Second Wave of International Style Architecture | p. 602 |
| The Pluralistic Seventies | p. 627 |
| The Retrospective Eighties | p. 699 |
| Postmodernism in Architecture | p. 749 |
| Epilogue | p. 766 |
| Bibliography | p. 806 |
| Index | p. 829 |
| Credits | p. 854 |
| Table of Contents provided by Rittenhouse. All Rights Reserved. |