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A History of Graphic Design, 3rd Edition

ISBN: 9780471291985 | 0471291986
Format: Hardcover
Publisher: WILEY
Pub. Date: 1/1/1998

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SummaryTable of ContentsAuthor Biography
Critical acclaim for previous editions of A History of Graphic Design"I expect it to become a foundation and keystone of serious study . . . it is a fortress work." _Communication Arts"[It] traces the role of the designer as a messenger of culture." _STA Journal"Now . . . a hefty, yet concise, documentation of the entire field exists." _Print"It is a noble and formidable undertaking." _The Artist's Magazine"An excellent and invaluable work." _Library Journal"This is a reference work that reads like a novel. It's comprehensive, authoritative, gr... MORE
Prefacex(3)
Preface to the first editionxiii(1)
Acknowledgmentsxiv
1 The Prologue to Graphic Design: The visual message from prehistory through the medieval era4(54)
... MORE
1 The Invention of Writing
4(13)
2 The Asian Contribution
17(10)
3 Alphabets
27(12)
4 Illuminated Manuscripts
39(19)
2 A Graphic Renaissance: The origins of European typography and design for printing58(68)
5 Printing Comes to Europe
58(13)
6 The German Illustrated Book
71(15)
7 Renaissance Graphic Design
86(22)
8 An Epoch of Typographic Genius
108(18)
3 The Industrial Revolution: The impact of industrial technology upon visual communications126(84)
9 Typography for an Industrial Age
126(9)
10 Photography, the New Communications Tool
135(10)
11 Popular Graphics of the Victorian Era
145(17)
12 The Arts and Crafts Movement
162(17)
13 Ukiyo-e and Art Nouveau
179(31)
4 The Modernist Era: Graphic design in the first half of the twentieth century210(110)
14 The Genesis of Twentieth-Century Design
210(21)
15 The Influence of Modern Art
231(18)
16 Pictorial Modernism
249(13)
17 A New Language of Form
262(16)
18 The Bauhaus and the New Typography
278(22)
19 The Modern Movement in America
300(20)
5 The Age of Information: Graphic design in the global village320(155)
20 The International Typographic Style
320(17)
21 The New York School
337(26)
22 Corporate Identity and Visual Systems
363(27)
23 The Conceptual Image
390(24)
24 National Visions within a Global Dialogue
414(18)
25 Postmodern Design
432(23)
26 The Digital Revolution
455(20)
Epilogue475(1)
Selected Bibliography476(15)
Picture Credits491(3)
Index494
Philip B. Meggs is a designer, educator, and author. He is School of the Arts Research Professor, Communication Arts and Design Department, at Virginia Commonwealth University; visiting faculty at Syracuse University and the National College of Art and Design in Dublin, Ireland, and Contributing Editor to Print magazine.

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